深闺里的等待者:从诗歌到图画

发布时间：2018-06-02 12:31

  本文选题：春闺 + 香盒　； 参考：《南方文坛》2017年04期

【摘要】：正天津博物馆收藏的《春闺倦读图》(图1)是清代宫廷画师冷枚的代表作。画中的女子身着长裙,发髻高绾,一人在香闺中独处。这是一间陈设精美的屋子:木嵌大理石面方桌、瓷质鼓式坐墩、天然木香几。桌上放着盛有佛手柑的红釉盘和一套蓝色的书函;香几上陈列着插有月季花的瓷瓶以及"瓶炉三事",即香炉、香盒和香瓶;墙壁上悬挂着一只缀着流苏的青色竹箫。女子斜倚书桌,一手持着书卷,另一只手托着香腮,还将一根手指轻触嘴角,脉脉含情地望向画面
[Abstract]:The collection of Chun Qing Boudoir tired Reading Pictures (Fig. 1) is the representative work of the Qing Dynasty palace painters Leng Mei. The woman in the painting, dressed in a long skirt, her hair tied up, alone in her boudoir. This is a beautifully furnished room: wooden-inlaid marble square tables, porcelain drum-shaped stumps, and natural wood aromas. On the table stood a red glazed plate of bergamot and a set of blue book letters; on the table were porcelain bottles with rose flowers and "bottle stoves", that is, incense stoves, incense boxes, and incense bottles; and on the walls hung a bluish bamboo flute with tassels. The woman was leaning against her desk, holding a scroll in one hand, holding a fragrant cheek in the other hand, and touching a finger to the corner of her mouth, looking at the picture in a sentimental manne
【作者单位】： 南京大学新闻与传播学院;
【分类号】：I106.2;J231
，

本文编号：1968772