新疆维族传统木模印花布艺术特征及应用研究

发布时间：2018-02-13 16:51

本文关键词： 新疆维族木模印花布艺术特征创新应用　出处：《江南大学》2017年硕士论文　论文类型：学位论文

【摘要】：新疆位居“丝绸之路的咽喉之地”,受东西方文化交流的影响其民间手工艺丰富多样又充满异域特色。新疆维族传统木模印花布是新疆具有代表性的民间手工艺之一,同时也是中国最具有代表性的传统凸版手工印染产品,它因其独具一格的手工印染技艺被文化部在2006年列入了国家级首批非物质文化遗产名录。装饰纹样朴素而典雅、充满边塞异域之灵性,同时也具有很强的地域特色与文化之美。本文从新疆维族传统木模印花布的历史渊源着手,对其影响因素进行了梳理与简单介绍,如文化因素方面的“丝绸之路”、宗教信仰方面、地理位置环境方面等。新疆维族传统木模印花布制作工艺与艺术特征是课题研究的重点,其艺术特征为现代服饰设计的创新应用提供了丰富的灵感素材。首先,通过对各大图书馆有关书籍及藏馆数据库、相关参考文献数据资料进行收集整理,然后结合实物分析的研究方法,分析了新疆维族传统木模印花布的起源,总结了其制作工艺的流程、木模制作的方法、颜料制作的方法及印花工艺风格。其次,重点介绍了新疆维族传统木模印花布的艺术特征,包括丰富的纹样题材、造型特点、构图构思、寓意内涵等以及色彩分析、审美特征和用途等。其中对具有代表性的纹样题材都进行了绘制。再次,将新疆维族传统木模印花布与印度伯格鲁木模印花布进行比较,通过对二者制作过程、艺术特征等方面的比较,发现二者在制作工艺、使用工具与材料、纹样题材与寓意以及纹样的风格造型等方面的异同,从而能够对新疆维族传统木模印花布的典型与独特特征更加了解。最后,通过分析新疆维族传统木模印花布的制作工艺与艺术特征及审美特征,结合当代女装服饰设计的风格特征与当代人们的心理、生理需求与审美需求,着重从新疆维族传统木模印花布的印染技艺、典型纹样、综合各元素等方面出发,来实现当代女装服饰设计的创新应用。通过本课题的研究,在文化方面,可以保护传统印染技艺,也希望能够为其他爱好新疆维族传统木模印花布的学者提供一些理论依据。在设计与市场方面,也能促进传统文化的古为今用,也有助于我们现代年轻人了解我们的传统服饰文化、新疆的异域风情文化以及新疆维族人们的审美特点。有益于服装设计艺术的发展和创新元素的获取,同时也能够带来一定的市场经济价值。
[Abstract]:Xinjiang is the "place of the throat of the Silk Road", influenced by the cultural exchanges between the East and the West, its folk handicrafts are rich and diverse and full of exotic characteristics. Xinjiang Uygur traditional wood-patterned printed cloth is one of the representative folk handicrafts in Xinjiang. In 2006, the Ministry of Culture listed the first batch of intangible cultural heritage in China. The decorative patterns are simple and elegant. Full of the spirit of frontier fortress, it also has strong regional characteristics and cultural beauty. This paper begins with the historical origin of Xinjiang Uygur traditional wood-patterned calico, and briefly introduces its influencing factors. For example, the "Silk Road" in terms of cultural factors, religious belief, geographical environment, etc. The production technology and artistic characteristics of Xinjiang Uygur traditional wood-patterned calico are the focus of the research. Its artistic features provide abundant inspiration materials for the innovative application of modern dress design. Firstly, through the collection and arrangement of the relevant books and library databases, the relevant references and data are collected and sorted out. Then the origin of Xinjiang Uygur traditional wood pattern printed fabric is analyzed, and the process of making wood mold, the method of making wood mold, the method of pigment making and the style of printing process are summarized. This paper mainly introduces the artistic characteristics of Uygur traditional wood-patterned printed cloth in Xinjiang, including rich pattern theme, modeling characteristics, composition conception, implication and color analysis, etc. Aesthetic characteristics and uses. Among them, the representative patterns are drawn. Thirdly, the Xinjiang Uygur traditional wood-pattern printed fabric is compared with the Indian Begelu wood-patterned calico, and through the production process of the two, Through the comparison of artistic features, we find the similarities and differences between the two in the aspects of making technology, using tools and materials, theme and moral of pattern, style and modeling of pattern, etc. In order to understand more about the typical and unique characteristics of Uygur traditional wood-patterned printed cloth in Xinjiang. Finally, through the analysis of Xinjiang Uygur traditional wood-patterned calico production technology, artistic characteristics and aesthetic characteristics, Combining the style features of contemporary women's dress design with the psychological, physiological and aesthetic demands of contemporary people, the emphasis is placed on the printing and dyeing techniques, typical patterns and comprehensive elements of Xinjiang Uygur traditional wood pattern printed cloth. To realize the innovative application of contemporary women's dress design. Through the research of this subject, we can protect the traditional printing and dyeing techniques in the aspect of culture. I also hope to provide some theoretical basis for other scholars interested in Xinjiang Uygur traditional wood-patterned calico. In terms of design and market, it can also promote the use of the ancient culture for the present and the present. It also helps us young people to understand our traditional dress culture, the exotic culture of Xinjiang and the aesthetic characteristics of Uygur people in Xinjiang. It is beneficial to the development of fashion design art and the acquisition of innovative elements. Also can bring certain market economy value at the same time.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS194

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