重庆“界限”女诗人群简论
本文关键词: “界限”女诗人 集体出场 飞翔姿态 城市体验 重庆气质 出处:《西南大学》2017年硕士论文 论文类型:学位论文
【摘要】:重庆“界限”女诗人群是新世纪以来形成的一个以“界限”大型诗歌网站为依托的女诗人创作群体,随着这个群体的不断扩大,在某种程度上改变了当下重庆诗歌的地理版图。从“群体”的视角去研究会比单独的个体研究更能发现这个群体的特点、发展脉络以及存在的问题,不仅对研究现阶段整个重庆的诗歌创作就有很大的优势,而且也对研究新时期整个重庆的诗歌特点、发展情况具有很大的参考价值。所以,本文拟对新世纪以来重庆“界限”女诗人群的崛起渊源、诗歌品质和诗意生活做一个比较完整的呈现。本文首先对“界限”和重庆“界限”女诗人群进行了整体梳理,并阐释了选题缘由、目的及意义,认为对重庆“界限”女诗人群进行研究有重要意义。其次,阐释了“界限”和重庆“界限”女诗人群,并简单介绍了“界限”诗歌网站和“少数花园”的发展情况,指出了“界限”女诗人集体出场的时代背景,揭示出写诗已成为了她们的一种生活方式。再次,在主题、意象和风格的大框架下考察重庆“界限”女诗人群的整体诗歌风貌。重庆“界限”女诗人对诗歌主题进行了拓展,出现了“上升”与“下沉”两个不同的主题趋势:精神灵魂的探寻和世俗生活的凝视。作为独特的山水城市,重庆让女诗人体验到城市不可承受之重的同时也让她们感受到了自然的慰藉,这主要从“月亮”、“烟雾”、“雨水”等阴性意象和动植物意象两个方面进行论述。重庆独特的自然环境在女诗人身上留下了不可磨灭的印记,大山赋予了女诗人坚硬劲拔的品格,而江水则展示了女诗人深邃神秘的一面。最后选取了三位最具特色的诗人试图说明重庆“界限”女诗人们独特的艺术风格。宇舒是下意识的怀疑论者,她在现实与虚无的对抗中探索世界的本质,寻觅着别处生活的意义。金铃子是大气而睿智的诗者、画者,她在词语和图像间呈现出生命的本真律动,她是为爱而生的巫女。梅依然用自己的身体寻找自我,关照人类,引领整个女性群体。虽然重庆“界限”女诗人群目前普遍存在自我复制的现状,但她们的集体出场作为新世纪以来重庆诗坛的一种盛况,体现了网络时代大背景下女性对自身的体察和确认,其前景仍是值得期待的。
[Abstract]:The "boundary" female poets group in Chongqing is a group of female poets who have been formed since the new century, relying on the "boundary" large-scale poetry website. With the continuous expansion of this group, To some extent, it has changed the geographical map of the present Chongqing poetry. The study from the perspective of "group" will find out the characteristics, development context and existing problems of this group more than individual research. It not only has great advantages for the study of the whole Chongqing poetry creation at the present stage, but also has great reference value for the study of the characteristics and development of the whole Chongqing poetry in the new period. This paper intends to make a relatively complete presentation of the rising origin, poetic quality and poetic life of the "boundary" female poets group in Chongqing since the new century. It also explains the reason, purpose and significance of the selected topic, and holds that it is of great significance to study the group of female poets in Chongqing. Secondly, it explains the boundary of Chongqing and the group of female poets in Chongqing. It also briefly introduces the development of "boundary" poetry website and "a few gardens", points out the background of the "boundary" female poets' group appearance, and reveals that writing poetry has become a way of life for them. Again, in the theme, Under the big frame of image and style, the whole poetic style and features of the female poets group of Chongqing's "boundary" are investigated, and the poetry theme is expanded by Chongqing's "boundary" female poets. There are two different thematic trends of "rising" and "sinking": the exploration of spiritual soul and the gaze of secular life. Chongqing let female poets experience the unbearable weight of the city, but also let them feel the comfort of nature. This is mainly discussed from two aspects: "Moon", "smoke", "Rain Water" and other negative images and animal and plant images. Chongqing's unique natural environment has left an indelible mark on the female poet, and the mountain has given the female poet a strong and energetic character. Jiangshui, on the other hand, shows the profound and mysterious side of the female poet. Finally, three of the most distinctive poets are selected to try to illustrate the unique artistic style of the female poets in Chongqing. Yu Shu is a subconscious skeptic. She explores the nature of the world in the confrontation between reality and nothingness, searching for the meaning of life elsewhere. Jinling is an atmospheric and wise poet, a painter, who shows the true rhythm of life between words and images. She is a witch born for love. Mei still uses her body to find herself, take care of human beings, and lead the whole female group. However, their collective appearance as a grand occasion in Chongqing's poetry world since the new century reflects the women's understanding and confirmation of themselves under the background of the network age, and its prospect is still worthy of expectation.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.25
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