《三傻大闹宝莱坞》的电影叙事研究

发布时间：2018-07-17 06:49

【摘要】：21世纪初,革新后的宝莱坞影片在继承印度传统电影的民族性的同时,还学习借鉴了好莱坞的叙事表达,融入了更加丰富和多元的叙事风格和手法,形成了印度电影的新样式——“新概念印度电影”,使印度电影焕发出新的活力。《三傻大闹宝莱坞》,是由印度导演拉库马·希拉尼执导的校园题材励志电影,该影片在印度本土以及海外都取得了不菲的票房成绩,同时斩获多个电影奖项,是“新概念印度电影”的代表佳作之一。目前学术界对它的关注却略显欠缺,同时,利用电影叙事学理论对这部影片进行细读式研究的文献也十分匮乏,这就使得本研究具有了一定的意义和研究价值。本文在搜集大量资料并吸收借鉴其他学者相关研究的基础上,以电影叙事学研究法和个案研究法来对《三傻大闹宝莱坞》这部电影进行解读,通过对其叙事内容、叙事策略和视听语言的分析,力图细致、全面、深刻地呈现电影的内涵和价值。通过研究,笔者发现:导演通过对叙事内容、叙事策略和视听语言的精雕细琢,构筑了一个完整、严密的电影叙事系统。影片将多种社会问题通过“理想化的完美人物”、“普通人的缩影”、“非绝对化的反面人物”以及“情感线索人物”四种人物类型,巧妙地融合在情节中,赋予影片残酷现实和浪漫情怀的双重主题。电影以第一人称画外“我”者的视角展开叙述,通过对“本事”时间的超越,拓展了叙事张力,在追忆与现实交织的非线性叙事结构下,借助悬念、陡转、伏笔、省略的叙事技巧,使电影情节一波三折、环环相扣。导演对特写镜头、移镜头的娴熟运用,对明艳又不乏对比的画面色彩的自如切换,在带给观众别样的视听享受的同时,也强化了叙事基调,深化了叙事主题。影片的对白具有鲜明的性格特征,旁白巧妙地串联了电影情节,电影插曲是对人物内心的关照,音效在塑造人物和渲染气氛、表达情思方面起到画龙点睛的作用。
[Abstract]:At the beginning of the 21st century, the innovative Bollywood films, while inheriting the national character of the traditional Indian films, also learned to learn from the narrative expressions of Hollywood, and incorporated a richer and more diversified narrative style and techniques. Has formed a new style of Indian film-"New concept Indian Film", which makes Indian film take on a new vitality. "three silly Bollywood" is an inspirational film on campus, directed by Indian director Rakuma Hilani. The film, which has made a lot of money at the box office both at home and abroad, has also won several film awards and is one of the masterpieces of New concept India. At present, the academic circles pay a little attention to it, and at the same time, there is a lack of literature on the study of this film by using the theory of film narratology, which makes this study have a certain significance and research value. On the basis of collecting a great deal of data and drawing on other scholars' relevant research, this paper uses the method of film narratology research and case study to interpret the film "three silly Bollywood", and through its narrative content, Narrative strategy and audio-visual language analysis, trying to meticulous, comprehensive, profound presentation of the connotation and value of the film. Through the research, the author finds that the director has constructed a complete and strict film narrative system through the elaboration of narrative content, narrative strategy and audio-visual language. The film cleverly blends a variety of social problems into the plot through four types of characters: the ideal perfect character, the epitome of ordinary people, the non-absolute negative character, and the emotional clue character. To give the film cruel reality and romantic feelings of the dual theme. The film is narrated from the perspective of the first-person "I" person. Through the transcendence of the "ability" time, it expands the narrative tension. Under the nonlinear narrative structure intertwined with reality, the film relies on suspense, sudden turn and writing. The omission of narrative techniques, so that the movie plot twists and turns, interlocking. The director's skillful use of the close-up lens and the moving lens, and the free switching of the bright and contrasting colors of the pictures, not only bring the audience other audio-visual enjoyment, but also strengthen the narrative tone and deepen the narrative theme. The film's dialogue has the distinct character characteristic, the narrator cleverly connected the movie plot, the movie interlude is to the character's inner care, the sound effect plays the finishing point function in shaping the character, rendering the atmosphere, expressing the feeling.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

【参考文献】