基于装饰风格数字水墨动画的设计与实现

发布时间：2018-02-26 12:13

本文关键词： 水墨动画装饰风格 MAYA技术后效合成　出处：《上海交通大学》2013年硕士论文　论文类型：学位论文

【摘要】：随着科技的不断发展，计算机生成数字图像的技术也日渐成熟，能够表达的图形越来越丰富，数字水墨动画的表现形式也呈现出多样化的发展趋势。在传统的数字水墨动画中，大多通过水墨扩散、物体发射流体等实现水墨画的效果，在其他视觉特征上少有实现的效果研究。本文所实现的三维水墨动画是基于2D水墨画作品，这是将装饰风格水墨画的水墨、颜色、肌理、布局等视觉特征在三维虚拟环境中进行表达，同时使用后效合成技术实现动画效果，使水墨艺术更加具有视觉美感。本文通过实验学习，研究如何把笔触肌理等视觉特征应用在未来新媒体的表现上，研究如何更真实模拟和再现具有装饰风格水墨画。运用数字技术设计制作装饰风格三维水墨动画，来实现对2D艺术绘画观赏的真实感和视觉美感。论文分析了水墨画装饰风格这一表现形式独特的视觉特征，以及不同特征的视觉差异，提出各特征效果的MAYA软件实现方法，以及该方法下考虑设置的合理参数范围。最后，结合现代装饰水墨画作品，利用After Effects进行后效合成，设计实现了装饰风格水墨动画视频，此数字视频能够更加形象化的真实再现艺术作品。通过动画形式为艺术家提供了一种新的展示绘画作品方法。本文的研究重点和主要成果如下：通过对装饰风格水墨画与其他绘画种类的视觉效果特征研究分析，提出并实现了一套基于装饰风格数字水墨动画的设计和制作方案。从视觉效果上分析总结装饰风格水墨画的视觉特征属性。从艺术化视觉效果角度出发，提出将MAYA、Photoshop、After Effects等多个软件的优势整合来作为实现水墨动画的开发工具。分析HSV色彩模型原理，基于水墨画装饰风格彩墨肌理特征属性研究，为使模型的材质贴图更好的表现装饰风格效果，，采用学习方法，对在3D模型中的颜色设置进行彩墨纹理的试验渲染，并确定了合理的设置范围。分析2D水墨作品中的构图法则和影视广告中的镜头语言，在三维虚拟场景中运用三分法则、“S”型韵律法则、强调对比法则进行水墨动画的设计构图。尝试在三维装饰风格水墨动画制作中，把镜头焦距，景别等镜头语言元素结合起来营造画面的运动感。最后实现装饰风格水墨画虚拟场景的建立。根据上述艺术理论研究分析和数字动画实验结果，实现了彩墨装饰风格水墨动画视频。进一步将艺术理论和技术实现相结合，把装饰风格水墨画应用在新媒体的表现上。通过测试验证了设计构想，达到了最初的目标为艺术家们提供了一个作品展示的新途径。
[Abstract]:With the development of science and technology, the technology of generating digital image by computer is becoming more and more mature, the graphics can be expressed more and more abundant, and the expression forms of digital ink and ink animation also present a diversified development trend. Most of the effects of ink painting are realized through the diffusion of ink and ink and the emission of fluid by objects, but there is little research on the effect of other visual features. The 3D ink and wash animation realized in this paper is based on 2D ink painting works. This is the decorative style of ink, color, texture, layout and other visual features in the three-dimensional virtual environment to express, while the use of post-effect synthesis technology to achieve animation effect, so that the ink art has a more visual aesthetic. Through experimental study, this paper studies how to apply the visual features such as brushstroke texture to the performance of new media in the future. This paper studies how to simulate and reproduce painting with decorative style more truthfully. Using digital technology to design and make 3D ink animation with decorative style, This paper analyzes the unique visual features of the decorative style of ink and wash painting, as well as the visual differences of different features, and puts forward the implementation method of MAYA software for each feature effect. Finally, combining with the modern decorative ink painting works, using After Effects to synthesize the aftereffects, we design and realize the decorative style ink animation video. This digital video can reproduce the art works in a more visual way, which provides a new way for artists to display their paintings through animation. The research focus and main results of this paper are as follows:. Through the research and analysis of the visual effect characteristics of decorative style ink painting and other kinds of painting, This paper puts forward and realizes a set of design and production scheme of digital ink animation based on decorative style, analyzes and summarizes the visual characteristic attribute of decorative style ink painting from the visual effect, and sets out from the angle of artistic visual effect, This paper proposes to integrate the advantages of many softwares, such as Maya Photoshop after Effects, as a tool for the development of ink and ink animation. This paper analyzes the principle of HSV color model, based on the study of texture properties of color ink in ink painting decoration style, in order to make the material texture map of the model better express the decorative style effect, the learning method is adopted. The color setting in 3D model is experimentally rendered with color ink texture, and the reasonable setting range is determined. This paper analyzes the composition principle in 2D ink and ink works and the lens language in film and television advertisement, and applies the three-point rule and "S" prosodic law in 3D virtual scene. Emphasize the principle of contrast in the design and composition of ink animation. Try to focus the lens in the production of three dimensional decorative style ink animation. Scene and other lens language elements combined to create a sense of motion. Finally, the establishment of decorative style ink painting virtual scene. According to the research and analysis of the above art theory and the experimental results of digital animation, the color ink decorative style ink animation video is realized. The decorative style of ink painting is applied to the performance of new media. The design concept has been tested and the original goal has been achieved, which provides a new way for artists to display their works.
【学位授予单位】：上海交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TP391.41

【参考文献】