中国当代油画创作的“图像转向”研究

发布时间：2018-04-12 21:42

本文选题：图像转向 + 中国当代油画　；参考：《广西师范大学》2010年硕士论文

【摘要】： 随着经济与科技的飞速发展,“图像”(诸如摄影、电影、广告等)以前所未有的力度,影响着当代文化和生活的诸多层面。其中就包括了当代油画的创作方面,“图像”的无所不在,影响了艺术家的视觉经验,使当代油画创作呈现出新的面貌。“图像转向”这一话语属于哲学范畴。最早由美国学者W.J.T·米歇尔提出来,在其《图像理论》一书中为20世纪(特别是20世纪后半期)的图像转向提供了富有说服力的论据,他认为“图像转向”可以从哲学和文化理论对视觉再现的焦虑,对形象的恐惧和抵制得到确凿无疑的证明。而本文中的“图像转向”借用这一西方哲学话语,以阐释中国当代油画的创作呈现的新动向。具体表现为:一方面,图像时代的到来,使艺术家的视觉经验发生了转变,在油画创作中表现为绘画自身的图像化倾向和艺术创作者思想观念的转变。另一方面,中国已进入了以空前丰富的视觉图像为文化表征的消费社会。消费文化的日益入侵使社会的生存状态和文化形态发生了改变,这无疑对艺术家的创作思维产生巨大影响,并直接催生了中国当代油画审美取向与艺术表达方式的变革与创新。当代绘画的“图像转向”即是中国油画创作在当代文化语境下出现的一个显著而普遍的现象。本文在第一章界定了“图像转向”在本文中的特定含义并阐释了油画创作“图像转向“的开端。第二章力图通过对中国当代社会的文化语境、科技、新媒体艺术的发展等外在条件和中国当代绘画艺术自身发展的内在动因入手分析中国当代油画创作的“图像转向”的缘由,着重指出了中国当代油画家思想观念转变这一主要内在动因。第三章对中国当代油画创作的“图像转向”进行分类研究,从艺术家个体切入,寻求中国油画创作“图像转向”的当代价值。最后一章探究中国当代油画“图像转向”的内在矛盾与现实的关联,即在油画创作的图像化倾向中实际上还包含着反“图像“的意义,而最终实现超越“图像”的品质。反思中国当代油画创作“图像转向”中存在的问题如媚俗化倾向、对绘画“技艺”的忽视以及人文价值的缺失。本文的写作目的是对中国当代油画“图像转向”的发生原因以及发展现状做一个梳理,揭示中国当代油画的“图像转向”不仅表现为绘画的图像化倾向,还包括了艺术创作者思想观念的转变,这一现象的产生并不是偶然的,它体现了美术发展的自律性。本文采用了文献研究法、比较法、个案研究法、逻辑分析法的研究方法阐明自己的观点。希望艺术创作者们能够理性对待中国当代油画的“图像转向”这一现象,将自主的精神性和批判性融为一体,自觉抵制创作中的一些极端问题,认识到油画艺术的发展在每个时代都有其新的可能性,要把握时代赋予艺术的精神和意义,从而开创中国当代油画发展的新局面。
[Abstract]:With the rapid development of economy and technology, "image" (such as photography, film, advertising, etc.) has an unprecedented impact on many aspects of contemporary culture and life.It includes the creation of contemporary oil painting, the omnipresence of "image", the influence of the artist's visual experience, making contemporary oil painting take on a new look.The discourse of "image turning" belongs to the category of philosophy.First put forward by W.J.T Michele, an American scholar, in his book Image Theory, he provides a convincing argument for the image shift in the 20th century, especially in the second half of the 20th century.He holds that "image turning" can be proved by the anxiety of visual reappearance in philosophy and cultural theory, and the fear and resistance of image.The "image turn" in this paper borrows the western philosophy discourse, in order to explain the new trend of the Chinese contemporary oil painting creation.On the one hand, the arrival of the image age has changed the artist's visual experience.On the other hand, China has entered a consumer society characterized by unprecedented visual images.The increasing invasion of consumer culture has changed the living state and cultural form of the society, which undoubtedly has a great impact on the creative thinking of artists, and has directly spawned the transformation and innovation of aesthetic orientation and artistic expression of contemporary Chinese oil painting.The "image turning" of contemporary painting is a remarkable and universal phenomenon of Chinese oil painting creation in the context of contemporary culture.In the first chapter, the author defines the meaning of "image turning" in this paper and explains the beginning of "image turning".The second chapter tries to analyze the reasons of the "image turning" of contemporary Chinese oil painting creation through the external conditions such as cultural context, science and technology, the development of new media art and the internal motivation of the development of contemporary Chinese painting art.This paper emphatically points out the main internal motivation of the change of Chinese contemporary oil painters' ideology.The third chapter classifies the "image turn" of Chinese contemporary oil painting creation, and explores the contemporary value of Chinese oil painting creation "image turning" from the individual artist.The last chapter explores the relationship between the internal contradiction and reality of the "image turning" of Chinese contemporary oil painting, that is, the anti-" image "meaning is actually included in the tendency of oil painting creation, and the quality of transcending" image "is finally realized.Reflecting on the problems existing in Chinese contemporary oil painting "image turning", such as the tendency of vulgarization, the neglect of painting "skill" and the lack of humanistic value.The purpose of this paper is to make a combing of the cause and development of the "image turning" of contemporary Chinese oil painting, and to reveal that the "image turning" of contemporary Chinese oil painting is not only the tendency of painting image.It also includes the change of artistic creators' ideas, which is not accidental, but reflects the self-discipline of art development.This paper uses the methods of literature research, comparison, case study and logic analysis to clarify their views.It is hoped that artistic creators will be able to deal rationally with the phenomenon of "image turning" in contemporary Chinese oil paintings, integrate their independent spirituality with their critical nature, and consciously resist some extreme problems in their creations.It is recognized that the development of oil painting art has its new possibility in every era, so it is necessary to grasp the spirit and significance given by the times to create a new situation for the development of contemporary Chinese oil painting.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J213

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