复杂而多义的“颓废”——19世纪西方文学中“颓废”内涵辨析

发布时间：2018-07-03 04:31

本文选题：西方文学 + 颓废派　；参考：《浙江社会科学》2017年03期

【摘要】：西方作家与评论家对19世纪文学中"颓废"现象的诸种界定,以及对世纪末颓废派文学价值等问题的讨论,与当时主流话语体系对"颓废"内涵的粗浅解读与伦理化攻击形成鲜明对照,并在很大程度上决定了此后西方学者对颓废派文学核心话题的理解与建构。本文基于对诸多关于"颓废"内涵之评析的梳理与辨析,对19世纪西方文学中的"颓废"概念作出两点界定:首先,"颓废"指一种独特的美学选择,或者说是古老文明即将从成熟走向衰败之时的一种独特的文学模式;其次,关涉"退化"观念之"颓废"的美学选择,最终在文学创作层面带来了文学风格与文学主题的革新。
[Abstract]:The definition of "decadence" in 19th century literature by western writers and critics, and the discussion of the value of decadent literature at the end of the century. It contrasts with the superficial interpretation of decadence in the mainstream discourse system at that time and the ethical attack, and to a great extent determines the understanding and construction of the core topics of decadence literature by western scholars. Based on the analysis and analysis of the connotation of "decadence", this paper defines the concept of "decadence" in western literature in the 19th century. First, "decadence" refers to a unique aesthetic choice. In other words, it is a unique literary model when the ancient civilization is about to decline from maturity to decline. Secondly, the "decadent" aesthetic choice related to the concept of "degradation" has finally brought the innovation of literary style and literary theme at the level of literary creation.
【作者单位】：四川大学文学与新闻学院;浙江工商大学人文与传播学院;
【基金】：国家社会科学基金重大项目“19世纪西方文学思潮研究”(15ZDB086)的阶段性成果
【分类号】：I106

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