批评之镜:陀思妥耶夫斯基作家经典在俄国的生成

发布时间：2018-04-27 13:53

本文选题：批评 + 经典生成　；参考：《俄罗斯文艺》2017年02期

【摘要】：本文试图通过批评之镜透视陀思妥耶夫斯基作家经典在俄罗斯的生成之路。陀思妥耶夫斯基无疑是一位伟大的作家,但其经典生成之路十分曲折,而批评界在其中扮演着十分重要,但远非友好的角色。由于创作的超前性、创新性和深刻性,更由于总是为穷人说话,作家生前很少得到批评界的理解和赞美,得到的更多是批判与不解。作家去世之后,评论界的态度悄悄地发生了变化,尽管仍是褒贬不一,但已经开始将陀思妥耶夫斯基与托尔斯泰等大家相提并论。苏联官方评论对作家先抑后扬,最终于20世纪60年代末期正式确立了陀思妥耶夫斯基经典作家的地位。如今,陀思妥耶夫斯基已经成为全世界公认的最好的作家之一。
[Abstract]:This paper attempts to examine Dostoevsky's creation of his classical works in Russia through the mirror of criticism. Dostoevsky is undoubtedly a great writer, but his classic is a tortuous way, in which the critical circle plays a very important but far from friendly role. Because of the forerunner, innovation and profundity of creation, and because of always speaking for the poor, the writer seldom got the understanding and praise of the critical circle, and got more criticism and puzzlement. After the writer's death, the attitude of the critics quietly changed, although still mixed, but began to compare Dostoevsky and Tolstoy. The official commentary of the Soviet Union first suppressed the writers and finally established the status of Dostoevsky as a classical writer in the late 1960s. Today Dostoevsky has become one of the best writers in the world.
【作者单位】：辽宁大学外国语学院;
【基金】：2010年国家社科基金重大招标项目《外国文学经典生成与传播研究》(项目编号:10&ZD135)的成果
【分类号】：I512.074

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