大众文化研究视野中的流行音乐

发布时间：2018-03-15 21:37

本文选题：流行音乐　切入点：阿多诺　出处：《人民音乐》2005年05期 　论文类型：期刊论文

【摘要】：由英国伯明翰学派20世纪70年代开创的“文化研究”的理论、方法与实践在80年代传入美国、澳大利亚等国,90年代后期传入中国,至今方兴未艾,成为人文社科领域的显学。而大众文化研究是文化研究一个非常重要的研究领域,这里所说的大众文化是一个特定的范畴,它主要是指与当代大工业生产密切相关,并且以工业方式大批量生产、复制消费性文化商品的文化形式。如流行音乐、商业电影、畅销小说、电视剧、商业广告、时尚杂志、时装表演等等。90年代后期至今的流行乐迷是一代“新人类”,他们和“前辈”歌迷相比,缺乏消费的主动性、创造性,更关注“私人生活”里的一己情感口味,而无意于社会群体的文化参与,而他们的私人流行音乐消费又是惊人的标准一致,成为阿多诺所批评的文化工业的受众。“‘惟乐不可以为伪’在今天已经不能成立,成批量生产的音响垃圾已经足够败坏大众的胃口,并温情脉脉地滋养着下一代人的精神软骨。特别在当我们全力以赴物质与金钱的战场的时候,没有骨气和责任感的流行音乐如同一切假文化艺术之名的文化一样,完全会成为文化毁灭者甚至终结者的帮凶。”这种忧虑并非多余,如果说80年代流行音乐充满了生机、活力和激情,像个活蹦乱跳的孩子,而当前的流行音乐则未免委靡、早衰,充斥着丑闻和花边。在强大的市场的逻辑下上演着一出不断更迭演员的相同的剧目,成为阿多诺文化工业理论的一个注脚。因此,对当前流行音乐的征候分析必须回到阿多诺和葛兰西!
[Abstract]:The theory, method and practice of "cultural study", founded by Birmingham School in 1970s, were introduced to the United States in 80s, Australia and other countries in the late 1990s to China, and are still in the ascendant. The study of popular culture is a very important research field in the field of cultural research. The popular culture is a specific category, which mainly refers to the close relationship with the modern large-scale industrial production. And mass production in an industrial manner, copying the cultural forms of consumer cultural goods, such as pop music, commercial movies, best-selling novels, TV dramas, commercial advertisements, fashion magazines, Fashion shows and so on. The pop fans from the late 1990s to the present are a generation of "new humans." they lack the initiative and creativity to consume, and pay more attention to the emotional tastes of "private life" than their "predecessors." They have no intention of participating in the culture of social groups, and their private pop music consumption is surprisingly consistent, becoming an audience for the cultural industry that Adorno criticizes. "'but music can't be fake' is no longer true today. Mass production of sound waste is enough to spoil the appetite of the masses and gently nourish the mental cartilage of the next generation, especially when we are fully committed to the battlefield of material and money. Pop music, which has no backbone and sense of responsibility, like any culture in the name of false culture and art, will be an accomplice to the destroyer and even the Terminator of culture. "this fear is not superfluous, if in 80s pop music is full of life. Energy and passion, like a living child, and the current pop music, too, is precocious, precocious, full of scandals and lace. The logic of the strong market is to put on the same repertoire of constantly changing actors, Become a footnote to Adorno's theory of cultural industry. Therefore, the analysis of the symptoms of current pop music must go back to Adorno and Gramsci!
【作者单位】：山东枣庄学院音乐系
【分类号】：J605

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