东巴文字符号走进动画的可行性研究
发布时间：2018-09-07 22:04
【摘要】：东巴文被誉为是目前世界上唯一保留完整的“活着的象形文字”,是世界上最古老的象形文字之一,是人类社会文字起源和发展的“活化石”。这一古老而有韵味的中国传统民间文字是一种独特而丰富的民族文化,是民族的,更是世界的,是传统的,更是时尚的,它已经引起了国内外众多学者和设计师的极大的关注与重视。本文不是从对古老文字的研究或民族学的角度探讨东巴文字,而是通过对东巴文字符号的造型特点和审美特性的深入研究,发现这种象形文字符号存在某些动画艺术的美学特性,进一步探索两者之间的关联性和契合点,最后通过东巴象形文字动画实例的剖析,证实东巴象形文字符号应用于动画艺术创作是切实可行的,可以成为一种新的动画艺术表现形式。 在当今全球化的时代,面对外来文化对中国传统文化的影响,中国的动画要想取得长足发展,重新立足于世界动画强国之林,我们应该立足于民族文化这片肥沃土壤之中。首先,我们要深入挖掘其中符合动画艺术创作特点的“动画元素”,在对民族文化进行传承的基础之上进行开拓创新,切不可因循守旧,故步自封。其次,我们要把其置于一个全球化的语境下,即与国际动画接轨,推进动画产业化发展。总之,只有真正扎根于自己的土壤,把外来经验、好的制作运营机制与本国的实际相结合,与本民族的文化融会到一起,挖掘新的民族元素,才能茁壮成长,繁荣昌盛。 本文以东巴文字符号作为研究对象,通过研究其历史发展渊源,并分析其象形文字的特性,将其融入到动画艺术创作中,打破了符号世界和生活世界的界限,试图以“字”为“图”来挖掘出新的动画元素。然而,古老的东巴象形文字符号已与当代人的审美需求相距甚远。若是盲目、机械地将古老的象形文字符号用来表达人们今天的生活状态,那恐怕是辞不达意的。这就要求动画艺术创作要真实体现并满足当代人的审美需求,为传统民族文化与当代主流文化的结合架起一座桥梁。目前,东巴文字在美术装饰、书法艺术、平面设计、广告设计等领域都有一些实际运用和深入的研究,但在动画创作方面的运用与研究却少之又少。本文提出在动画创作中融入富有象形、简洁、直观、传统等特性的东巴文字符号,是对我国本土化动画创作的又一次大胆尝试和创新,对我国动画的民族化发展起到积极的推进作用。 本文的主要观点有：1、任何一门艺术想要在现代社会保持旺盛的发展的生机和活力,必须具有彰显个性、强调本土元素、融入时代潮流的审美趋向,动画艺术同样也不例外；2、东巴象形文字符号的象形性、简洁性、趣味性等审美特性能在动画艺术创作得到充分的体现；3、东巴象形文字符号与动画艺术的结合就意味着传统与现代的完美结合,既能体现传统文化的神韵,又不失现代设计美感；既有深厚的文化内涵,又有鲜明的民族风格；4、中国传统文化中有很多值得动画艺术创作借鉴的宝贵内容,若能够巧妙的将他们运用到动画艺术创作中,必将为中国动画的健康、可持续发展增添取之不尽的宝贵资源,同时也能起到传承我国民族文化的积极作用。
[Abstract]:Dongba script is praised as the only "living hieroglyphic script" in the world which remains intact at present. It is one of the oldest hieroglyphic scripts in the world. It is the "living fossil" of the origin and development of human society. This ancient and charming traditional Chinese folk script is a unique and rich national culture, a nation and a world. This paper is not to discuss Dongba characters from the angle of the study of ancient characters or ethnology, but to discover this Hieroglyphic Character through the in-depth study of the modelling and aesthetic characteristics of Dongba characters. There are some aesthetic characteristics of animation art, and further explore the relationship between the two and the point of convergence. Finally, through the analysis of Dongba hieroglyphic animation examples, it proves that Dongba hieroglyphic symbols used in animation art creation is feasible and can become a new form of animation art.
In today's era of globalization, facing the impact of foreign culture on Chinese traditional culture, if China's animation wants to make great strides in development and re-establish itself in the forest of the world's animation powers, we should base ourselves on the fertile soil of national culture. First, we should dig deeply into the "animation elements" which conform to the characteristics of animation art creation. Second, we should put it in a global context, that is, to integrate with international animation and promote the development of animation industrialization. In short, only truly rooted in their own soil, foreign experience, good production and operation mechanism and Only by combining the reality of our country with the culture of our nation and excavating new national elements can we thrive and prosper.
This paper takes Dongba character symbol as the research object, through studying its historical development origin, analyzing its hieroglyphic characteristics, integrating it into the animation art creation, breaking the boundaries between the symbol world and the living world, trying to dig out new animation elements with "character" as "picture". However, the ancient Dongba hieroglyphic symbol It is far from the aesthetic needs of contemporary people. It would be impractical to use the ancient hieroglyphic symbols blindly and mechanically to express people's living conditions today. This requires that animation artistic creation should truly reflect and meet the aesthetic needs of contemporary people, so as to set up the combination of traditional national culture and contemporary mainstream culture. At present, Dongba characters in art decoration, calligraphy, graphic design, advertising design and other fields have some practical applications and in-depth research, but the application and research of animation creation is rare. Another bold attempt and innovation to our native animation has played a positive role in promoting the nationalization of our animation.
