论赵松庭的竹笛艺术

发布时间：2018-05-20 01:04

本文选题：赵松庭 + 竹笛　；参考：《陕西师范大学》2015年硕士论文

【摘要】：新中国成立之后,上世纪五十年代以来,全国文化艺术得到了迅速发展,竹笛演奏以独奏的形式逐渐走上舞台,一批传世的竹笛独奏曲相继问世,这些作品多以经典的民间音乐为素材,有着浓郁的地方音乐特色,继而形成竹笛南派和北派。1954年,赵松庭在东北疗养时,面对祖国的窗外美丽的大森林,有感而发创作了《早晨》,1956年,赵松庭在第一届全国音乐周成功地演奏了《早晨》,后先生又创作了《鹧鸪飞》、《三五七》、《二凡》等一系列优秀的笛乐作品,先生将北派的技术融入到自己的笛曲中,在当时令人耳目一新,被公认是“南派”竹笛大师。黄源先生在为《笛艺春秋》作序时写道“在笛子演奏家中,赵松庭独树一帜,他的作品并不局限于某种特定的民间音乐的范畴,而是独辟蹊径,吸取了民间音乐的丰富营养,运用西洋作曲技法,令人耳目一新,在新法创新方面,也作了很大的贡献,…赵松庭先生处于领先地位,他在笛子理论、科研以及笛子演奏、作曲等方面的造诣颇高,博大精深,堪为人师”。正是因为赵松庭先生的这样的开创进取精神,以及不断研究进取,最终他将竹笛艺术推向的新的历史高度。赵松庭先生在音乐创作、教材编写、教学法、以及乐器改革、乐器史的研究等领域对竹笛学科的发展有着深远的影响,他不仅是表演艺术家,更是教育学家,他门下有五代弟子,许多都成为了成功的笛子表演艺术家。赵松庭先生在《笛艺春秋》中写道： “…我有志在七个方面做一些实实在在的工作。”①笔者认为,赵松庭先生是将自己研究竹笛艺术的内容规划在探讨笛史、演奏技巧方面的研究、声学的研究、律学的研究、美学的研究、教学法的研究、乐器改革的探讨等这七个方面。本文研究赵松庭的竹笛艺术,从赵松庭的生平经历出发,分析赵松庭关于笛乐的创作观、演奏观、教学观、科研观,通过赵松庭创作的乐曲,分析其演奏风格的成因与特点,并从传统审美角度出发对其音乐思想做出理论分析,阐述赵松庭的竹笛艺术。本文分为绪论,五个章节与结语。文章绪论部分是论文的选题目的意义,文献综述和研究现状,研究方法。该部分整理了当代对赵松庭先生的研究成果,并对这些研究成果分析,探讨了关于研究赵松庭笛乐艺术的意义。本文的第二章详细的介绍了赵松庭先生的艺术人生历程,并通过不同的社会环境对其的影响来将其经历划分为三个阶段,阐述了其笛乐思想产生的原因。第三章是对其教育观、科研观具体探讨,详细阐述了赵松庭的竹笛艺术理念。第四章是笛乐演奏创作观与演奏风格研究,第五章则是通过赵松庭的五首经典作品来对其演奏技法与演奏形式进行探究。第六章是赵松庭先生的美学思想,探讨了他关于音乐与演奏的辩证思想以及传统审美学角度对其乐曲进行阐述。通过对赵松庭先生的竹笛艺术研究,认为赵松庭先生对后世竹笛艺术的发展起到了重大的影响,主要表现在：演奏技术的影响、教育人才的影响、竹笛科研的影响等方面、笛乐创作的影响等等。
[Abstract]:Since the founding of new China, the national culture and art have developed rapidly since the 50s of last century. Bamboo flute playing is gradually on the stage with the form of solo. A batch of bamboo flute solos have come out successively. These works are mostly based on classical folk music, with strong local music features, and then the southern and Northern School of bamboo flute. In 1954, when Zhao Songting was convalescent in the northeast, facing the beautiful forest outside the window of the motherland, he created the morning > in the morning. In 1956, Zhao Songting successfully played the morning > in the first national music week. After that, Mr. Zhao Songting wrote a series of excellent flute works such as "partridge flying", < 357 >, < two >. In his own flute, at that time, it was refreshing and recognized as the "south school" master of bamboo flute. Mr. Huang wrote in his order for "flute art spring and Autumn". "In the flute music, Zhao Songting has a unique style. His works are not limited to certain categories of folk music, but a unique way to absorb the rich nutrition of folk music." The use of western composing techniques is refreshing and has made great contributions to the innovation of new laws. Mr. Zhao Songting is in the leading position. He has great attainments in flute theory, scientific research, flute performance, composing and so on. It is precisely because of Mr. Zhao Songting's pioneering spirit, and continuous research and progress, that he eventually pushed the bamboo flute art to a new historical height. Mr. Zhao Songting is in the music. Creation, textbook compilation, teaching method, musical instrument reform, musical instrument history research and other fields have a profound influence on the development of bamboo flute discipline. He is not only a performing artist, but also an educationist. He has five generations of disciples, many have become a successful flute performing artist. Mr. Zhao Songting wrote in "the spring and autumn of the flute", "... I am determined to do some real work in seven aspects. 1. The author thinks that Mr. Zhao Songting is a study of the seven aspects of the study of his own study of bamboo flute art in the study of the history of flute, the techniques of playing, the research of acoustics, the study of law, the study of aesthetics, the research of the teaching method, the discussion of the reform of the instrument and so on. Zhao Songting's bamboo flute art, starting from Zhao Songting's life experience, analyzes Zhao Songting's views on the creation of flute music, performance view, teaching view, scientific research view, analyses the causes and characteristics of his playing style through Zhao Songting's music, and makes a theoretical analysis of his musical music thought from the traditional aesthetic point of view, and expounds Zhao Songting's bamboo flute art. This article is divided into the introduction, five chapters and the conclusion. The introduction part is the purpose meaning of the topic, the literature review and the research status, the research method. This part collates the research results of Mr. Zhao Songting, and analyzes the significance of the research on the study of Zhao song's flute art. The second chapter of this paper is detailed. This paper introduces Mr. Zhao Songting's art and life history, and divides its experience into three stages through the influence of different social environment, and expounds the causes of his flute music thought. The third chapter is a detailed discussion on his view of education and scientific research and the detailed exposition of Zhao Songting's bamboo flute art concept. The fourth chapter is the concept of flute music. The fifth chapter is to explore the skills and forms of playing by Zhao Songting's five classic works. The sixth chapter is Mr. Zhao Songting's aesthetic thought, and discusses his dialectic thoughts on music and performance and the traditional aesthetic point of view. Through the bamboo flute of Mr. Zhao Songting The study of art holds that Mr. Zhao Songting has a great influence on the development of later bamboo flute art, mainly in the following aspects: the influence of playing technology, the influence of educational talents, the influence of bamboo flute scientific research and so on, the influence of the flute music creation and so on.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J632.11

【参考文献】