救赎与重构：都市扩张时代的巴黎现代城市景观绘画

发布时间：2018-03-01 07:12

本文关键词： 都市扩张巴黎城市景观现代艺术现代性　出处：《西安美术学院》2015年硕士论文　论文类型：学位论文

【摘要】：19世纪中叶以来的欧洲国家在工业革命的背景下陆续进入现代社会，经济和社会的极速发展催生出像巴黎这类现代化大都市。但在城市高速发展所带来的极为丰富的物质成果的背后，也出现了一系列人口激增、交通拥堵、环境破坏等城市病。由此，在文学、政治和哲学领域展开了一系列对“现代性”问题的讨论。就艺术来说，，19世纪中叶至20世纪初的现代艺术中，以都市生活场域作为主要内容的城市景观画则是艺术家对“现代性”进行探讨的一种重要方式。本文选择以现代艺术中景观画的角度为切入点，将现代艺术放入都市化的大背景下进行分析，以期探讨艺术家是如何通过绘画对现代都市体验进行表达。本文首先对现代艺术产生的时代背景进行分析，然后以巴尔扎克、波德莱尔和马克思为例，分析文化和哲学领域中对现代性的定义，从而提出审美现代性的形成。之后以19世纪的艺术之都巴黎城为例，分析现代主义的艺术家是如何在作品中完成对现代都市场域的构建。通过对现代艺术的梳理，以马奈、德劳内和蒙克的绘画为例，探讨艺术家如何通过绘画的方式完成对现代性的反思，从而对都市生活进行审美疏导并完成审美重构，并使得作为社会主体的“人”的个性和想象得到极大解放。本文通过对西方现代艺术中的“现代性”问题的探讨，最终肯定了现代性的辩证价值，对同处于现代化变革中的中国当代艺术的发展提供借鉴和参考。
[Abstract]:Since the middle of 19th century, European countries have gradually entered the modern society under the background of the industrial revolution. Rapid economic and social development has spawned a modern metropolis such as Paris. But behind the extremely rich material achievements of the rapid development of the city, there has also been a series of population surges and traffic jams. As a result, a series of discussions on "modernity" were launched in the fields of literature, politics and philosophy. As far as art is concerned, modern art from the middle of the 19th century to the beginning of 20th century, Urban landscape painting, which takes the urban life field as its main content, is an important way for artists to discuss "modernity". This paper chooses the angle of landscape painting in modern art as the starting point. This paper analyzes modern art in the context of urbanization in order to explore how artists express modern urban experience through painting. This paper first analyzes the background of modern art, then takes Balzac, Baudelaire and Marx as examples to analyze the definition of modernity in the field of culture and philosophy. Then, taking Paris City, the art capital of 19th century, as an example, this paper analyzes how modernist artists complete the construction of the market area of modern capital in their works. For example, Delaughene and Monk's paintings discuss how the artists reflect on modernity through painting, so that they can make aesthetic guidance and reconstruct the aesthetic of urban life. And as the main body of society, the personality and imagination of human beings are greatly liberated. Through the discussion of "modernity" in western modern art, this paper confirms the dialectical value of modernity and provides reference for the development of Chinese contemporary art in the process of modernization.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J205

【参考文献】