涂鸦艺术符号的视觉审美取向研究

发布时间：2018-04-11 22:16

本文选题：涂鸦艺术 + 涂鸦符号　；参考：《湖南工业大学》2008年硕士论文

【摘要】： 涂鸦自古到今都存在,无论是远古时期混杂着表现狩猎、生产等画面的性情之作;或是现代艺术家为了探寻人本真的精神世界,所表现出的类似出自儿童之手的稚拙、朴实的现代艺术作品;或是驻留在美国的黑人为了争夺地盘而处处留下标记的街头符号,它们都传达了一种内心的真实写照。目前人们正处在一个历史上空前的视觉富裕和视觉张力的时代,电子影像技术的快速发展,使广告、电视、电影、网络等大众传播媒体不断渗透和冲击着我们的生活。艺术和生活的界限被模糊,而艺术也已经逐渐转移到符号和影像的生产和消费中去。视觉时代的审美呈现出“泛化”的趋势。审美大众也体验到了前所未有的“快感”和“愉悦感”。然而,视觉文化对日常生活的强烈冲击,由此产生的一系列人类普遍的审美转向,给现代人的生活观、审美观乃至心性也造成了一系列的负面影响。产生这种现象的重要原因就是审美也有其理性的一面,在体验感官享受的同时不忘去追寻本真世界的澄明和大众内心真实的情感意识,达到理性维度的提升,这是大众审美时代往往容易被忽视的地方。涂鸦艺术符号作为视觉文化中的一个载体,不仅反映着当下视觉文化的发展形态,更重要的是,符号的创造者以其切身的体验去感知这个世界,把最纯粹最质朴的感受通过最原始的艺术形式表达出来。它阻止了审美走向极端,为大众审美之路打了一个转向,提供了另一个思考的空间。涂鸦在20世纪末进入中国,短短的十几年,全国各地到处都有它的踪迹,一部分现代艺术家也以不同的表现形式踏足。本文对涂鸦艺术在中国发展所面临的问题也提出了自己的一些意见。涂鸦艺术作为一种新型的视觉传达语言出现在我们周边,可见其还是有一定的广阔发展空间。
[Abstract]:Graffiti has existed from ancient times to this day, whether it is a mixture of ancient works that show pictures of hunting, production, etc., or modern artists, in order to explore the true spiritual world of human beings, exhibit childish clumsiness similar to those of children.Simple works of modern art, or street symbols marked everywhere by blacks living in the United States for turf, convey a true picture of the heart.At present, people are in an era of unprecedented visual affluence and visual tension in history. With the rapid development of electronic image technology, the mass media such as advertisement, television, film, network and so on are constantly infiltrating and impinging on our life.The boundary between art and life is blurred, and art has gradually shifted to the production and consumption of symbols and images.The aesthetic of the visual age shows the trend of "generalization".The aesthetic public has also experienced unprecedented "pleasure" and "pleasure".However, the strong impact of visual culture on daily life, resulting in a series of universal human aesthetic turn, to modern life, aesthetic and even psychological also caused a series of negative effects.The important reason for this phenomenon is that aesthetics also has its rational side. While experiencing sensual enjoyment, we should not forget to pursue the clarity of the true world and the true emotional consciousness of the masses in order to achieve the promotion of the rational dimension.This is the popular aesthetic times tend to be overlooked.As a carrier of visual culture, graffiti art symbols not only reflect the development of the present visual culture, but also, more importantly, the creators of the symbols perceive the world with their personal experience.Express the purest and most pristine feelings through the most primitive art forms.It prevents the aesthetic from going to the extreme, and provides another space for thinking.Graffiti entered China at the end of the 20th century.This paper also puts forward some opinions on the problems faced by graffiti art in China.Graffiti art as a new type of visual communication language appears around us, it can be seen that there is still a lot of room for development.
【学位授予单位】：湖南工业大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J219

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