新世纪中国大陆乡土电影的审美解读

发布时间：2018-10-09 13:09

【摘要】：中国乡土电影传承着中国几千年的传统文化,承载着各民族和不同地域的历史和未来。乡土电影作为一种独具中国特色的影视品种,它不仅是中国城市民众了解乡村的渠道,同时也是世界了解中国的一扇窗口,因而在中国电影史上始终占有非常重要的地位。尤其是进入新世纪以来,在国家城乡一体化和新农村建设的当下,乡村正在发生裂变,人们开始反思自身的生存状态,追寻失落的精神家园。此刻乡土成为人们向往的乐土,人们渴望在这片精神家园中找到安宁与慰藉。然而,进入新世纪后,乡土电影的势头有所低落。在这样的背景之下,乡土电影如何面对压力与挑战是一个值得我们深思的问题。本文以新世纪以来的中国大陆乡土电影为研究对象,首先通过辨析农村电影、乡村电影这两个容易与乡土电影相混淆的概念入手,再详细梳理了乡土电影发展历程,从而探究界定一部概念模糊的乡村电影是否能列入“新世纪乡土电影”的研究范畴。然后从画面意境、题材立意、民风民俗、文化乡愁角度分析中国乡土电影中的传统审美元素,并从这些角度上发现乡土电影有别于其他类型电影的特征。其次是总结出新世纪中国大陆乡土电影在城乡一体化和经济全球化的大环境下,其叙事主题的变化和创作方式的革新,最后结合影片分析了新世纪中国大陆乡土电影在展现出这么多新特点的同时又逐渐式微的原因,并试图由此为乡土电影的未来之路提供一些思考与借鉴。虽然当下中国乡土电影面临困境,但我们有理由相信,不久的将来乡土电影必将在多元化的文化世界里独树一帜,向世人展示自己独特的价值与魅力;在不同文化的交流之中,传递自己特有的文化气质,谱写更加辉煌的篇章。本文旨在引起人们对这一类型电影的关注与研究,以求能够对乡土电影的创作有所裨益。
[Abstract]:The Chinese local film inherits the traditional culture of China for thousands of years and bears the history and future of various nationalities and different regions. As a unique film and television variety with Chinese characteristics, local film is not only a channel for Chinese urban people to learn about rural areas, but also a window for the world to understand China, so it has always occupied a very important position in the history of Chinese cinema. Especially in the new century, with the integration of urban and rural areas and the construction of new countryside, the countryside is fission. People begin to reflect on their living conditions and pursue the lost spiritual homeland. At the moment, the country has become a happy place for people to find peace and solace in this spiritual homeland. However, after entering the new century, the momentum of local films is down. Under this background, how to face the pressure and challenge is a problem worth our thinking. This article takes the Chinese mainland native film since the new century as the research object, first through discriminates the countryside movie, the countryside movie these two easy to confuse with the local film, then has combed the local film development course in detail. So as to explore the definition of a fuzzy concept of rural film can be included in the study of "New Century Local Film." Then from the view of artistic conception, theme, folk customs and cultural nostalgia, this paper analyzes the traditional aesthetic elements in the Chinese native film, and finds out that the local film is different from other types of film. Secondly, it sums up the change of narrative theme and innovation of creative way of Chinese mainland native film in the environment of urban-rural integration and economic globalization in the new century. In the end, the author analyzes the reasons why the local films in the mainland of China show so many new features and decline gradually in the new century, and try to provide some thinking and reference for the future of the local films. Although Chinese local films are now facing difficulties, we have reason to believe that in the near future, local films will be unique in the pluralistic cultural world, showing the world their unique values and charisma; in the exchange of different cultures, Transfer their own unique cultural temperament, write a more brilliant chapter. The purpose of this paper is to arouse people's attention and research on this type of film, in order to benefit the creation of local films.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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