李安电影美学观念及其表现

发布时间：2018-06-06 19:15

本文选题：李安电影 + 美学观念　；参考：《山东师范大学》2016年硕士论文

【摘要】：李安是第一位跨入好莱坞A级导演行列,同时也是第一位在奥斯卡金像奖、英国电影学院奖以及金球奖三大世界性电影颁奖礼上荣获最佳导演的华人导演。因其独特的游走于东西方世界之间的文化背景,李安被赋予浓郁的人文品质与独特气质,其电影也呈现出自身独具一格的美学特征。笔者主要基于美学视野,运用个案系统研究方法、调查法、文献法、实证分析法等相关理论研究方法,对李安电影的内在美学观念和外在美学表现进行较为全面以及深入的分析,通过细致的解读和独特的审视,探讨其电影的审美和艺术特色。绪论部分,主要对本文的创作背景和意义、关于李安电影的国内外研究现状和研究目的、方法进行扼要说明和阐释。第一章,主要针对李安导演电影美学观念的形成进行较为深入的剖析。文章认为,文化上,中国传统文化的影响、西方现代文化的熏染以及中西方文化冲突的激荡;个人电影成长之路上,童年兴趣、教育熏陶和实践锻炼以及独特的个性魅力促成了李安电影美学观念的形成。第二章,主要研究李安电影美学观念的核心内容。文章认为,“冲突美”是李安电影美学的核心,主要表现在理性与感情的情感冲突、传统与现代的文化冲突和男性与女性的人性冲突三个方面。第三章,主要从内容与形式两大方面讨论李安电影美学观念的表现。文章认为,深刻的人文主题、丰满的人物塑造和多元的社会环境是李安电影美学观念在内容上的体现;形式上对隐蔽的叙事手法、复杂的画面构成、得当的镜头运用和出彩的声音渲染是李安电影美学观念在形式上的体现。第四章,主要是对李安电影的美学价值进行全方位的剖析,主要阐述了李安电影所蕴含的民俗美学价值、对中国及世界电影美学的贡献以及引领华语电影界的新发展三方面。本文在研究过程中,摒弃了传统意义下对李安电影作品的文化研究或者单纯的人论研究,更多的是从整体上对李安导演电影的整体性以及内在价值、独特的电影语言进行全面剖析,力求更为细致地呈现李安电影独特的美学风格及其表现。笔者希望通过对李安电影的美学研究,为中国电影走出亚洲,走向世界提供参考和借鉴。
[Abstract]:Ang Lee was the first Hollywood A-rated director to win the Best Director at the Academy Awards, the British Academy of Film Awards and the Golden Globes. Because of his unique cultural background between the East and the West, Ang Lee was endowed with a rich humanistic quality and unique temperament, and his films also showed their own unique aesthetic characteristics. The author mainly based on the aesthetic perspective, using the case system research method, investigation method, literature method, empirical analysis and other relevant theoretical research methods. This paper makes a more comprehensive and in-depth analysis of Lee's film's internal aesthetic concept and external aesthetic performance, and probes into its aesthetic and artistic characteristics through careful interpretation and unique examination. In the introduction part, the background and significance of this thesis, the research status and purpose of Lee's films at home and abroad, and the methods are briefly explained and explained. The first chapter, mainly aimed at the formation of Lee-an film aesthetic concept of a more in-depth analysis. The article holds that, culturally, the influence of Chinese traditional culture, the influence of modern western culture and the agitation of cultural conflict between China and the West; the interest of childhood in the growth of individual films, Educational edification and practical exercise, as well as unique personality charm, contributed to the formation of Lee's film aesthetic concept. The second chapter mainly studies the core content of Ang Lee's film aesthetic concept. The article holds that the beauty of conflict is the core of Ang Lee's film aesthetics, which is mainly manifested in three aspects: the emotional conflict between reason and emotion, the cultural conflict between tradition and modern, and the human nature conflict between men and women. The third chapter mainly discusses the aesthetic concept of Ang Lee's film from two aspects: content and form. The article holds that the profound humanistic theme, the plump character shaping and the pluralistic social environment are the embodiment of Lee's film aesthetic concept in content, the form of the hidden narrative technique, the complicated picture composition, The proper use of lens and brilliant sound rendering is the formal embodiment of Ang Lee's film aesthetic concept. The fourth chapter mainly analyzes the aesthetic value of Ang Lee's films in all directions, mainly expounds the aesthetic value of folklore contained in Ang Lee's films, his contribution to Chinese and world film aesthetics, and the new development of the Chinese film industry. In the course of the research, this paper abandons the traditional cultural research or the pure humanism research on Ang Lee's film works, and more generally, the whole and the intrinsic value of the Lee'an film. The unique film language is analyzed in an all-round way, and the unique aesthetic style and expression of Ang Lee's film are presented in more detail. The author hopes to provide reference and reference for Chinese films to go out of Asia and the world through the aesthetic study of Ang Lee's films.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J901

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