在历史中艰难跋涉—从女性视角看萧红写作

发布时间：2018-04-17 05:15

本文选题：萧红 + 女性　；参考：《上海师范大学》2017年硕士论文

【摘要】：作为一个极具个人特色的女作家,萧红研究一直是文学史上的一大热点。从30年代以抗日作家的称号震动上海文坛,到40年代以女性之名颇惹争议,及至建国后的沉寂,再到80年作为女性作家被发掘,萧红的身份问题一直是学界纠缠不休的焦点所在。由于时代变化,萧红的女性身份往往被简化为“政治立场”,从而取消了萧红的复杂性和丰富性,对文本的解读也陷入去历史化的弊端。基于这一问题,本文试图回到历史,贴近萧红创作的时代,带着时代感去参看萧红知识分子立场和女性身份对萧红写作的影响,并将萧红写作中所呈现的“差异”重新置于时代语境中去观看,尝试理清萧红写作和时代之间的关系。第一章主要通过对萧红抗战前作品的梳理,寻找出一条萧红由“五四”走向“革命文学”的通路。从《跋涉》到《商市街》,再到《手》,萧红在创作中持续思考着“阶级”与“自我”的关系问题,随着时间的推进,她对“阶级”与自我的问题的理解也在不断加深。女性经验作为萧红创作中极为重要的资源,也参与到其阶级意识的建构当中,使这些作品呈现出独特的个人特质。第二章主要以《生死场》为切入点,考察萧红写作中女性与阶级、民族国家之间的关系。《生死场》作为萧红最具影响力和争议性的作品,不同时代话语对其进行了形态各异的解释,女性、阶级、民族国家话语的缠绕给《生死场》带来了复杂性和丰富性。在《生死场》中,萧红以其女性独特的视角,以有差异的性别经验书写了日本侵略前后乡村、都市不同的社会景观,为我们展示了性别、阶级、民族国家在不同的场景中的互动关系。第三章主要讨论作为女性的萧红对抗战的独特思考以及这份思考在萧红的作品中是如何呈现的。萧红抗战之后的写作与主流抗战作品之间的差异主要来自于她的女性视角。女性的敏感和弱者的处境使她更愿意从弱者的视角去观看,书写战争。她以《呼兰河传》表达了思念乡土的情绪,同时又不失批判的眼光去观看作为民族主体的中国人,关注弱势的国民如何在残酷的战争中生活下去的问题。无论哪一种书写都是同改造中国,建设新中国的美好愿景联系在一起的。
[Abstract]:As a woman writer with personal characteristics, Xiao Hong has always been a hot spot in literary history.From the 1930s when the title of anti-Japanese writer shocked the literary world in Shanghai, to the 1940s in the name of women rather controversial, to the silence after the founding of the people's Republic of China, to 80 years as a female writer was discovered,Xiao Hong's identity has always been the focus of academic entanglement.Because of the change of times, Xiao Hong's female identity is often simplified as "political stand", thus canceling the complexity and richness of Xiao Hong, and the interpretation of the text is also trapped in the drawback of dehistorization.Based on this problem, this paper attempts to return to history, close to the era of Xiao Hong's creation, and take the sense of the times to see the influence of the intellectual position and female identity of Xiao Hong on Xiao Hong's writing.And put the difference in Xiao Hong's writing to the context of the times to try to clarify the relationship between the writing and the times.In the first chapter, by combing Xiao Hong's works before the War of Resistance against Japan, we find a path from the May 4th Movement to the Revolutionary Literature.From "trudging" to "Shang Shi Street" and then to "hand", Xiao Hong is constantly thinking about the relationship between "class" and "self" in his works. With the development of time, her understanding of "class" and "self" is also deepening.As an extremely important resource in Xiao Hong's creation, female experience also takes part in the construction of his class consciousness, which makes these works show unique personal characteristics.The second chapter focuses on the relationship between women, class and nation-state in Xiao Hong's writing. Life and death Field is the most influential and controversial work of Xiao Hong.The discourse of different times explains it in different forms. The intertwining of the discourse of women, classes and nation-states brings complexity and richness to the field of life and death.In "the Field of Life and death", Xiao Hong, from her unique female perspective, writes about the different social landscapes of the countryside and the city before and after the Japanese invasion with different gender experiences, which shows us the gender and class.The interaction of nation-state in different scenes.The third chapter mainly discusses Xiao Hong's unique thinking about the War of Resistance against Japan as a female and how this thought is presented in the works of Xiao Hong.The difference between Xiao Hong's writing after the War of Resistance and the mainstream works mainly comes from her female perspective.The sensitivity of women and the situation of the weak make her more willing to watch and write war from the perspective of the weak.She expressed her yearning for the native land with the biography of the Hulan River, and at the same time she looked at the Chinese as the main body of the nation without losing a critical eye, and paid attention to the problem of how the weak people lived in the cruel war.Either writing is linked to the vision of transforming China and building a new China.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

【参考文献】