社会现实题材纪录片《风雨艺考路》

发布时间：2018-05-13 07:20

  本文选题：纪录片 + 艺考　； 参考：《昆明理工大学》2017年硕士论文

【摘要】：每年春节前后,全国都会有一百多万花季少年奔赴各大院校,参加一场针对高考学生组织的艺术类专业选拔考试,人们习惯称之为“艺考”。逐年升温的艺考成为一个热门的社会话题,并逐渐演变成了“艺考热”。往日千军万马挤高考独木桥的盛况,如今演变成了“全民艺考”总动员。《风雨艺考路》是在艺考不断升温,逐渐成为全民关注的一个舆论话题的背景下,以央视、湖南卫视、北京卫视等多家媒体制作的同题材的纪录片作为参照,选取山东和云南的两位艺考少年作为拍摄对象的社会现实题材纪录片。影像形式上,本片借鉴了多部经典影片的技术技巧,丰富影像的视听语言;内容表达上,本片立足“求真、求善、求美”的艺术作品要求,多视角、深层次表现了艺考培训和艺术教育等诸多方面的问题。作品用严谨的数据和大量的背景调查,展现了艺考潮的缘起、发展和竞争的严酷性。通过两个主人公的遭遇,展现艺考细节,让故事立体化、形象化、可视化。本片创新叙事表达方式,摒弃了以往同题材纪录片流水式的讲述方式,借用个体的真实遭遇,集中再现了百万少年的艺考之路。
[Abstract]:Every year before and after the Spring Festival, about one million young people in the country will go to the universities and colleges to take part in an art professional selection test for the college entrance examination. People are used to call it a "art examination". The annual warming art examination becomes a hot social topic, and gradually becomes a "art examination hot". The pomp of the single tree bridge has now evolved into a "national art examination" mobilization. "Wind and rain art test road >" is under the background of a public opinion topic which is gradually becoming the popular concern of the whole people, with CCTV, Hunan TV, Beijing TV and many other media documentaries made by the media as a reference, selecting two of Shandong and Yunnan. As a documentary film for the subject of social reality, this film draws on the technical skills of many classic films and enriches the audio-visual language of the image. In content expression, this film is based on the requirements of "seeking truth, seeking good and seeking beauty", with many perspectives, and many aspects of Art Education and art education. With rigorous data and a large number of background surveys, the work shows the origin, development and competition of the art examination tide. Through the encounter of the two protagonists, the details of the art examination are displayed, the story is stereoscopic, visualized, and visualized. The narrative expression of this film is innovating, and the narrative way of the documentary film is abandoned and the individual is used to borrow the individual. The real experience has focused on the millions of young artists.

【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

【参考文献】

相关期刊论文 前10条

1 张龙;李沫;;中国社会现实题材纪实影像生产的现状与趋势探析[J];现代传播(中国传媒大学学报);2015年10期

2 邓智丹;;浅谈电视纪录片作品中的人文关怀[J];中外企业家;2015年11期

3 周新叶;;艺术形式与内容之悖论关系[J];扬州大学学报(人文社会科学版);2014年01期

4 刘祺;;社会现实题材纪录片的问题和出路[J];新闻世界;2013年04期

5 佟延秋;;纪录片解说词刍议[J];电影评介;2012年22期

6 谭美玉;;纪录片后期剪辑的重要性[J];当代电视;2012年07期

7 张国涛;;社会现实类纪录片创作潮流的背后——以《归途列车》为例[J];编辑学刊;2012年02期

8 葛明;;电视纪录片解说词写作探析[J];现代视听;2011年10期

9 潘婷婷;;《归途列车》:在理性与感性之间[J];中国电视(纪录);2011年09期

10 崔予缨;;中国纪录片的典型表达与分析[J];南通大学学报(社会科学版);2010年03期

，

本文编号：1882211