布勒东《娜嘉》中的写作越界与越界书写

发布时间：2019-06-11 02:17

【摘要】：超现实主义作家安德烈·布勒东将其《娜嘉》看作是一部透明的、反文学的作品。为了理解这一反文学思想的来源及其最终实现的程度,我们将从以下三方面对《娜嘉》进行研究。我们将首先对《娜嘉》做一叙事学分析,相对于布勒东所处时代之前的文学(尤其是小说)来说,这部作品的越界性就在于它对真实生活体验以及作者意图不加掩饰的呈现。随后,我们将主要借用荣格的共时性理论来对《娜嘉》中那些有意义的巧合做出尝试性的解释,对于布勒东来说,这些似乎超越了已知物理规则的巧合具有重要的意义。最后,我们将探讨布勒东眼中的“写作—生活经历”这一关系,在他看来,写作是一种对自我的发现,而另一方面,人们只有借助偶然所带来的揭示才有可能回答“我是谁”这个问题。我们将看到,布勒东对写作的越界及其对越界的书写——对日常生活的忠实记录以及对“客观的偶然”的关注——皆源自一种认识自我、寻找意义的努力。
[Abstract]:Andre Brendon, a surrealist writer, regards Najia as a transparent and anti-literary work. In order to understand the origin of this anti-literary thought and the extent to which it is finally realized, we will study Najia from the following three aspects. We will first make a narratological analysis of Najia. Compared with the literature before Brendon's time (especially the novel), the transgression of this work lies in its undisguised presentation of the real life experience and the author's intention. Subsequently, we will mainly use Jung's synchronic theory to try to explain the meaningful coincidences in Naga, which seem to be of great significance to Brendan, which seem to go beyond the known physical rules. Finally, we will explore the relationship between "writing and life experience" in Brendon's eyes. In his view, writing is a discovery of oneself, on the other hand, It is only with the help of accidental revelations that it is possible to answer the question "who am I". We will see that Brendon's cross-border writing and his cross-border writing-his faithful record of daily life and his concern for "objective accident"-all stem from an effort to understand himself and find meaning.
【学位授予单位】：广东外语外贸大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I565.074

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