高加索与俄罗斯文学

发布时间：2018-04-20 20:30

本文选题：高加索 + 文学　；参考：《曲阜师范大学》2013年硕士论文

【摘要】：高加索地区是位于黑海、亚速海同里海之间的广袤土地，总面积44万平方公里。说到高加索，不得不谈到东方这一概念，东方几乎是被欧洲人凭空创造出来的地方，自古以来就代表着罗曼司、异国情调、美丽的风景、难忘的回忆、非凡的经历。高加索和俄国浪漫主义紧密相连，俄国浪漫主义具有摒弃欧洲文明而寻找异国情调则表现神秘东方穆斯林文化风习即作为文化异域或“他者”的高加索的特点。本研究主要采用历史比较的方法，从文学与地域关系角度研究俄罗斯文学与高加索的历史文化关系。本研究是以俄罗斯作家的高加索题材作品为分析对象，探讨高加索与俄罗斯文学的关系，什么是俄国文学中的“高加索意象”，俄国文学中的高加索与现实中的高加索之间的差异以及高加索与俄罗斯浪漫主义文学的关系。本论文共分为五章。第一章是绪论。从总体上概况分析高加索的历史背景及俄罗斯经典作家与高加索的渊源。同时也叙述了本论文的研究方法和研究重点。第二章是文献综述。详细叙述了不同时期高加索和俄罗斯文学关系以及国内外对于高加索的研究。第三章和第四章是论文的主要部分，第三章主要论述了高加索与19世纪的俄罗斯文学,探讨了俄国浪漫主义与高加索的关系，，分析了普希金，莱蒙托夫及托尔斯泰作品中的高加索情缘；第四章主要论述了高加索与20世纪俄罗斯文学的关系，从蒲宁、高尔基文化大师的作品中探讨其高加索意象以及高加索的后现代意象。第五章是结论部分，对论文中的观点进行了总结。俄罗斯历史上至少有四位作家写过《高加索的俘虏》，但是不同作家的侧重点也不同。在作家作品中展现出的高加索意象（自然、自由、理想）的同时，我们也能看到俄罗斯人对于高加索人的傲慢态度：天然的文明优越性。作品中始终伴随着文明与自然的冲突，俄罗斯正统文化与高加索少数民族文化的冲突。
[Abstract]:The Caucasus is located in the Black Sea, the Sea of Azov and the sea between the vast land, with a total area of 440000 square kilometers. When it comes to the Caucasus, we have to talk about the concept of the East, which is almost a place created by Europeans, representing Roman, exotic, beautiful scenery, unforgettable memories, extraordinary experiences since ancient times. The Caucasus and Russian romanticism are closely linked. Russian romanticism has the characteristics of abandoning European civilization and looking for exotic atmosphere, which is characterized by mysterious oriental Muslim cultural custom, that is, the Caucasus as a cultural exotic or "other person". This study mainly uses the method of historical comparison to study the historical and cultural relationship between Russian literature and Caucasus from the angle of literature and region. This study is to explore the relationship between the Caucasus and Russian literature and what is the "Caucasus image" in Russian literature, taking the Caucasian theme works of Russian writers as the analysis object. The difference between the Caucasus in Russian Literature and the Caucasus in reality and the relationship between Caucasus and Russian Romantic Literature. This thesis is divided into five chapters. The first chapter is the introduction. This paper analyzes the historical background of the Caucasus and the origin of the Russian classical writers and the Caucasus in general. At the same time, the paper also describes the research methods and research focus. The second chapter is the literature review. The relationship between Caucasus and Russian literature in different periods and the study of Caucasus at home and abroad are described in detail. Chapter three and chapter four are the main parts of the thesis. Chapter three mainly discusses the Russian literature of the Caucasus and the 19th century, discusses the relationship between Russian romanticism and the Caucasus, and analyzes Pushkin. The relationship between the Caucasus and Russian Literature in the 20th Century, the fourth chapter discusses the relationship between the Caucasus and Russian literature in the 20th century. In the works of Gorky, the author discusses the images of the Caucasus and the postmodern images of the Caucasus. The fifth chapter is the conclusion part, has carried on the summary to the thesis point of view. At least four writers in Russian history have written prisoners of the Caucasus, but different writers have different emphases. At the same time as the images of the Caucasus (nature, freedom, ideal) are displayed in the writers' works, we can also see the arrogant attitude of the Russians towards Caucasians: the superiority of natural civilization. The conflict between civilization and nature, the conflict between Russian orthodox culture and Caucasian minority culture has always been accompanied in the works.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I512.06

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