爱尔兰文艺复兴时期戏剧中的女性形象研究

发布时间：2018-01-10 20:24

本文关键词：爱尔兰文艺复兴时期戏剧中的女性形象研究　出处：《云南艺术学院》2017年硕士论文　论文类型：学位论文

【摘要】：爱尔兰作为一个面积只有八万平方公里,人口四百万左右的岛国,其面积甚至比美国的许多州都要小,却涌现出许多优秀的诗人、作家与剧作家,特别是在爱尔兰文艺复兴时期。例如:叶芝、辛格、格雷戈里夫人、奥凯西、乔伊斯、萧伯纳、王尔德等。其中很多人的代表作成为了世界文学中的经典,而这一时期的戏剧可以说代表着爱尔兰文学领域的最高成就。笔者以爱尔兰文艺复兴时期四个最重要的剧作家叶芝、格雷戈里夫人、辛格和奥凯西的剧作为研究重点,结合爱尔兰文艺复兴时期的时代背景,分析和研究他们剧作中最具代表性的女性形象,归纳和总结在这一特定的历史时期爱尔兰戏剧中的女性形象所呈现出的独特风貌和总体特征,从而展示这一时期爱尔兰戏剧所具有的历史渊源、文化内涵和社会价值。本文第一部分主要的内容是论述爱尔兰与英国的历史文化渊源及爱尔兰文艺复兴的历史背景。第二、三、四、五部分分别论述的是各剧作家代表作中的女性形象。四位风格迥异的剧作家创作出多种不同类型的女性形象:叶芝的诗剧善于在神话传说中寻找题材,作品中许多女性都具有原型人物的特点。格雷戈里夫人剧作中的女性形象虽然大多缺乏自己理性的思维,但不乏一小部分仍具有独立精神,她们对全剧的情节走向具有决定性作用。辛格的作品具有象征色彩,他笔下既有忍辱负重的传统女性,也有颠覆传统、个性分明且具有强烈反抗精神的女性形象。奥凯西笔下的女性,比同时期其他剧作家剧作中的女性形象更为写实。他更注重对于女性人物的刻画,歌颂了爱尔兰文艺复兴运动中虽处于苦难之中却坚韧不拔的女性。尽管该时期不同的剧作家对女性形象有迥然不同的呈现方式,但他们的作品表达的主题都是通过对爱尔兰传统文化的回归和复兴,唤醒爱尔兰人的民族性,强化民族认同感,确立自己的民族身份,以此对英国殖民文化进行抵抗。通过这些女性形象可以看出整个爱尔兰作家群在该时期对于民族身份塑造的整体状态。笔者抛砖引玉,女性形象的研究仅仅是爱尔兰戏剧研究的一个支流,但从此视角我们可以窥视爱尔兰文艺复兴时期的戏剧全貌,进而对爱尔兰文艺复兴时期的戏剧运动及影响有着更为深刻的认识。
[Abstract]:Ireland as an area of only eighty thousand square kilometers, about four million of the population of the island, the area even more than many states are small, but the emergence of many outstanding poet, writer and playwright, especially in the Irish Renaissance. For example: Yeats, Singer, Mrs. Gregory, Okesi, Joyce, Bernard Shaw, Wilde. Many of them became the representative of the world literature classics, and this time the drama can be said to represent the highest achievements of Irish literature field. The Irish Renaissance of the four most important playwright Yeats, Mrs. Gregory, Singer and Okesi as the emphasis of drama, with Irish Renaissance the background, analysis and Research on the female images in their works the most representative, summed up in this particular historical period of Irish Drama The unique style and the overall characteristics of the image of women in the show, which show the history of this period Irish drama has the cultural connotation and social value. In the first part of the main content is about the historical and cultural origins of Ireland and the UK and Irish Renaissance history. Second, third, four, five respectively. This is the image of women as the representative playwright. Four different styles of playwrights in a variety of different types of female images in Yeats's Drama: good looking for themes in the myths and legends, characteristics of works many women are archetypal characters. The female image of Mrs Gregory plays although most lack their own rational thinking, but there is still a small part of the independent spirit, they plot to play a decisive role. Singer's works have symbolic colors, he Both the traditional female bear pen, also to subvert the traditional image of women, distinct personality and strong rebellious spirit. Okesi's female is more realistic than the female image at the same time other playwrights plays. He pays more attention to the depiction of female characters, the song Ode to the Irish Renaissance is but the suffering of women. Although the firm and indomitable period of different images of women plays are totally different styles of presentation, but the expression of their works is the subject through the regression and the revival of Irish traditional culture, arouse national of the Irish people, strengthen the sense of national identity, to establish their own national identity, as the British colonial culture resistance. Through these female images can be seen throughout the Irish writers in the period of the overall state of national identity. The author cast a brick to attract jade, The study of women's image is only a tributary of Irish drama research. From this perspective, we can peep at the full play of Irish Renaissance, and further understand the dramatic movement and influence of Irish Renaissance.

【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I562.073

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