文化与设计的珠璧交辉—家庭设计对中国传统文化的继承和创新

发布时间：2018-05-25 05:37

本文选题：庭院空间 + 意境　；参考：《南京师范大学》2015年硕士论文

【摘要】：随着中国城市化的发展,中国传统庭院正在以惊人的速度在一点点的消失,对于中国人来说,每个人的心中都有一个院落情结。在世界庭院史上,中国的庭院是同时具备着精神气质和艺术美感的,和中国的文人绘画一样,是灵动的梦幻般的,乃至玄妙的。审美是不可量化的,也是不必具象的,更是难以科学化的。中国古人的思维方式是感性和写意的,任何文字和绘图都不是具象的、写实的,而是虚实结合,留下相当大的想象余地和模糊空间供我们后人揣摩,这也正是中国传统庭院的精妙所在。中国传统庭院作为古代人们的主要居住休憩的场所,其景观质量能够影响到人们的心理、生理以及人们的精神世界和居住生活品质。我们都有这样的一个感受：良好的居住景观环境能够舒缓和庇护我们白日里紧张的、疲惫的身心,无论我们的庭院的一草一木、一泉一石,还是松、藤、竹、卉、抑或是人工设置的亭、廊、桥、椅,抑或是精致的台阶和曲径通幽的小径,都能够将你内心久藏的诗意唤醒,享受自身心灵深处的宁静和温馨。对于现在而言,建筑的集中形成了城市,城市化本来也是人类文明的标志,然而居住庭院空间缺乏人性化的人文内涵,只是一味的模仿,“天人合一”的思想离我们越来越远,居住在这样的景观空间里易于疲劳、孤独、人情冷漠,与大自然越来越远,这是我们现在庭院设计的问题所在。因此,传统庭院不仅仅是一种形式或形态,而是具有深厚的中华民族的文化内涵,如何继承传统中的精华把它引入到现代庭院设计中,是我们迫切要研究的一个课题。本文从庭院的含义到它的特征再到庭院的分类以及它所具有的文化内涵,进行了描述,然后借古喻今,分析当代庭院的空间内容,借以表明笔者的目的,让我们在传统优秀的基础上进行创新,探索适合中国特色的庭院设计之路。对国外优秀的庭院文化进行分析,在相关领域研究国外先辈们对传统庭院文化以及空间形态理论著作,并结合国外实际的案例来分析理解传统庭院的内涵。文章最后分析在优秀民族文化下,庭院设计与传统文化的巧妙结合,对于现实有一定的意义。
[Abstract]:With the development of urbanization in China, the traditional Chinese courtyard is disappearing at an alarming rate. For Chinese people, everyone has a complex in their hearts. In the history of the world courtyard, the Chinese courtyard has both spiritual temperament and artistic beauty, like Chinese literati painting, it is dreamlike and even mysterious. Aesthetics is not quantifiable, also need not be concrete, more difficult to scientific. The way of thinking of the ancient Chinese people was perceptual and freehand, and any words and drawings were not concrete, realistic, but a combination of vanity and reality, leaving considerable room for imagination and vague space for future generations to figure out. This is precisely the essence of the Chinese traditional courtyard. As the main living place of ancient people, the landscape quality of Chinese traditional courtyard can affect people's psychology, physiology, people's spiritual world and living quality. We all have a feeling that a good living landscape environment can soothe and protect our tense, tired body and mind in the day, whether our courtyard is a plant, a spring, a stone, or pine, rattan, bamboo, grass, etc. Or artificial pavilions, corridors, bridges, chairs, or delicate steps and winding paths, can wake up your heart's long hidden poetic, enjoy the peace and warmth of your heart. For now, the concentration of architecture forms the city, and urbanization was originally the symbol of human civilization. However, the living courtyard space lacks the humanistic connotation of humanization, but it is just imitating blindly, and the thought of "the unity of nature and man" is farther and farther away from us. Living in such landscape space is easy to fatigue, lonely, human indifference, and far away from nature, which is the problem of our garden design. Therefore, the traditional courtyard is not only a form or form, but also has a profound cultural connotation of the Chinese nation. How to inherit the essence of the tradition to introduce it into the design of modern courtyard is an urgent subject that we should study. From the meaning of courtyard to its characteristics, to the classification of courtyard and its cultural connotation, this paper describes it, and then analyzes the space content of contemporary courtyard by using ancient metaphors, in order to show the purpose of the author. Let us innovate on the basis of traditional excellence and explore the road of courtyard design suitable for Chinese characteristics. This paper analyzes the outstanding courtyard culture in foreign countries, studies the theoretical works on traditional courtyard culture and spatial form of foreign forefathers in related fields, and analyzes and understands the connotation of traditional courtyard by combining with the actual cases of foreign countries. Finally, the article analyzes the combination of courtyard design and traditional culture under the excellent national culture, which has certain significance to reality.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU986.58

【参考文献】