权力视域下的红色经典电视剧改编现象研究
发布时间：2018-11-11 13:02
【摘要】：自2000年起,红色经典不断地被改编成为电视剧,一时间各大传媒争相拍摄红色题材的电视剧。不少投资方在商业利益的驱使下,对红色经典进行电视剧改编,在改编的过程中存在一定的误区,引发了国家新闻出版广电总局下发的两个关于红色经典改编的通知。本文针对这一文化事件,从福柯的话语权力理论与布尔迪厄的权力理论出发,研究红色经典的电视剧改编现象。考察红色经典作为一种特殊的文化资本,在体制机制、市场机制下的具体运作,从权力文化机构、商业传媒、受众等三个角度考察红色经典的电视剧改编中的权力关系及权力运作的问题。 本文分四部分展开论述： 绪论部分考察本课题研究意义、研究现状与研究方法。同时对重要的概念例如红色经典、权力等进行梳理、界定。 第一部分分析了福柯的话语权力理论与布尔迪厄的文化资本与符号权力理论,并结合红色经典的电视剧改编分析其理论的适用性,分析在红色经典电视剧改编中的权力文化机构、商业传媒、观众等所起到的作用,区分出国家主流话语,商业传媒话语、受众话语,同时分析红色经典电视剧改编的现状。 第二部分从权力文化机构方面考察红色经典电视剧改编中的权力因素与权力运作。指出权力文化机构对红色经典文化资源再利用的目的是巩固国家意识形态,对其进行主旋律化改编,重建国家话语权。通过话语引导与经济扶持来建立控制体系。 第三部分从商业传媒入手考察红色经典的电视剧改编的权力因素及权力运作。研究传媒的意识形态性与隐蔽性,分析市场机制下的文化资本运作,考察在红色经典的电视剧改编中的权力寻租形象。 第四部分从受众的角度入手考察红色经典的电视剧改编中的权力运作。分为两节主要探讨了受众文化消费权力与监督权力的运作。同时指出在新媒介的运作下,受众的文化消费权力不断扩大与监督权力的运作机制的不完善。 结语中总结了在红色经典的电视剧改编中权力在权力文化机构、商业传媒、受众见的流动。同时指出国家主流话语与商业传媒话语是主导因素,而受众方则由于监督机制的不完善,处于弱势方。
[Abstract]:Since 2000, the red classic has been adapted into TV series. Many investors, driven by commercial interests, adapted the Red Classic TV series. There were some misunderstandings in the process of adaptation, which led to two notices on the adaptation of the Red Classics issued by the State Press, publication, Radio, Film and Television Administration. Based on Foucault's theory of discourse power and Bourdieu's theory of power, this paper studies the adaptation of red classic TV series. Examining the specific operation of the Red Classics as a special cultural capital under the institutional mechanism and the market mechanism, from the power cultural institutions to the commercial media, Audience and other three angles to investigate the power relationship and power operation in the adaptation of red classic TV series. This paper is divided into four parts: the introduction part to investigate the significance of the subject, research status and research methods. At the same time, the important concepts such as red classic, power and so on are combed and defined. The first part analyzes Foucault's theory of discourse power and Bourdieu's theory of cultural capital and symbolic power. This paper analyzes the functions of power cultural institutions, commercial media, audience and so on in the adaptation of red classic TV dramas, and distinguishes the national mainstream discourse, commercial media discourse and audience discourse. At the same time, it analyzes the current situation of the adaptation of red classic TV dramas. The second part examines the power factors and power operation in the adaptation of red classic TV series from the aspect of power cultural institutions. It is pointed out that the purpose of the reuse of red classical cultural resources by power cultural institutions is to consolidate the national ideology, to adapt it to the main melody, and to reconstruct the right of national discourse. Through discourse guidance and economic support to establish a control system. The third part examines the power factors and power operation of the red classic TV series adaptation from the commercial media. This paper studies the ideology and concealment of the media, analyzes the operation of cultural capital under the market mechanism, and examines the rent-seeking image of power in the adaptation of the red classic TV series. The fourth part examines the power operation in the adaptation of the red classic TV series from the perspective of the audience. It is divided into two sections to discuss the operation of audience's cultural consumption power and supervision power. At the same time, it points out that under the operation of new media, the audience's cultural consumption power expands constantly and the operating mechanism of supervision power is not perfect. The conclusion summarizes the flow of power in power cultural institutions, commercial media and audience in the adaptation of red classic TV dramas. At the same time, it points out that national mainstream discourse and commercial media discourse are the dominant factors, while the audience is in the weak side because of the imperfect supervision mechanism.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2324920
[Abstract]:Since 2000, the red classic has been adapted into TV series. Many investors, driven by commercial interests, adapted the Red Classic TV series. There were some misunderstandings in the process of adaptation, which led to two notices on the adaptation of the Red Classics issued by the State Press, publication, Radio, Film and Television Administration. Based on Foucault's theory of discourse power and Bourdieu's theory of power, this paper studies the adaptation of red classic TV series. Examining the specific operation of the Red Classics as a special cultural capital under the institutional mechanism and the market mechanism, from the power cultural institutions to the commercial media, Audience and other three angles to investigate the power relationship and power operation in the adaptation of red classic TV series. This paper is divided into four parts: the introduction part to investigate the significance of the subject, research status and research methods. At the same time, the important concepts such as red classic, power and so on are combed and defined. The first part analyzes Foucault's theory of discourse power and Bourdieu's theory of cultural capital and symbolic power. This paper analyzes the functions of power cultural institutions, commercial media, audience and so on in the adaptation of red classic TV dramas, and distinguishes the national mainstream discourse, commercial media discourse and audience discourse. At the same time, it analyzes the current situation of the adaptation of red classic TV dramas. The second part examines the power factors and power operation in the adaptation of red classic TV series from the aspect of power cultural institutions. It is pointed out that the purpose of the reuse of red classical cultural resources by power cultural institutions is to consolidate the national ideology, to adapt it to the main melody, and to reconstruct the right of national discourse. Through discourse guidance and economic support to establish a control system. The third part examines the power factors and power operation of the red classic TV series adaptation from the commercial media. This paper studies the ideology and concealment of the media, analyzes the operation of cultural capital under the market mechanism, and examines the rent-seeking image of power in the adaptation of the red classic TV series. The fourth part examines the power operation in the adaptation of the red classic TV series from the perspective of the audience. It is divided into two sections to discuss the operation of audience's cultural consumption power and supervision power. At the same time, it points out that under the operation of new media, the audience's cultural consumption power expands constantly and the operating mechanism of supervision power is not perfect. The conclusion summarizes the flow of power in power cultural institutions, commercial media and audience in the adaptation of red classic TV dramas. At the same time, it points out that national mainstream discourse and commercial media discourse are the dominant factors, while the audience is in the weak side because of the imperfect supervision mechanism.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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