1999年以来的韩国犯罪电影类型研究

发布时间：2018-05-13 06:25

本文选题：韩国电影 + 犯罪电影　；参考：《南京师范大学》2017年硕士论文

【摘要】：本文以1999年以来的韩国犯罪电影为考察对象,探求如何在世界电影市场的激烈厮杀中选择适合自我生存发展的运作方式和振兴策略。并以此为鉴,为国内的犯罪题材电影提供有益的启示和发展的方向。本文共分为五章,分别从韩国犯罪电影的现状、主题、人物、叙事、影音风格等方面对韩国犯罪电影加以详细而系统的分析和论述。第一章主要剖析韩国犯罪电影的现状,对韩国犯罪电影自1999以来出现的流变和发展作系统概述,并将新时期以来的韩国犯罪电影分为现实题材改编的纪实犯罪片、笑中有泪的喜剧犯罪片和传统模式的惊险犯罪片。在此板块的基础上归纳了韩国犯罪电影发展的动因和有利条件。第二章主要论述韩国犯罪电影的主题,集中于探讨人性、主流社会问题与伦理秩序。犯罪电影的本质特质决定了他必须要展现人性之恶,而韩国犯罪电影则将这种“恶”加以放大并细分。同样加以放大的还有政府独裁、司法腐败、媒体堕落等一系列社会问题。传统的亲情观,道德观,甚至是传统意义上的传统秩序与权威也被再一次颠覆与重构。第三章探讨了层次分明而鲜活饱满的各色人物,其中既有以少年儿童,女性,小人物为主的受害者,又有以政府、官僚、媒体从业者为主的施暴者,还有某种程度上有所缺失的审判者和给予抚慰的救赎者等。第四章探讨的是韩国犯罪电影的叙事技巧,关卡式、拼图式、闭合式、串联式等多样化悬疑手段的使用,还有反转剧情的戏谑效果,刻意营造的叙事时空、非圆满的结局设置,都有助于打造一个个精彩的故事。第五章,也是论文的最后部分,重点探讨了韩国犯罪电影的影音风格,分析其独特的视听语言。韩国犯罪电影具有高度写实的画面基调、血腥激烈的镜像物语和标志性的暗示寓言。在声音造型上也力求写实,大量使用自然音效,也善于利用人物声音塑造人物。
[Abstract]:In this paper, the Korean crime film since 1999 as the object of investigation, to explore how to choose the world film market in the fierce fight to choose a suitable self-survival and development of the operation and revitalization strategy. And take this as a mirror, provides the beneficial enlightenment and the development direction for the domestic crime theme movie. This article is divided into five chapters, respectively from the current situation of Korean crime film, theme, characters, narration, audio-visual style and other aspects of the Korean crime film detailed and systematic analysis and discussion. The first chapter mainly analyzes the current situation of Korean crime film, summarizes the evolution and development of Korean crime film since 1999, and divides the Korean crime film into documentary crime film based on realistic theme. Comedy crime movies with tears in laughter and thrilling crime movies with traditional models. On the basis of this plate, summed up the development of Korean crime film motivation and favorable conditions. The second chapter mainly discusses the theme of Korean crime film, focusing on human nature, mainstream social problems and ethical order. The essence of the crime film determines that he must show the evil of human nature, while the Korean crime film magnifies and subdivides the evil. Also magnified by government dictatorship, judicial corruption, media corruption and a series of social problems. The traditional view of kinship, morality and even the traditional order and authority are subverted and reconstructed again. The third chapter discusses all kinds of vivid and vivid characters, including the victims of young children, women, small figures, and the perpetrators of government, bureaucrats and media practitioners. There are also, to some extent, missing judges and redeemers who comfort them. The fourth chapter discusses the narrative techniques of Korean crime films, the use of various suspense means, such as level, jigsaw puzzle, closure, series, etc., as well as the playful effect of the reverse plot, the deliberately created narrative space and time, and the setting of non-satisfactory ending. Help to create a wonderful story. Chapter five, which is the last part of the thesis, mainly discusses the audio-visual style of Korean crime movies and analyzes its unique audiovisual language. South Korean crime films have a highly realistic tone, bloody mirror language and iconic allusions. In sound modeling also strive for realism, a large use of natural sound effects, but also good at making use of figure sound to shape characters.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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