新世纪以来台湾电影本土文化的书写

发布时间：2018-06-12 05:31

本文选题：台湾电影 + 本土文化　；参考：《山东师范大学》2017年硕士论文

【摘要】：新世纪以来,台湾电影经历起伏转折,从低谷走出,逐渐显露所谓“复兴”势头,一些电影获得了两岸三地的认可,这其中有很多影片因其共有的浓厚“台味”形成当下台湾电影鲜明的风格,获得不俗的票房与口碑,这些影片传达出的内核实质上是台湾地区本土文化的内涵。2005年,台湾电影辅导金加大了对反映台湾地区本土题材影片的创作奖励:“目前法规认为必须含有台湾精神、风情、人文这种抽象的观念的国片才是值得辅导金辅助的”,因此,台湾电影中对本土文化的展现成为台湾电影重要的组成部分,台湾电影如何阐述本土文化,台湾电影体现出的本土文化内涵是什么,都成为探看台湾电影的重要方式。本文对新世纪以来台湾电影中本土文化的书写方式做了分析。因台湾地区的本土文化是中华文化必不可少的组成部分,绪论厘清台湾地区本土文化与中华文化的关系,分析台湾地区本土文化的起源与台湾地区本土文化在近现代的发展,对台湾地区本土文化的几个重要向度和突出特征进行时间线的梳理。正文共分为三个部分:第一章主要分析新世纪以来台湾电影中的本土文化类型;第二章分析新世纪以来台湾地区本土文化在电影中的表现特征;第三章对新世纪以来台湾电影注重本土文化表达的原因进行探析。第一章分为三个部分,分析新世纪以来台湾电影中呈现出的三种本土文化类型:一是原乡文化,主要分析电影中原住民及外省人对原乡的情感和记忆;二是本土景观文化,从人文景观和自然景观两方面分析本土景观文化在电影中的呈现;三是边缘文化,主要分析原住民文化、跨性别恋文化以及新移民文化三个方面。第二章分为三个部分,分析新世纪以来台湾电影中本土文化的特征:一是电影中的本土空间,包括城市与乡村、本土典型空间以及电影中的本土物像三个方面;二是本土人物,主要分析“台客”及黑帮两种人物形象;三是本土的宗教信仰,包括宗教信仰的种类、宗教场所及活动、宗教人物几个方面。第三章分为三个部分,主要分析新世纪以来台湾电影注重本土文化表达的原因:一是台湾地区本土意识的兴起使台湾摆脱沉重的历史桎梏并不断重塑当下的新形象;二是台湾电影的政策对影片风格及产业发展产生的影响;三是新兴电影形态即城市行销影片对台湾电影本土文化书写的影响,并分析其兴起缘由和现状及对台湾电影书写本土文化产生的重要影响。本文对台湾电影本土文化的表达特点进行剖析,通过对新世纪以来台湾电影中本土文化书写方式的探讨,进一步发掘台湾地区本土电影的书写方式,为台湾电影在本土文化表达和商业利益之间寻求平衡点提供有益借鉴。
[Abstract]:Since the new century, Taiwanese films have experienced ups and downs and have emerged from the trough and gradually revealed the momentum of the so-called "renaissance". Some films have gained recognition from the three places on both sides of the strait. Many of these films, because of their strong "Taiwan flavor", formed the distinctive style of current Taiwan films and gained good box-office and word-of-mouth. The core of these films is essentially the connotation of local culture in Taiwan. In 2005, The Taiwan Film guidance Fund has increased the reward for the creation of films that reflect local themes in the Taiwan region: "at present, the laws and regulations consider that only national films with abstract concepts such as Taiwanese spirit, customs and humanism are worthy of assistance from the tutoring fund." The display of local culture in Taiwan films has become an important part of Taiwan films. How Taiwanese films explain local culture and what the connotation of local culture embodied in Taiwan films have become an important way to explore Taiwan movies. This paper analyzes the writing style of native culture in Taiwanese films since the new century. Because the native culture of Taiwan is an indispensable part of Chinese culture, the introduction clarifies the relationship between the native culture of Taiwan and Chinese culture, and analyzes the origin of local culture in Taiwan and the development of local culture in Taiwan in modern times. This paper combs several important aspects and prominent features of Taiwan's native culture. The text is divided into three parts: the first chapter mainly analyzes the local culture types in Taiwan films since the new century, the second chapter analyzes the performance characteristics of Taiwan native culture in the film since the new century. The third chapter explores the reasons why Taiwanese films attach importance to the expression of local culture since the new century. The first chapter is divided into three parts, which analyze the three types of native culture in Taiwanese films since the new century: first, the native culture, which mainly analyzes the feelings and memories of the native people and the mainlanders to the native country; and the second, the local landscape culture. This paper analyzes the presentation of native landscape culture in the film from two aspects: humanistic landscape and natural landscape; third, marginal culture, mainly analyzing aboriginal culture, transgender love culture and new immigrant culture. The second chapter is divided into three parts, analyzing the characteristics of local culture in Taiwanese films since the new century: first, the local space in the film, including the city and country, the local typical space and the local image in the film; the second, the local characters. The third is the local religious belief, including the types of religious beliefs, religious sites and activities, religious figures several aspects. The third chapter is divided into three parts, mainly analyzing the reasons why Taiwanese films pay attention to the expression of local culture since the new century: first, the rise of local consciousness in Taiwan makes Taiwan get rid of the heavy historical shackles and constantly reshape the new image of the present; The second is the impact of the Taiwan film policy on the film style and the development of the industry, and the third is the impact of the emerging film form, that is, the city marketing film, on the writing of Taiwan's local film culture. It also analyzes the reason and present situation of its rise and its important influence on the native culture of Taiwan film writing. This paper analyzes the expression characteristics of Taiwan film native culture, through the discussion of the writing mode of local culture in Taiwan film since the new century, further excavates the writing mode of Taiwan local film. To provide useful reference for Taiwan film to seek the balance between local cultural expression and commercial interests.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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