The main points of this paper are as follows: 1. If any art wants to keep vigorous development and vitality in modern society, it must show its individuality, emphasize the local elements, integrate into the aesthetic trend of the times, animation art is no exception; 2. The aesthetic characteristics of Dongba hieroglyphic symbols, such as pictographic, concise, interesting, etc. 3. The combination of Dongba hieroglyphic symbols and animation art means the perfect combination of tradition and modern art, which can not only embody the charm of traditional culture, but also lose the aesthetic feeling of modern design; it has both profound cultural connotation and distinct national style; 4. There are many worthy of moving in Chinese traditional culture. If we can apply them skillfully to the creation of animation art, we will surely add inexhaustible valuable resources for the healthy and sustainable development of Chinese animation, and also play an active role in inheriting our national culture.
【学位授予单位】：广东工业大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J218.7
本文编号：2229539
[Abstract]:Dongba script is praised as the only "living hieroglyphic script" in the world which remains intact at present. It is one of the oldest hieroglyphic scripts in the world. It is the "living fossil" of the origin and development of human society. This ancient and charming traditional Chinese folk script is a unique and rich national culture, a nation and a world. This paper is not to discuss Dongba characters from the angle of the study of ancient characters or ethnology, but to discover this Hieroglyphic Character through the in-depth study of the modelling and aesthetic characteristics of Dongba characters. There are some aesthetic characteristics of animation art, and further explore the relationship between the two and the point of convergence. Finally, through the analysis of Dongba hieroglyphic animation examples, it proves that Dongba hieroglyphic symbols used in animation art creation is feasible and can become a new form of animation art.
In today's era of globalization, facing the impact of foreign culture on Chinese traditional culture, if China's animation wants to make great strides in development and re-establish itself in the forest of the world's animation powers, we should base ourselves on the fertile soil of national culture. First, we should dig deeply into the "animation elements" which conform to the characteristics of animation art creation. Second, we should put it in a global context, that is, to integrate with international animation and promote the development of animation industrialization. In short, only truly rooted in their own soil, foreign experience, good production and operation mechanism and Only by combining the reality of our country with the culture of our nation and excavating new national elements can we thrive and prosper.
This paper takes Dongba character symbol as the research object, through studying its historical development origin, analyzing its hieroglyphic characteristics, integrating it into the animation art creation, breaking the boundaries between the symbol world and the living world, trying to dig out new animation elements with "character" as "picture". However, the ancient Dongba hieroglyphic symbol It is far from the aesthetic needs of contemporary people. It would be impractical to use the ancient hieroglyphic symbols blindly and mechanically to express people's living conditions today. This requires that animation artistic creation should truly reflect and meet the aesthetic needs of contemporary people, so as to set up the combination of traditional national culture and contemporary mainstream culture. At present, Dongba characters in art decoration, calligraphy, graphic design, advertising design and other fields have some practical applications and in-depth research, but the application and research of animation creation is rare. Another bold attempt and innovation to our native animation has played a positive role in promoting the nationalization of our animation.
The main points of this paper are as follows: 1. If any art wants to keep vigorous development and vitality in modern society, it must show its individuality, emphasize the local elements, integrate into the aesthetic trend of the times, animation art is no exception; 2. The aesthetic characteristics of Dongba hieroglyphic symbols, such as pictographic, concise, interesting, etc. 3. The combination of Dongba hieroglyphic symbols and animation art means the perfect combination of tradition and modern art, which can not only embody the charm of traditional culture, but also lose the aesthetic feeling of modern design; it has both profound cultural connotation and distinct national style; 4. There are many worthy of moving in Chinese traditional culture. If we can apply them skillfully to the creation of animation art, we will surely add inexhaustible valuable resources for the healthy and sustainable development of Chinese animation, and also play an active role in inheriting our national culture.
【学位授予单位】：广东工业大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J218.7
【参考文献】
相关期刊论文 前6条
1 杨晓林;;艺术短片的特质兼对“中国学派”两个口号的反思——《奥斯卡最佳动画短片分析·序》[J];电影文学;2010年03期
2 王华威;;我国动画剧作中的民族化研究[J];电影文学;2010年10期
3 陈旺;;浅谈动画片的剧本创作[J];科教文汇(下旬刊);2008年01期
4 李永军;;现代剪纸的发展与创新[J];科学之友(上旬);2010年03期
5 王伯敏;东巴文与东巴画——纳西族文化札记[J];美术观察;1999年08期
6 李們;刘艳芳;;象形文字在现代广告设计中的应用[J];职业时空;2008年01期
相关硕士学位论文 前2条
1 耿丽涛;古老的东巴文在设计中重生[D];天津工业大学;2007年
2 张搴;视觉文化时代语境下的动画角色造型设计[D];江南大学;2009年
，本文编号：2229539
本文链接：https://www.wllwen.com/wenyilunwen/guanggaoshejilunwen/2229539.html
