黎族非物质文化遗产黎锦传统文化研究
发布时间：2018-08-13 20:42
【摘要】：黎锦植根于黎族土壤之中,在独具民族特性的文化氛围里成就了一部写满黎族历史与发展的百科全书,它不仅记录了黎族纺织业历程,还涉及黎族人民日常生活以及精神生活的方方面面。在几千年的发展历程里,受到民族内部分化合并、族外文化交融的影响,黎锦在不同时期展现出不同形态特征,经历了树皮布到麻纺再到棉纺的三个阶段。本文第二章梳理了这三个阶段,并着重探讨了以树皮布为代表的无纺时代,从物质、社会、精神三个方面分析树皮布对后世黎锦的贡献。第三章围绕黎锦色彩的外在表现形式与其所表述的象征意义之间存在多种组合方式展开研究。将色彩作为一种象征符号,在符号学的理论基础上结合黎族人民的思想观念与文学素材两方面来探讨色彩符号的思想渊源,并选取民俗和宗教两个角度解析黎锦色彩的内涵表达,举出大量具体的实例来阐述不同色彩所对应的象征意义,归纳出色彩符号的身份识别、审美及情感寄托功能。第四章归纳了黎锦织绣纹样的三个特点,即宗教性、地域差异性和构图手法多样性。将纹样分为四个类别,突出其包罗万象的选材与形式、丰富的民俗内涵和民族精神,展现出黎族人民将精神文化与审美艺术完美结合的高超技艺,表达了黎族人民追求幸福生活、歌颂美好品德、祈求获得祖先庇佑的愿望。第五章从生态环境、社会生活、思想意识和民族融合的角度探讨了黎锦织造工艺受到多元文化影响而形成的独特民族文化。并从纺织工具、纺织原理、纺织流程、现代开发四个方面详细的解析了黎锦织造工艺,将古老的纺织技术分解为可执行的步骤,用图文结合的方式记录下来。本文选取树皮布、黎锦色彩、黎锦纹样和黎锦工艺这四个要素作为研究黎锦形态的突破口,旨在从多角度证实黎锦不仅仅是简单的物质形态,它受到特定的社会因素影响,蕴涵着深刻的精神内涵,同时能够承担着最朴实的物质功能。它唯有在黎族的土壤中才能生成发展,也只有植根于黎族文化才能在现代化的冲击下永葆活力。
[Abstract]:Li Jin, rooted in the soil of Li nationality, has achieved an encyclopedia of Li nationality history and development in the unique cultural atmosphere, which not only records the history of Li textile industry, but also the history of Li nationality. It also involves all aspects of Li people's daily life and spiritual life. In the course of thousands of years' development, influenced by the internal differentiation and amalgamation of ethnic groups, Li Jin showed different morphological characteristics in different periods and experienced three stages from bark cloth to hemp spinning to cotton spinning. The second chapter combs these three stages, and emphatically discusses the non-woven era represented by bark cloth, and analyzes the contribution of bark cloth to Li Jin from three aspects: material, society and spirit. The third chapter focuses on the combination of the external manifestation of Li brocade color and its symbolic meaning. Based on the theory of semiotics, this paper discusses the ideological origin of color symbols by combining the ideas and literature materials of the Li people with the color as a symbolic symbol. And choose two angles of folklore and religion to analyze the connotation and expression of Li Jin color, cite a large number of concrete examples to illustrate the symbolic meaning corresponding to different colors, sum up the identification, aesthetic and emotional sustenance functions of color symbols. The fourth chapter summarizes the three characteristics of Li Jin embroidery patterns, namely, religious, regional differences and diversity of composition techniques. The pattern is divided into four categories, highlighting its all-encompassing selection of materials and forms, rich folklore connotation and national spirit, showing the Li people's superb skill of perfectly combining spiritual culture with aesthetic art. Li people expressed the pursuit of a happy life, eulogizing the good character, praying for the protection of their ancestors. The fifth chapter discusses the unique national culture formed by the multi-cultural influence of Li Jin weaving technology from the angle of ecological environment, social life, ideology and national integration. And from textile tools, textile principles, textile process, modern development of four aspects of the detailed analysis of the Lijin weaving process, the ancient textile technology decomposed into executable steps, and recorded by the combination of graphics and text. This paper selects the four elements of bark cloth, Li brocade color, Li brocade pattern and Li brocade craft as the breakthrough to study Li brocade form. The purpose of this paper is to prove from many angles that Li brocade is not only a simple material form, but also influenced by specific social factors. It contains profound spiritual connotation and can bear the most simple material function at the same time. Only in the soil of Li nationality can it develop, and only when it is rooted in the culture of Li nationality can it maintain its vitality under the impact of modernization.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J523.6;TS105
本文编号：2182127
[Abstract]:Li Jin, rooted in the soil of Li nationality, has achieved an encyclopedia of Li nationality history and development in the unique cultural atmosphere, which not only records the history of Li textile industry, but also the history of Li nationality. It also involves all aspects of Li people's daily life and spiritual life. In the course of thousands of years' development, influenced by the internal differentiation and amalgamation of ethnic groups, Li Jin showed different morphological characteristics in different periods and experienced three stages from bark cloth to hemp spinning to cotton spinning. The second chapter combs these three stages, and emphatically discusses the non-woven era represented by bark cloth, and analyzes the contribution of bark cloth to Li Jin from three aspects: material, society and spirit. The third chapter focuses on the combination of the external manifestation of Li brocade color and its symbolic meaning. Based on the theory of semiotics, this paper discusses the ideological origin of color symbols by combining the ideas and literature materials of the Li people with the color as a symbolic symbol. And choose two angles of folklore and religion to analyze the connotation and expression of Li Jin color, cite a large number of concrete examples to illustrate the symbolic meaning corresponding to different colors, sum up the identification, aesthetic and emotional sustenance functions of color symbols. The fourth chapter summarizes the three characteristics of Li Jin embroidery patterns, namely, religious, regional differences and diversity of composition techniques. The pattern is divided into four categories, highlighting its all-encompassing selection of materials and forms, rich folklore connotation and national spirit, showing the Li people's superb skill of perfectly combining spiritual culture with aesthetic art. Li people expressed the pursuit of a happy life, eulogizing the good character, praying for the protection of their ancestors. The fifth chapter discusses the unique national culture formed by the multi-cultural influence of Li Jin weaving technology from the angle of ecological environment, social life, ideology and national integration. And from textile tools, textile principles, textile process, modern development of four aspects of the detailed analysis of the Lijin weaving process, the ancient textile technology decomposed into executable steps, and recorded by the combination of graphics and text. This paper selects the four elements of bark cloth, Li brocade color, Li brocade pattern and Li brocade craft as the breakthrough to study Li brocade form. The purpose of this paper is to prove from many angles that Li brocade is not only a simple material form, but also influenced by specific social factors. It contains profound spiritual connotation and can bear the most simple material function at the same time. Only in the soil of Li nationality can it develop, and only when it is rooted in the culture of Li nationality can it maintain its vitality under the impact of modernization.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J523.6;TS105
【参考文献】
相关期刊论文 前2条
1 林茜;;黎锦图案分类比较[J];大众文艺;2011年21期
2 罗文雄;;黎族传统织锦技艺研究[J];中南民族大学学报(人文社会科学版);2011年05期
，本文编号：2182127
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