韩国青春偶像剧的中国受众研究

发布时间：2018-05-14 02:37

本文选题：韩国青春偶像剧 + 中国受众　；参考：《扬州大学》2016年硕士论文

【摘要】：近年来,韩国电视剧作为一种大众文化凭借其深厚的文化底蕴和精良的制作风行东南亚乃至欧美地区,在全球范围内掀起“韩流”热潮,其中以青春偶像剧传播最广、影响最大。当下韩国青春偶像剧不断地推陈出新,在我国的受众群体也不断地扩大,对我国受众的消费行为、价值观念等各方面产生极大的影响。因此,本文以韩国青春偶像剧的中国受众为研究对象,旨在通过对韩国青春偶像剧中国受众的调查与分析,从受众需求与韩国青春偶像剧文本创作的角度,对韩国青春偶像剧与中国受众之间的关系进行研究。本文创新性地将视点聚焦于受众,系统分析韩国青春偶像剧对中国受众需求的满足,对中国青春偶像剧的发展具有一定的借鉴意义。全文分为六个部分。绪论部分首先对韩国青春偶像剧进行文献综述,在此基础上,指出本文的研究意义与创新性在于通过社会调查对韩国青春偶像剧中国受众作出全面的分析,并从受众角度解读韩国青春偶像剧文本,进而把握中国受众的观看需求。第一章首先对韩国青春偶像剧进行界定和梳理,继而对韩国青春偶像剧在中国的传播现状和传播原因进行归纳和分析,指出,除了韩国政府对文化产业的支持,两国文化之间的相似性与差异性以及网络技术的发展也是韩国青春偶像剧能够在中国广泛传播的重要原因,并进一步指出,韩国青春偶像剧能够广受关注的根本原因是其对受众需求的重视与满足。第二章主要是通过问卷调查法对韩国青春偶像剧中国受众进行调查与分析,从性别、年龄、文化层次、职业、收入情况、观看途径、观看状态等方面总结出韩国青春偶像剧中国受众的基本特征,解读中国受众观看韩国青春偶像剧的主要动机以及对韩国青春偶像剧的反馈情况。第三章结合接受美学、叙事学等相关理论从受众视角解读韩国青春偶像剧文本创作,分析了作为类型剧的韩国青春偶像剧在题材选择、叙事艺术、人物塑造等方面的特点,总结出韩国青春偶像剧吸引中国受众的艺术元素,即题材的多样性、以情动人的叙事主题、曲折圆满的叙事情节、形象的人物塑造等。第四章探讨了韩国青春偶像剧中国受众的多重身份,即作为消费者、鉴赏者、受教化者的中国受众在观看韩国青春偶像剧的过程中不仅能够满足内心对完美身体、美好情感的追求,还能够获得悦目悦耳的审美体验,通过剧中传递出的传统正面价值观念及现代观念达到自我建构、自我完善的目的。最后是本文的结语部分,在总结全文的基础上,分析了我国国产青春偶像剧之所以不能如韩国青春偶像剧那样赢得广泛的市场和受众,自身存在诸多问题,如剧本缺乏创新、制作水平不高、演员演技较差等,并指出中国青春偶像剧在剧本创作、演员培养、后期制作等方面还需进一步提升。
[Abstract]:In recent years, as a kind of popular culture, Korean TV dramas have become popular in Southeast Asia and even Europe and the United States with their profound cultural background and excellent production. The influence is the greatest. At present, Korean youth idol drama is constantly emerging, and the audience in our country is also expanding, which has a great impact on the consumer behavior, values and other aspects of our country's audience. Therefore, this article takes the Chinese audience of Korean youth idol drama as the research object, through the investigation and analysis to the Chinese audience of Korean youth idol drama, from the audience demand and the Korean youth idol drama text creation angle, This paper studies the relationship between Korean idol drama and Chinese audience. This paper innovatively focuses on the audience and systematically analyzes the demand of the Chinese audience for Korean youth idol drama, which has certain reference significance for the development of the Chinese youth idol drama. The full text is divided into six parts. The introduction part firstly summarizes the literature of Korean idol drama of youth, and on this basis, points out that the significance and innovation of this paper lies in the comprehensive analysis of the Chinese audience of Korean idol drama through social investigation. And from the audience point of view to interpret the Korean youth idol drama text, and then grasp the Chinese audience's viewing needs. The first chapter defines and combs the Korean idol drama of youth, then sums up and analyzes the present situation and the reasons of the spread of the Korean idol drama in China, and points out that, in addition to the support of the Korean government for the cultural industry, The similarities and differences between the cultures of the two countries, as well as the development of network technology, are also important reasons for the widespread spread of Korean idol dramas in China, and further point out that The fundamental reason why South Korean idol drama can receive wide attention is its attention and satisfaction to the needs of the audience. The second chapter is to investigate and analyze the Chinese audience of Korean youth idol drama through questionnaire survey, from gender, age, cultural level, occupation, income situation, viewing way. This paper summarizes the basic characteristics of the Chinese audience of Korean youth idol drama, and interprets the main motivation of the Chinese audience to watch the Korean youth idol drama and the feedback to the Korean youth idol drama. The third chapter combines the reception aesthetics, narratology and other relevant theories to interpret the Korean youth idol drama text creation from the audience angle of view, and analyzes the characteristics of Korean youth idol drama as a type of drama in subject selection, narrative art, character shaping and so on. This paper summarizes the artistic elements of Korean youth idol drama that attract Chinese audience, namely, the variety of subjects, the emotional and moving narrative theme, the twists and turns of the narrative plot, the portrayal of the characters and so on. The fourth chapter discusses the multiple identities of the Chinese audience of Korean youth idol dramas, that is, as consumers, connoisseurs, and educated Chinese audiences can not only satisfy the perfect body of their hearts in the process of watching Korean youth idol dramas. The pursuit of beautiful emotion can also obtain the aesthetic experience of pleasing to the eyes and ears and achieve the goal of self-construction and self-improvement through the traditional positive values and modern concepts transmitted in the play. Finally, the conclusion of this paper, on the basis of summing up the full text, analyzes the reason why China's domestic youth idol drama can not win a wide market and audience like Korean youth idol drama, and has many problems, such as the lack of script innovation. The production level is not high, the actor acting skill is poor, and points out the Chinese youth idol drama in the script creation, the actor training, the post production and so on aspect still needs to further enhance.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905

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