当前位置:主页 > 文艺论文 > 环境艺术论文 >

嘉峪关新城墓室壁画图像研究

发布时间:2018-06-29 16:19

  本文选题:壁画墓 + 图像 ; 参考:《湖南师范大学》2015年硕士论文


【摘要】:嘉峪关新城墓室壁画图像研究的是魏晋新城时期的墓室壁画。“墓室壁画”,指用特定的工具和技法绘制于墓室的门壁、顶部以及甬道两侧的图像,并以笔和墨及各种颜料之类绘制而成。新城墓室壁画内容的笔墨彩绘图像各有定名,并且有相当数量的遗存。本文是对新城地区已经出土的并且保留完整的魏晋墓室壁画图像进行综合探讨,重点研究新城墓室壁画的艺术渊源和内容特色,以及图像绘画表现内容和形式的比较及传承相关联的问题。新城魏晋墓室壁画受到了其地理位置和文化的影响,涉及到了具体的内容、文化环境、制作工艺等。壁画墓的内容在魏晋的绘画和汉代的画像砖、岩画不多见,那么什么是嘉峪关新城壁画图像的特色,为什么能够引起国内外学界的关注呢?是因为东汉末年,墓室图像被魏晋的艺术图式化,使其更加的具有民俗性和生命力,遗憾的是在中国绘画史论上几乎没有完整的阐述和记录,同时一砖一画的视觉特征也反映了当时的画匠已经具有了一定的绘画水平。本文研究的意义在于为研究地域性人文历史提供了可视的图片资料,为历史题材的艺术创作元素提供了可靠地参考。嘉峪关新城壁画墓,位置之特殊,表现内容的丰富超乎我们想象的范围,既是一个时代的艺术结晶,也是本土文化的智慧呈现。它的题材一方面反映了河西地区劳动人民对美好生活的追求;另一方面真实的反映了当时的社会生活场景和绘画艺术的表现方式,为研究当代历史题材的艺术创作元素提供了极其重要的参考,同时也为研究魏晋历史地域性问卷的历史考古学者和考古学家提供了图文并茂的珍贵资料。
[Abstract]:Jiayuguan New City tomb murals image study is the Wei Jin Dynasty tomb murals. "tomb mural" means an image of the door wall, top and sides of the chamber painted with specific tools and techniques and drawn with pen and ink and various pigments. The murals of the tomb in Xincheng each have their own names, and a considerable number of remains. This paper is a comprehensive discussion on the frescoes of the tomb room of the Wei and Jin dynasties that have been unearthed in Xincheng area, with the emphasis on the artistic origin and content characteristics of the murals of the tomb rooms in the new town. As well as the picture painting performance content and the form comparison and the inheritance related question. The frescoes in the tomb of the Wei and Jin dynasties are affected by their geographical location and culture, including the concrete contents, cultural environment, production techniques and so on. The content of murals tomb in the Wei and Jin dynasties and Han Dynasty painting brick, rock painting is rare, so what is Jiayuguan New City fresco image characteristics, why can cause the attention of scholars at home and abroad? Because in the last years of the Eastern Han Dynasty, the tomb image was transformed into the artistic schema of the Wei and Jin dynasties, which made it more folklore and vitality. Unfortunately, there was almost no complete explanation and record on the history of Chinese painting. At the same time, the visual features of one brick and one painting also reflect that the painters at that time had a certain level of painting. The significance of this study is to provide visual picture materials for the study of regional humanistic history and a reliable reference for the artistic elements of historical themes. The tomb of Jiayuguan New Town frescoes is special in location and rich in content beyond our imagination. It is not only the artistic crystallization of an era, but also the wisdom of local culture. On the one hand, its theme reflects the pursuit of a better life by the working people in Hexi region; on the other hand, it truly reflects the social life scene and the expression of painting art at that time. It provides an extremely important reference for the study of the artistic elements of contemporary historical subjects, and also provides valuable information for the historical archaeologists and archaeologists who study the historical regional questionnaire of the Wei and Jin dynasties.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:J218.6

【参考文献】

相关期刊论文 前3条

1 杜伊帆;;嘉峪关魏晋墓室壁画绘画手法初探[J];西北成人教育学院学报;2014年06期

2 左中s,

本文编号:2082676


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huanjingshejilunwen/2082676.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户39be7***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com