娄烨先锋电影研究
发布时间：2019-04-04 11:53
【摘要】：娄烨,中国最具作者导演气质,同时也是第六代导演到目前为止仍然坚持自己的观念而少被商业染指的导演之一。娄烨的电影风格化明显,在对于电影内容、电影题材、电影主题以及视听语言的应用上均有着自己的特点,而这些特点在很大程度上都带有先锋性的表达策略。对于娄烨先锋电影研究,在理解和把握娄烨的电影创作的基础上,既能由个别到一般的了解第六代先锋性,又能在第六代导演风格的整体关照下,由一般到个别更好地了解娄烨电影中的先锋性。本文试图通过对于娄烨电影中的人物形象、城市形象、视听语言、叙事方式等方面的分析,洞悉娄烨的创作背景、揭示娄烨电影的创作理念、并完整的探讨娄烨先锋性电影,从而加深对于娄烨电影先锋特性的认识。本文分为五章:第一章了解先锋电影发展历程,把握先锋电影产生的背景与内涵,归纳总结第六代的总体特征以及娄烨先锋式的创作历程;第二章和第三章对于娄烨电影中先锋性的人物形象和城市形象进行了详细梳理,并概括归纳出其先锋性的特质及其文化诉求;第四章探究娄烨的视听语言应用中的先锋性表达,这种表达也成为其作者电影的重要特质;最后一章侧重于娄烨电影的先锋叙事的分析,研究娄烨在叙事上的个性化表达。这种研究从电影的表现内容、表现技法以及表述方式上的分析,能够相对全面地理解娄烨电影的前锋性,具有一定的理论意义和现实意义。
[Abstract]:Lou Ye, China's most author-directed director, is also one of the sixth generation directors who so far adhere to their own ideas and are less commercial. Lou Ye's film style is obvious, in the film content, film theme, film theme and the application of audio-visual language have their own characteristics, and these characteristics to a large extent with avant-garde expression strategy. For Lou Ye's avant-garde film research, on the basis of understanding and grasping Lou Ye's film creation, he can not only understand the sixth generation vanguard from individual to general, but also be able to take care of the sixth generation director style as a whole. From the general to the individual better understand Louye movie vanguard. By analyzing the characters, city images, audio-visual language and narrative methods of Lou Ye's films, this paper tries to understand Lou Ye's creative background, reveal the creative ideas of Lou Ye's films, and fully discuss Lou Ye's avant-garde films. Thus deepen to Lou Ye movie avant-garde characteristic understanding. This paper is divided into five chapters: the first chapter is to understand the development of avant-garde film, grasp the background and connotation of avant-garde film, summarize the overall characteristics of the sixth generation and Louye vanguard-style creative process; The second and third chapters sort out the avant-garde characters and city images in Lou Ye's films in detail, and generalize their avant-garde characteristics and their cultural demands. The fourth chapter explores the avant-garde expression in Lou Ye's audio-visual language application, which has become an important feature of the author's film. The last chapter focuses on the analysis of the avant-garde narrative of Lou Ye's films, and studies Lou Ye's personalized expression in narrative. This kind of research can understand the vanguard of Lou Ye film relatively comprehensively from the analysis of the expression content, the expression technique and the expression way, which has certain theoretical and practical significance.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
本文编号：2453784
[Abstract]:Lou Ye, China's most author-directed director, is also one of the sixth generation directors who so far adhere to their own ideas and are less commercial. Lou Ye's film style is obvious, in the film content, film theme, film theme and the application of audio-visual language have their own characteristics, and these characteristics to a large extent with avant-garde expression strategy. For Lou Ye's avant-garde film research, on the basis of understanding and grasping Lou Ye's film creation, he can not only understand the sixth generation vanguard from individual to general, but also be able to take care of the sixth generation director style as a whole. From the general to the individual better understand Louye movie vanguard. By analyzing the characters, city images, audio-visual language and narrative methods of Lou Ye's films, this paper tries to understand Lou Ye's creative background, reveal the creative ideas of Lou Ye's films, and fully discuss Lou Ye's avant-garde films. Thus deepen to Lou Ye movie avant-garde characteristic understanding. This paper is divided into five chapters: the first chapter is to understand the development of avant-garde film, grasp the background and connotation of avant-garde film, summarize the overall characteristics of the sixth generation and Louye vanguard-style creative process; The second and third chapters sort out the avant-garde characters and city images in Lou Ye's films in detail, and generalize their avant-garde characteristics and their cultural demands. The fourth chapter explores the avant-garde expression in Lou Ye's audio-visual language application, which has become an important feature of the author's film. The last chapter focuses on the analysis of the avant-garde narrative of Lou Ye's films, and studies Lou Ye's personalized expression in narrative. This kind of research can understand the vanguard of Lou Ye film relatively comprehensively from the analysis of the expression content, the expression technique and the expression way, which has certain theoretical and practical significance.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
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