论谷崎润一郎“盲目物语”中的阴翳美学

发布时间：2018-03-19 22:17

本文选题：谷崎润一郎　切入点：《盲目物语》　出处：《武汉大学》2017年硕士论文　论文类型：学位论文

【摘要】：明治末期,谷崎润一郎作为唯美派作家登上日本文坛,早期作品追求感官刺激,以迁居关西为界,中后期作品回归日本古典与东方传统。1923年9月1日,谷崎遭遇关东大地震,这也为他提供了一个走近关西、发现传统美的契机,而与松子夫人的相遇促使他在创作中更加细腻地塑造着他所憧憬的"永恒的女性"。于是,以盲目为主题的一系列作品应运而生,主要包括《盲目物语》(1931)、《春琴抄》(1933)、《闻书抄》(1935)三部作品,日本学界又将之统称为"盲目物语",这反映了谷崎由沉溺感官愉悦到追求更高审美的深刻蜕变。同时代的长篇随笔《阴翳礼赞》(1933)可以看做是解析谷崎昭和初期文学创作的理论依据,其中的"阴翳美学"作为谷崎在关西生活中的一大体验,概括性地揭示了他在这一时期的审美理念。而"盲目"是谷崎利用光线造成的阴翳,将作为个体存在的女性朦胧化,使个体存在的女性升华为作为美的观念存在的"理想女性",由此,谷崎达到了一个新的境界,即遮断人类的视觉等感官认知,在阴翳的作用下,将现实世界升华为永恒不变的观念世界。本文共含五章,第一章简要介绍了三部作品的主要内容及共同点,并从历史背景和个人经历两个方面考察了作品的创作背景。第二章从古典美、官能美、观念美三个方面解析了《阴翳礼赞》中展现的阴翳美学的具体内涵。第三章围绕地点的设定和传统艺术的运用分析了作品中蕴含的古典美,第四章论述了"盲人"这一人物特征的设定对作品描写的影响,分析了触觉、听觉等感官描写展现的官能美,第五章将考察身为盲人的主人公们想像出来的美好以及其中得以升华的恋爱观。综上所述,本文主要从"阴翳世界里的古典美"、"肉体上的官能美"、"理想观念中的永恒美"三个方面论述了谷崎在转型期的盲目系列作品中呈现的"阴翳"与"含蓄"的美学思想。
[Abstract]:At the end of Meiji, Tanizaki boarded the Japanese literary world as an aesthetist writer. His early works pursued sensual stimulation and moved to Kansai as the boundary. In the middle and later periods, his works returned to Japanese classical and oriental traditions. On September 1st 1923, Tanizaki was struck by the Great Kanto earthquake. This also provided him with an opportunity to approach Kansai and discover the traditional beauty, and the encounter with Mrs. Pine Zi prompted him to create more delicately the "eternal woman" he envisioned. A series of works with the theme of blindness emerged as the times require, mainly including three works: "the Blind language" (1931), "the Spring harp copy" (1933), "Wen Shu Shu" (1935). The Japanese academic circles also called it the "blind story", which reflects the profound transformation of Takasaki from sensual pleasure to the pursuit of higher aesthetics. A long essay by his contemporaries, "praise of Yanyi" (1933), can be regarded as an analysis of Takasaki Zhaohe's early writings. The theoretical basis for academic creation, "Yin Yi Aesthetics", as a great experience of Gu Qi's life in Kansai, reveals his aesthetic idea in this period in a general way. "blindness" is the shade created by Guizaki's use of light, which obscures the existence of women as an individual. By sublimating an individual woman into an "ideal woman" who exists as a concept of beauty, Kuzaki has reached a new state, that is, to block human perception of the senses, such as vision, under the influence of the shade, This paper consists of five chapters. The first chapter briefly introduces the main contents and common points of the three works. And from the historical background and personal experience of the two aspects of the creation of the work to examine the background. Chapter two from the classical beauty, functional beauty, In the third chapter, the classical beauty contained in the works is analyzed around the setting of the place and the application of traditional art. Chapter 4th discusses the influence of the character characteristic of "Blind" on the description of the works, and analyzes the faculties of the sensory description, such as touch, hearing, etc. Chapter 5th examines the beauty imagined by the blind protagonists and the sublimation of their love outlook. This paper mainly discusses the aesthetic thoughts of "Yin Yi" and "implicature" in the blind series works of Kuzaki in the three aspects of "Classical Beauty in the Yin-Yi World", "the Beauty of the functions of the body" and "the Eternal Beauty in the ideal concept".
【学位授予单位】：武汉大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.06

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