数字水墨画的审美研究

发布时间：2018-07-29 21:14

【摘要】：近年来,数字技术的突飞猛进,不仅改变了社会生活形态,也对文学艺术产生了巨大的影响,其中最为典型的就是水墨画的数字化衍变。与其它舶来视觉艺术(如油画)不同,水墨画自其发端以来,自有其完善而封闭的审美法则并被广泛接受。新世纪以来,这一法则随着“笔墨等于零”、“反谢赫六法论”等现代美学思潮以及数字水墨创作技术的冲击,被不断质疑、重塑,值得研究。笔者以水墨艺术审美的几个重要历史节点为线索,从“水墨动画”的平面意境立体呈现探寻到了数字水墨艺术的兴起与滥觞,进而窥探到数字水墨艺术在文艺创作、现代传媒、商业广告、影视动画、游戏、交互设计等诸多领域的广泛运用。得出了水墨画在今天如何体现“笔墨当随时代”的审美变革。也提出了这种审美革变所带来的新的困扰:失掉了笔墨纸砚的原始意趣和创作过程中的妙手偶得所带来的惊喜,“信手写意”都变成了木然的、模仿的、数字计算的机械形式,这对于创作者而言,对于水墨艺术本身而言,是好是坏,又如何得以补偿。研究数字水墨画的审美,必然绕不开对数字水墨画技术的深度分析并与传统水墨技术(技法)进行甄别和比较。笔者以一定的篇幅详细梳理了数字水墨画的创作技术,着重突出了数字水墨技法的创作过程及其流变,并以此窥视数字水墨的技术审美法则。还将各种技术方式下产生的数字水墨作品与传统水墨作品并置比较,进而探究其图式上的审美差异。笔者研究认为,数字水墨画作为一种新的艺术形式,应充分尊重传统水墨画的审美框架,适度结合新兴计算机技术,为传统水墨艺术锦上添花而不宜进行颠覆性改变。
[Abstract]:In recent years, the rapid development of digital technology has not only changed the form of social life, but also had a great impact on literature and art, the most typical of which is the digital evolution of ink painting. Unlike other foreign visual arts (such as oil paintings), ink painting has its own perfect and closed aesthetic law and has been widely accepted since its inception. Since the new century, with the impact of modern aesthetic thoughts such as "pen and ink equals zero", "anti-sheikh 's six-method theory" and digital ink creation technology, it has been constantly questioned, reshaped and worthy of study. Based on several important historical nodes of ink and water art appreciation, the author explores the rise and origin of digital ink painting art from the plane artistic conception of "ink and wash animation", and then probes into digital ink painting art in literary and artistic creation and modern media. Commercial advertising, film and television animation, games, interactive design and many other fields of extensive use. The author draws a conclusion that how to reflect the aesthetic change of ink painting with the times today. It also puts forward the new troubles brought by this kind of aesthetic transformation: the loss of the original interest of the pen, ink and ink stone and the surprise brought by the wonderful hand in the creative process, and the "freehand brushwork" has become a mechanical form of woodiness, imitation, and numerical calculation. This for the creator, for the ink art itself, is good or bad, and how to compensate. To study the aesthetics of digital ink painting, it is inevitable to analyze the depth of digital ink painting technology and distinguish and compare it with traditional ink painting technology. The author combs the creation technology of the digital ink painting in detail with a certain space, emphasizes the creation process and the evolution of the digital ink technique, and looks at the technical aesthetic rule of the digital ink painting. It also compares digital ink works produced by various technical methods with traditional ink works, and then probes into the aesthetic differences in their schemata. The author believes that as a new art form, digital ink painting should fully respect the aesthetic framework of traditional ink painting, combine with new computer technology, and add to the success of traditional ink painting instead of subversive change.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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