《年代秀》节目的语用预设分析

发布时间：2018-03-31 07:17

本文选题：预设　切入点：年代秀　出处：《陕西师范大学》2013年硕士论文

【摘要】：随着时代的发展,新媒体的广泛应用给传统媒体带来的一定的冲击,但同时电视媒体也在不断地在进行创新发展,纷繁多样的电视节目不断涌现出来。当下“时空穿越”这一话题热度高涨受到很多人的关注,一档“穿越式”的电视节目也在此时应运而生,这就是深圳卫视制作的全明星代际互动综艺节目《年代秀》。这个节目使用全新的内容、全新的形式,不仅只是娱乐,而是通过全明星互动问答,涉及不同年代的话题,同时力求贯穿经典与时尚、怀旧与热点。纵观节目整体,主题定位明确细致,节目立足于跨时代的文化交融、以及文化传承的预设之上,带领人们穿梭时光隧道,游走在不同时空,呈现出一场全民狂欢的视听盛宴,迸发了震撼的魅力。而这个节目的成功,除了引进国外优秀的节目形式、国际一流制作团队的技术支持等因素,准确的目标定位、积极明确的价值导向、富有中国特色的节目内容都是其获得好评的原因。这些原因与节目策划中的预设是分不开的。预设理论是语言学上的一个理论内容,学界对它的研究成果比较丰富,从预设理论含义的研究到预设理论应用研究,包含了如翻译、教学、跨文化、语言等多方面的内容,但是在传媒相关领域比较局限于广告语言、新闻语言、新媒体语言等方面,而且数量并不多,尤其是在电视这一主题,研究文献数量寥寥。本文内容主要是依托于语用学预设理论,尝试性的对《年代秀》节目的电视艺术语言、节目整体表现特征、节目传播效果等方面进行系统分析。从而明晰语用预设功能在《年代秀》节目各方面的体现和作用,以求对于节目的创新制作起到指导作用。本文尝试将原适用于逻辑学语言学上面的预设理论,试用于广义的电视艺术语言上面。本文在第二章首先对电视艺术语言的分类进行阐释。第三章内容是依照电视艺术语言分类通过对《年代秀》节目的文本内容,依次对电视节目《年代秀》中的语言类型进行预设理论分析。主要包括《年代秀》节目的画面语言、声音语言、造型语言、镜头语言、文字语言、符号语言、编辑语言等方面,从预设的角度分析节目的制作思路和效果。第四章内容是结合《年代秀》节目分析预设理论在电视节目中的语用特点,包含有适应性、共知性、幽默性。第五章是分析预设在电视节目传播过程中的对于文化传承的作用和受众认知接受心理方面的优势。本文希望通过对电视艺术语言中预设的生成、特点、作用的分析,对电视节目的制作创新和大众传播产生一点启迪作用。
[Abstract]:With the development of the times, the extensive application of new media has brought certain impact to the traditional media, but at the same time, the television media is also constantly carrying on the innovation and development. Many people are paying attention to the hot topic of "time and space passage", and a "traversing" television program has emerged at this time. This is the all-star intergenerational interactive variety show produced by Shenzhen Satellite TV. This program uses new content, new forms, not only entertainment, but also all-star interactive Q & A, which involves topics of different ages. At the same time, we strive to run through classics and fashion, nostalgia and hot spots. Throughout the program, the theme is clearly defined and meticulous, and the program is based on cross-epoch cultural blending and the presupposition of cultural heritage, leading people through time tunnels. Wandering around in different time and space, presents a national carnival audio-visual feast, burst out the charm of shock. And the success of this program, in addition to the introduction of foreign excellent program forms, international first-class production team technical support and other factors, Accurate target orientation, positive value orientation and rich Chinese characteristic program content are all the reasons for its high praise. These reasons are inseparable from the presupposition in program planning. Presupposition theory is a theoretical content in linguistics, and the academic research on it is quite rich. From the study of presupposition theory to the application of presupposition theory, it includes many aspects such as translation, teaching, cross-culture, language and so on. However, in the media related fields, they are relatively limited to advertising language, news language, new media language and so on, and the number is not large, especially in the subject of television. The content of this paper is mainly based on the presupposition theory of pragmatics, and tries to analyze the TV artistic language of the "age show" program, and the overall characteristics of the program. In order to clarify the function of pragmatic presupposition in all aspects of the "age show", this paper makes a systematic analysis of the effect of the program's spread, so as to make clear the function of pragmatic presupposition. In order to play a guiding role in the creative production of the program, this paper attempts to apply the presupposition theory originally applied to logical linguistics. In the second chapter, the author explains the classification of TV artistic language. The third chapter is based on the classification of TV artistic language through the text content of the "age show" program. The presupposition theory of the language types in the TV program "time Show" is analyzed in turn. It mainly includes the picture language, sound language, modeling language, lens language, text language, symbol language, editing language and so on. The fourth chapter analyzes the pragmatic characteristics of presupposition theory in TV programs, which includes adaptability and mutual understanding. The fifth chapter is to analyze the role of presupposition in the transmission of TV programs and the advantages of the audience's cognitive and receptive psychology. This paper hopes to analyze the generation, characteristics and functions of presupposition in TV artistic language. To the television program production innovation and mass communication has a little enlightening effect.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G222;H136

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