从《上海》看横光利一军国主义的坠落

发布时间：2018-03-22 21:23

本文选题：《上海》　切入点：横光利一　出处：《四川外国语大学》2013年硕士论文　论文类型：学位论文

【摘要】：横光利一在日本文学史上是极富影响力的一位作家。他以创作新感觉派的作品而驰名文坛，其后又创作了许多被称为新心理主义和纯粹小说的作品，最后又自我标榜“回归日本传统”，一生中经历了多次令人炫目的转变，一度被称为“文学之神”。然而20世纪30年代，随着时局向战争的转变，横光利一逐渐走向军国主义的道路，积极参加各种军国主义活动，战后被指名为“战争责任人”、“文坛的战犯”，受到各种严厉的批判。《上海》是横光利一的第一部长篇小说，也是其重要代表作之一，在这部以发生在中国上海的五卅惨案为素材的作品中，作者以奇异的语言和独特的叙述结构而引人注目，并描写了不同国籍、不同职业、各种不同主张的众多人物。但同时作品也体现了他的军国主义的思想倾向。但是，在近年兴起的“横光利一热”中，中国和日本的许多评论家、研究者都有意无意的回避这一点，而是将研究的重点放在语言特色和问题结构等方面上。本论文运用文体论等文学理论解读《上海》这部作品，通过分析书中的人物形象，结合当时日本的社会与文坛背景，探寻作者思想转变的轨迹，揭示横光利一为何最终会走向军国主义的道路这一问题。本论文共分为六个部分展开论述。首先对被称为“文学之神”的横光利一进行简单的介绍，列举日本国内外对《上海》这部作品的相关研究，并提出自己的研究问题点及意义。第一章围绕横光去上海的动机及《上海》这部作品的改稿，对《上海》这部小说的创作进行论述。第二章对作品中主要人物的人物像进行具体的分析。第三章沿着主人公参木思想变动的过程，通过对横光内心困惑的解读，最终导出横光逐渐向军国主义道路坠落这一结论。第四章从三个方面对横光利一为何会不断走向军国主义道路的原因进行具体的阐述。最后对以上各部分进行简单总结，，为自己的论述画上句号。
[Abstract]:Yokoguangli is a highly influential writer in the history of Japanese literature. He is famous for his works of the New sensationalism, and has since created many works called Neo-Psychialism and Pure Fiction. Finally, I flaunted "return to Japanese tradition" and experienced many dazzling changes in my life, once called the "god of literature." however, in the 1930s, as the current situation changed to war, Yokoguangli gradually went to the road of militarism and took an active part in all kinds of militaristic activities. After the war, he was named "war responsible person" and "war criminal in the literary world", which was severely criticized. "Shanghai" is Wang Guangli's first novel and one of his important masterpieces. In this work based on the May 30th tragedy in Shanghai, China, the author has attracted attention with strange language and unique narrative structure. It also describes many people of different nationalities, professions and opinions. But at the same time, his works also reflect his militaristic ideological tendencies. However, in the recent rise of "Yokoguangli," many critics in China and Japan, Researchers have consciously or unintentionally avoided this point, but have focused their research on language characteristics and problem structure. This paper uses literary theories such as stylistics to interpret Shanghai, and analyzes the characters in the book. Combined with the social and literary background of Japan at that time, this paper explores the track of the author's ideological transformation, and reveals why Yokoguangliyi eventually went to the path of militarism. This thesis is divided into six parts. First of all, a brief introduction is made to Yokoguang Liyi, known as "the God of Literature", and the relevant studies on Shanghai are listed at home and abroad in Japan. The first chapter focuses on the motivation of Yokoguang to go to Shanghai and the revised draft of Shanghai. The second chapter makes a concrete analysis of the figures of the main characters in the works. The third chapter is based on the process of the change of the protagonist's thought of Shen Mu, through the interpretation of the inner confusion of the transverse light. Finally, the conclusion that Yokoguang gradually falls to the road of militarism is derived. Chapter four concretely expounds the reasons why Yokoguangli has been moving to the road of militarism from three aspects. Finally, the author summarizes the above parts briefly. Draw a full stop on your argument.
【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.074

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