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贵州大方漆艺与其他地区漆艺的比较研究

发布时间:2018-04-20 03:39

  本文选题:贵州大方漆艺 + 其他漆艺 ; 参考:《贵州师范大学》2015年硕士论文


【摘要】:贵州历史悠久,源远流长。它在中国地图上有着特殊的地理环境,相对封闭的自然生态环境,多民族的聚居地,特有的传承模式,迥异的文化生态环境造就了贵州独有的山地文化。正是因为这样的独特的地理因素,虽历经外部环境的洗礼和冲击,贵州的工艺美术依然在变数中得以存续,并以强烈的地域性和民族性得到了广泛的认可,构成了中国非物质文化的组成部分。深处贵州西北的大方漆器更是个中典型,作为非物质文化遗产的大方漆器以其独特的民族性、独有的传统工艺,一直享誉海内外。但处于社会、经济、文化迅速发展的环境下,大方漆器的发展机遇与危机并存。文章分为四个部分:第一部分通过对中国漆器发展的各个阶段,中国漆器工艺的萌芽阶段、逐渐成熟阶段、繁荣鼎盛阶段以及现代发展阶段的分析,阐述中国漆器工艺传承的重要性及其对大方漆器发展影响;第二部分介绍大方漆器的历史沿革、文化艺术特征、制作工艺特色以及其当下的生存状态;第三部分着重阐述了大方漆器与其他地域漆器的差别,重点分析以福建漆器和扬州漆器在历史文化、地域及民族差异,制作工艺及艺术表现差异以及现时生存、发展状态对比;第四部分写大方漆器的发展与突破,及未来的发展方向。我们可得出的结论是:日用之道、实用为本、审美性兼具才是中国漆器未来的生存之道。与此同时,保持纯正的手工艺、政府的大力扶持,民族性的传承是大方漆器发展的根本之道。认识到这些,才能有助于大方漆器的发展,有利于中国漆器工艺的发展和中国民族文化的传承。
[Abstract]:Guizhou has a long history and has a long history. On the map of China, it has special geographical environment, relatively closed natural ecological environment, multi-national settlement, unique inheritance mode and different cultural ecological environment, which has created the unique mountain culture of Guizhou. It is precisely because of such unique geographical factors that, despite the baptism and impact of the external environment, the arts and crafts of Guizhou still exist in the variables, and have been widely recognized for their strong regional and national character. It forms part of Chinese immaterial culture. Deep in the northwest of Guizhou generous lacquer ware is a typical, as a intangible cultural heritage of the generous lacquer ware with its unique national character, unique traditional technology, has been renowned at home and abroad. But in the environment of rapid development of society, economy and culture, the development opportunity and crisis of generous lacquer ware coexist. The article is divided into four parts: the first part analyzes the stages of Chinese lacquer ware development, the budding stage of Chinese lacquerware technology, the stage of gradual maturity, the stage of prosperity and prosperity, and the stage of modern development. The second part introduces the historical evolution, cultural and artistic characteristics of the lacquer ware, the characteristics of the manufacturing process and its current living state, as well as the development of the lacquer ware in China, the importance of Chinese lacquer craft inheritance and its influence on the development of the lacquer ware. The third part mainly expounds the difference between generous lacquer ware and other regional lacquer ware, focusing on the analysis of Fujian lacquer ware and Yangzhou lacquer ware in history and culture, regional and national differences, production technology and artistic performance differences, and the current survival, development status comparison; The fourth part is about the development and breakthrough of generous lacquer ware, and the development direction in the future. We can draw the conclusion that daily use, practicality and aesthetic are the way to survive Chinese lacquer ware in the future. At the same time, to maintain pure handicraft, the government's strong support, national heritage is the basic way to develop generous lacquer ware. To realize these, we can help the development of generous lacquer ware, the development of Chinese lacquer ware technology and the inheritance of Chinese national culture.
【学位授予单位】:贵州师范大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:J527

【参考文献】

相关期刊论文 前2条

1 罗明刚;凉山彝族漆器[J];四川文物;1992年04期

2 方晓风;;生产是工艺美术审美的基础[J];装饰;2014年05期



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