从画面中的基督形象看乔托的绘画与贡献
发布时间：2018-08-28 19:28
【摘要】：在中世纪时期,西方的绘画和雕塑艺术基本上表现的都是宗教题材。正如《旧约》中所提到的,人的形象就是神的形象,宗教的形象就是一切的形象,一切艺术都是为了表达基督教的威严,对基督的信仰笼罩着整个欧洲大陆。基督的形象尽管依然是以人的形象为基础,但是不是鲜活的,而是僵硬的和缺乏生命感的。和中世纪的整个绘画气氛是一样的,是严肃而缺乏热情的,在技法上是单线条的,没有明暗对比和比较平面的形象,这种形象给人以距离感与威严感。文艺复兴的到来改变了这一切,文艺复兴运动提倡“人性”,以人的本身的温暖亲切的形象来代替过去僵硬苍白的宗教形象。所以不了解整个中世纪关于基督的也是关于人的绘画形象,无论如何也不会了解整个文艺复兴之所以辉煌的原因。中世纪的一千年,政教合一的专制成了它的代名词,因为特殊的社会与文化环境,与前期的艺术如古希腊古罗马艺术发展大相径庭,表现宗教题材的绘画,画面呈现的是僵硬的艺术形式。而乔托(1266--1336)的出现开始逐步改变了这一切,直到文艺复兴最辉煌的时期。他是杰出的雕刻家,画家和建筑师,他在面对中世纪艺术长期遗留下来的公式化概念化的风格单一与绘画方式上做出了重要的革新,被认定为是意大利文艺复兴时期的开创者和先驱者,被誉为"欧洲绘画之父"。乔托曾在佛罗伦萨、罗马、巴多瓦、那不勒斯、米兰、波伦亚、比萨、维罗纳、费拉拉等地都制作过制作壁画。本篇论文以宗教信仰下乔托画面中的基督形象的描绘为主要切入点,结合其生活的时代背景,包括宗教、精神、社会、艺术、信仰等等环境的方方面面,来尝试总结乔托的绘画理念,或者说是他较之中世纪艺术的一些不同与发展。乔托的绘画艺术价值与他对文艺复兴甚至当今艺术的启发也是要本文重视的问题。
[Abstract]:In the Middle Ages, Western painting and sculpture were basically religious subjects. As mentioned in the Old Testament, the image of man is the image of God, the image of religion is the image of everything, all art is to express the majesty of Christianity, the faith in Christ enveloped the whole continent. The image of Christ, though still based on the image of man, is not alive, but rigid and lacking in a sense of life. The whole painting atmosphere of the Middle Ages is the same, is serious and lack of enthusiasm, in the technique is a single line, there is no contrast and comparison of the image of the plane, this image gives a sense of distance and majesty. The arrival of the Renaissance changed all this. The Renaissance advocated "humanity" and replaced the rigid and pale religious image with the warm and kind image of man itself. So it is impossible to understand why the Renaissance was glorious without knowing the whole medieval painting of Christ and the figure of man. In the thousand years of the Middle Ages, the despotism of the unity of politics and religion became its synonym. Because of its special social and cultural environment, it was quite different from the early art such as the art of ancient Greece and ancient Rome, and represented paintings of religious themes. The picture presents a rigid art form. And the appearance of Joto (1266-1336) began to change all this gradually until the most glorious period of the Renaissance. He was an outstanding sculptor, painter, and architect who made important innovations in the face of the stylized conceptualization and style of painting that had long been left over from medieval art. It is regarded as the pioneer and pioneer of the Italian Renaissance, and the father of European painting. Joto has made murals in Florence, Rome, Bardova, Naples, Milan, Bologna, Pisa, Verona, Ferrara and so on. This thesis takes the depiction of the image of Christ in the picture of Joto under religious belief as the main breakthrough point, combining with the background of his life, including religion, spirit, society, art, faith and other aspects of the environment, such as religion, spirit, society, art, faith and so on. To try to sum up the concept of Chouto painting, or he compared with medieval art some differences and development. Joto's artistic value of painting and his inspiration to the Renaissance and even the present art are also important issues in this paper.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2210383
[Abstract]:In the Middle Ages, Western painting and sculpture were basically religious subjects. As mentioned in the Old Testament, the image of man is the image of God, the image of religion is the image of everything, all art is to express the majesty of Christianity, the faith in Christ enveloped the whole continent. The image of Christ, though still based on the image of man, is not alive, but rigid and lacking in a sense of life. The whole painting atmosphere of the Middle Ages is the same, is serious and lack of enthusiasm, in the technique is a single line, there is no contrast and comparison of the image of the plane, this image gives a sense of distance and majesty. The arrival of the Renaissance changed all this. The Renaissance advocated "humanity" and replaced the rigid and pale religious image with the warm and kind image of man itself. So it is impossible to understand why the Renaissance was glorious without knowing the whole medieval painting of Christ and the figure of man. In the thousand years of the Middle Ages, the despotism of the unity of politics and religion became its synonym. Because of its special social and cultural environment, it was quite different from the early art such as the art of ancient Greece and ancient Rome, and represented paintings of religious themes. The picture presents a rigid art form. And the appearance of Joto (1266-1336) began to change all this gradually until the most glorious period of the Renaissance. He was an outstanding sculptor, painter, and architect who made important innovations in the face of the stylized conceptualization and style of painting that had long been left over from medieval art. It is regarded as the pioneer and pioneer of the Italian Renaissance, and the father of European painting. Joto has made murals in Florence, Rome, Bardova, Naples, Milan, Bologna, Pisa, Verona, Ferrara and so on. This thesis takes the depiction of the image of Christ in the picture of Joto under religious belief as the main breakthrough point, combining with the background of his life, including religion, spirit, society, art, faith and other aspects of the environment, such as religion, spirit, society, art, faith and so on. To try to sum up the concept of Chouto painting, or he compared with medieval art some differences and development. Joto's artistic value of painting and his inspiration to the Renaissance and even the present art are also important issues in this paper.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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