江南地区女红色彩在现代家纺设计中的应用

发布时间：2018-03-18 21:00

本文选题：家纺设计　切入点：江南　出处：《浙江理工大学》2017年硕士论文　论文类型：学位论文

【摘要】：色彩在社会各个领域凭借其相当不俗的表现得到了广大有识之士的认可,在“七分颜色,三分花”的家纺行业所起到的重要作用更是不言而喻。现代家纺产品随着物质生活水平的提升,人们消费需求升级,已经从最基本的使用功能向着满足人们精神追求的方向进发。家纺设计师们力求使用恰当的色彩来提升产品的感染力,设计出不同色彩风格的作品,以期得到消费者的认可,这早已是家纺市场的一种重要趋势。女红作为我们的民族优秀文化,一直在为国内外设计师提供源源不断的灵感。江南地区女红作为这其中非常独特的组成部分,在江南的和风细雨中滋养而成。当地的地理环境、建筑风格等因素也被聪慧的江南女子巧妙地融入到了其作品的色彩当中。高明度低纯度的亮丽色彩,与山清水秀的江南相得益彰,黑色的包头巾、作裙、绣鞋等与青砖黛瓦的水乡建筑融为一体,精心刺绣的色彩鲜艳的吉祥纹样与细腻的滚边工艺将整件作品装饰得精致又和谐。其整体色彩柔和雅丽,不失自然之美,完美地诠释了“外师造化,中得心源”这一艺术创作理论。随着工业化进程的加快,江南女红也逐渐在世人眼中消失。作为设计者看到这么珍贵的资源正在流失,在倍感惋惜之时觉得对传统文化的研究与保护贡献一点绵薄之力更是责无旁贷之事。本文将江南地区女红色彩作为研究对象,从江南地区的自然生态、江南地区女红的发展与江南地区的民俗等角度入手,解释其色彩的文化内涵。并选取当中具有代表性的作品从其色彩风格特征、色彩与工巧之间的关系和色彩与纹样之间的关系三个方面进行了深入分析与研究。此外笔者经过实践,采集江南地区绣荷包的图谱,提取其色彩,制作了一套以江南地区绣荷包色彩为主的色谱。最后理论与实践相结合,总结分析了江南地区女红色彩在现代家纺当中的应用方法,旨在期盼能够提醒人们关注江南地区女红色彩的保护与传承,弥补江南地区女红色彩在现代家纺设计当中理论的空白,并为家纺设计师们提供些许参考。江南女子在长期制作女红的过程当中,积累了丰富的经验,形成了专属于江南地区的审美价值,将江南地区的色彩应用到家纺设计当中有助于提升国内家纺的品牌价值。其色彩搭配方式也非常值得现在的家纺设计师去借鉴和学习,希望可以起到抛砖引玉的作用,让家纺设计师们重视民族色彩,多在设计当中运用。
[Abstract]:Color has been recognized by the broad masses of people of insight in all fields of society by virtue of its rather good performance, in "seven colors," The important role played by the home textile industry is even more self-evident. With the improvement of material living standards, people's consumption demand is upgraded. Home textile designers strive to use the right colors to enhance the appeal of their products and design works of different color styles in order to get the approval of consumers. This has long been an important trend in the home textile market. As our excellent national culture, female red has been providing a continuous stream of inspiration to designers at home and abroad. The local geographical environment, architectural style and other factors were skillfully integrated into the colors of the works by the intelligent Jiangnan women. They complement the beautiful south of the Yangtze River, with black headscarves, skirts, embroidered shoes, etc., integrated with the water village buildings of the green brick Dewa. Meticulously embroidered colorful auspicious patterns and delicate edge scrolls decorate the whole work in a delicate and harmonious way. Its overall color is soft and elegant, without losing the beauty of nature, and it perfectly interprets "the creation of an outside teacher," With the acceleration of industrialization, Jiangnan female red has gradually disappeared in the eyes of the world. As a designer, he saw such precious resources being lost. I feel a little bit of responsibility for the research and protection of traditional culture when I feel sorry for it. In this paper, I take the red color of Jiangnan region as the object of study, from the natural ecology of Jiangnan region. Starting with the development of female red in Jiangnan area and folk custom in Jiangnan area, this paper explains the cultural connotation of its color, and selects the representative works from its color style characteristics. The relationship between color and workmanship and the relationship between color and pattern are deeply analyzed and studied. In addition, through practice, the author collects the atlas of embroidered purse in the south of the Yangtze River and extracts its color. A set of chromatograms with embroidered purse color in Jiangnan area was made. Finally, combining theory with practice, the paper summarized and analyzed the application method of female red color in modern home textile in Jiangnan area. The purpose of this paper is to remind people to pay attention to the protection and inheritance of the female red color in Jiangnan area, and to make up for the gap in the theory of the female red color in the modern home textile design in the south of the Yangtze River. And to provide some reference for home textile designers. Jiangnan women have accumulated rich experience in the process of making female red for a long time, forming the aesthetic value that belongs to Jiangnan region. The application of colors in the south of the Yangtze River to the design of home textiles will help to enhance the brand value of domestic home textiles. The collocation of their colors is also very worthy of reference and study by current home textile designers, hoping to play a role as a source of inspiration. Let home textile designers attach importance to national colors, more in the design of the use.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS105.1

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