民间的重启—民间艺术对实验动画创作启示性刍议

发布时间：2018-07-26 20:07

【摘要】：本文以民间艺术对实验动画的启示性分析为写作目标,并就两者关系进行深入探讨。民间艺术对实验动画的影响不仅体现在表现形式上,也体现在实验动画的思想构建中,对于这两方面的探讨是贯穿整篇文章的核心基础。民间的重启,实质上是在当代艺术语境中,一种重新发现和激活传统的视点,因此为了能够更加全面分析民间艺术对实验动画的启示意义,着意把这个问题抛入当代艺术语境中,融入当代艺术中的其它学科进行分析和研究。文章围绕实验动画中具有民间艺术基因的几个典型案例进行分析、解读,尝试性的探究出民间艺术对实验动画产生的启示和意义。文中列举的某些案例不完全隶属实验动画范畴,这是源于当代艺术各学科之间所存在的共性和互通性已然超出了单门学科的自律之外。文章不仅是从艺术理论和艺术现象的角度分析,也依靠笔者对实验动画创作机制的体验来获得。第一章绪论部分陈述了论文的研究源起,包括研究背景、研究外因及研究内因。除此以外,还概括性阐述了本文的研究意义、研究现状、研究目的及内容,以作为论文研究的基础。第二章节主要论述的是民间艺术与实验动画的关系。首先是对民间艺术和实验动画基本概念的梳理,然后结合相关艺术史,对两者间存在的内在关联,即对两者处于动态的相互融合、相互渗透的关系做了扼要阐述。第三章是本论文重点,即民间艺术对实验动画表现形式的启示性分析。民间艺术对实验动画表现形式产生的启示主要体现在两个方面。首先,民间美术在实验动画中的引申置换部分,主要体现在对民间剪纸、木偶、壁画及唐卡的使用上,本文结合实验动画作品、中国早期动画作品、当代艺术作品及国外艺术作品中具有典型性的案例,分析了民间艺术对实验动画的图像构建、抽象性表达、符号转译及装饰型风格表现等多方面的启示意义。其次,民间戏曲在实验动画的转借应用中也有相当广泛的表现,论文结合具有典型性的艺术作品,分析了民间戏曲对实验动画中的造型设计、表演、音乐等方面的启示性。本部分也简略地谈到笔者在实验动画作品及创作经验中对民间艺术的态度,简要的指出了民间艺术带给笔者的启示及影响,也尝试性的探究了民间艺术对实验动画表现形式中的有效性。第四章分析了民间艺术所蕴含的民间文化内涵,以及民间文化对实验动画艺术思想构建的启示。在当代艺术语境中,讨论了民间文化做为中国传统文化的继承和载体,以及对当代艺术本土化实验所带来的启示;尝试解读民间艺术的哲学基础,并尝试性的讨论了“阴阳”哲学的启示和意义。结合笔者创作经验,分析了民间文化内涵对自己的边缘思维和以本土文化作为艺术思想根基的影响。文章的最后部分是对本文所研究的主要内容做了综合性的总结,并尝试性的提出了自己的看法及展望。本论文意图立足于当代艺术语境中,从表现形式及艺术思想构建两个方面入手对民间艺术为实验动画所带来的启示性进行分析、解读、整理。另外,文章也紧紧结合笔者的创作经验进行解释和阐述,汇集了笔者长期以来对实验动画探索的经验和认知,也意在能够更真切、形象的支撑文章论点。
[Abstract]:This article takes the inspiration analysis of folk art to the experimental animation as the writing goal, and explores the relationship of the two. The influence of folk art on the experimental animation is not only reflected in the form of expression, but also in the ideological construction of the experimental animation. The discussion of these two aspects is the core foundation of the whole article. In essence, in the context of contemporary art, a kind of re discovery and activation of the traditional view, so in order to more comprehensive analysis of the Enlightenment of folk art to experimental animation, the problem is put into the contemporary art context and into the other subjects of contemporary art to analyze and study. Several typical cases of folk art genes are analyzed, interpreted, and attempted to explore the enlightenment and significance of folk art to experimental animation. Some cases listed in this paper are not entirely subordinate to the category of experimental animation, which is derived from the universality and interoperability between the various disciplines of contemporary art which has gone beyond the self-discipline of a single subject. In addition, the article is not only analyzed from the angle of artistic theory and artistic phenomenon, but also by the author's experience in the creation mechanism of experimental animation. Chapter 1 is the first part of the introduction to state the origin of the research, including the research background, the study of the external cause and the internal cause. The second chapter mainly deals with the relationship between folk art and experimental animation. The first is to comb the basic concepts of folk art and experimental animation, and then combine the relevant art history with the internal relationship between the two, namely, the dynamic integration and infiltration of the two. The third chapter is the key point of this paper, that is, the revelation of folk art to the form of experimental animation. The inspiration of folk art to the form of experimental animation is mainly reflected in two aspects. First, the extension of folk art in experimental animation is mainly embodied in folk paper-cut, puppet, murals. As well as the use of Thangka, this paper combines the experimental animations, Chinese early animations, contemporary art works and foreign art works with typical cases, and analyzes the Enlightenment of folk art to the image construction of experimental animation, abstract expression, symbol translation and decorative style performance. Secondly, folk opera is in the following aspects It also has a wide range of performance in the application of the experimental animations. With the combination of typical artistic works, the paper analyzes the inspiration of folk opera to the modeling design, performance and music in the experimental animation. This part also briefly talks about the author's attitude to the folk art in the experimental animations and creative experience. This paper points out the inspiration and influence of folk art to the author, and tries to explore the effectiveness of folk art in the form of experimental animation. The fourth chapter analyzes the folk culture connotation of folk art and the revelation of folk culture to the construction of experimental animation art thought. In the context of contemporary art, the folk culture is discussed. As the inheritance and carrier of Chinese traditional culture, as well as the enlightenment to the localization experiment of contemporary art, we try to interpret the philosophical foundation of the folk art, and try to discuss the enlightenment and significance of the "Yin Yang" philosophy. The final part of the article is to make a comprehensive summary of the main contents of this article, and try to put forward his own views and prospects. The purpose of this thesis is based on the two aspects of the form of expression and artistic thought in the context of contemporary art, which brings the folk art to the experimental animation. In addition, the article also explains and expounds the author's creative experience, which brings together the author's experience and cognition for the exploration of experimental animation for a long time, and is also intended to be more genuine and image supporting the article argument.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

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