“曲直观”指导下的中式家具造型研究
本文选题:中式家具 + 曲直观 ; 参考:《浙江工业大学》2015年硕士论文
【摘要】:无论是在古代还是在现代设计中,几何元素一直是决定家具造型的重要因素。对于家具设计来说,线构成了面,而点亦是缩小形态下的线或面,故而从最基本构成来说,家具设计归根结底可以解释为线的设计与变化。所以,一定程度上来说家具造型设计的研究,都可以从线的变化来分析,又因为线包含了曲与直,故而研究曲与直的结合与变化,有助于对家具造型语意的解读。本文首先对中式审美“曲直观”的概念进行了分析与归纳总结,从文字含义、精神品质、美学意义、文学、艺术、建筑、设计等进行解读。“天人合一”的审美追求使得中式艺术与设计中的曲更趋向于对自然万物的模仿,以自然随性的舒展体现“道”的韵味,较之西方设计中常见的规则几何曲线多了一分洒脱,少了一分拘束。中国艺术与设计中的直线不仅是起到结构与支撑作用,更是理性、规矩与挺直的精神脊梁。因为中式艺术与设计中曲与直的丰富语意,使得曲与直的研究成为解读中式家具造型语意的有效途径。又因为曲与直的延伸含义在中式审美中已经超脱了形态的限制,体现在了精神感受层面,故而体现在家具设计中就不单纯局限于造型,亦受诸多其他因素影响。本文在对中式家具造型的研究中,首先就中式家具发展历史进行了分析,从时代特征、社会风尚、精神追求、材料影响、工艺影响等方面寻找出影响家具造型的相关因素。而后系统地从中式审美的“曲直观”角度对中式家具造型进行分析,从单独的曲和直,到曲直结合的变化、再到意义与结合尺度;从单纯的曲与直的造型态势,到曲直影响下的风格形成,再到分析隐藏在曲直造型变化中的文化理念、精神理想、功能需求与市场影响,最后结合现代社会环境、消费需求、精神需求、材料与工艺发展、流行时尚等影响因素,分析曲直观在现代的传承与发展情况,结合西方审美影响,分析现代中式家具的现状与发展趋势。从“曲直观”入手,由表及里,由现象入手分析形成原因,结合各时期家具发展变化及同时期家具造型差异分析,以小见大、由浅至深地研究中式家具造型风格与形成,有助于研究中式家具造型的表现与发展变化,亦对新中式家具造型研究有重要的促进作用。
[Abstract]:In both ancient and modern design, geometric elements have always been an important factor in furniture modeling. For the furniture design, the line constitutes the surface, and the point is the line or surface under the reduced form. Therefore, from the most basic composition, the furniture design can be interpreted as the design and change of the line in the final analysis. Therefore, to a certain extent, the study of furniture modeling design can be analyzed from the line changes, and because the line contains qu and straight, so the study of the combination and change of qu and straight is helpful to the interpretation of the meaning of furniture modeling. This paper first analyzes and summarizes the concept of Chinese aesthetic "qu intuition", and interprets it from the following aspects: literal meaning, spiritual quality, aesthetic significance, literature, art, architecture, design, etc. The aesthetic pursuit of "the unity of nature and man" makes the music in Chinese art and design more inclined to imitate the nature and everything, and shows the charm of "Tao" with the natural easiness, which is a little more free and easy than the common regular geometric curve in western design. A little less restraint. The straight line in Chinese art and design not only plays the role of structure and support, but also the spiritual backbone of rationality, rule and straightness. Because of the rich meaning of Chinese style art and design, the study of qu and straight becomes an effective way to interpret the semantic meaning of Chinese furniture modeling. Because the extension of the meaning of qu and straight in the Chinese aesthetic has gone beyond the limitations of the form, reflected in the level of spiritual feelings, so reflected in the design of furniture is not only confined to the shape, but also affected by many other factors. In the study of Chinese furniture modeling, this paper first analyzes the history of Chinese furniture development, from the characteristics of the times, social fashion, spiritual pursuit, material influence, technology influence and other aspects to find out the relevant factors affecting furniture modeling. Then it systematically analyzes the Chinese furniture modeling from the angle of Chinese aesthetic "qu intuition", from the single curve and straight, to the change of combination of curved and straight, and then to the meaning and the scale of combination, and from the pure curved and straight modeling situation, To the formation of style under the influence of straightness, and then to the analysis of cultural concepts, spiritual ideals, functional demands and market influences hidden in the change of curved modeling. Finally, it combines the modern social environment, consumer demand, spiritual demand, material and technological development, This paper analyzes the influence factors such as popular fashion and so on, analyzes the inheritance and development of qu intuitionistic in modern times, and analyzes the present situation and development trend of modern Chinese furniture combined with the western aesthetic influence. Starting from "qu intuitionistic", from exterior to inside, from phenomenon to phenomenon, combined with the analysis of furniture development and change in each period and the difference of furniture modeling in the same period, we can see the whole through a small part, and study the style and formation of Chinese furniture from shallow to deep. It is helpful to study the performance and development of Chinese furniture modeling, and also plays an important role in the research of new Chinese furniture modeling.
【学位授予单位】:浙江工业大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:TS664.01
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