《雅各的房间》中的“缺失”研究
发布时间：2018-09-05 13:58
【摘要】：《雅各的房间》是弗吉尼亚·伍尔夫的第三部小说,主要展现了主人公雅各·弗兰德斯的一生,记述了他的童年、大学、情感、希腊之旅以及丧生战场的结局。小说创作于第一次世界大战后,于1922年出版,同年发表的还有艾略特的《荒原》和乔伊斯的《尤利西斯》。此三本书的出版标志着英美现代主义顶峰时期的到来。然而,与同时期男作家的作品及伍尔夫公认的经典之作相比,《雅各的房间》并未受到评论界的充分关注和赞赏。本文旨在解读“缺失”在作品形式和主题方面的体现,彰显伍尔夫的生命哲学及其对当下人类境况的启迪。 首先,伍尔夫个人以及现代人集体经历的“缺失”是小说创作的主要动因。方面,哥哥索比的死给伍尔夫带来沉重打击,使她产生强烈的愿望创作小说来纪念亡者；另一方面,伍尔夫深切感受到现代社会中人们的迷惘、孤寂和疏离,希望通过小说揭示现代人的困境。 再者,伍尔夫打破现实主义小说的形式,创造新的形式来表达“缺失”经历。一方面,作者摒弃传统的小说情节,运用碎片化的方式叙述“缺失”。她采用不连续的情景展现错综混乱的现代生活,用不完整叙述展现生命的不完整。另一方面,伍尔夫摒弃传统的人物塑造,运用“否定空间”将雅各塑造为一个缺场的存在体。她以物理、声像和视觉空间的否定,将雅各构建成小说的核心“缺失” 最后,本文讨论了“缺失”的主题内涵。现代语境中的“缺失”体现在现代人的自我彷徨和人际沟通的挫败。雅各的死亡是“缺失”的终极表现,代表了丧生于战争的一整代年轻人。作者通过揭示生命的短暂性和死亡的普遍性,昭示他们的死既重大又渺小。伍尔夫以小说创作弥合现实世界中的“缺失”,实现了艺术的“生成”,促使读者透过小说文本,在哲学层面获得存在与“缺失”的共存。
[Abstract]:Jacob's Room is Virginia Woolf's third novel, which shows the life of Jacob Flanders, his childhood, college, emotion, trip to Greece and the end of the battlefield. The novel was written after World War I and published in 1922, along with Eliot's the Wild Land and Joyce's Ulysses. The publication of these three books marks the arrival of the peak of British and American modernism. However, compared with the works of contemporary male writers and Woolf's recognized classics, the Room of Jacob has not received sufficient attention and appreciation from the critics. The purpose of this paper is to interpret the form and theme of "missing", and to highlight Woolf's philosophy of life and its enlightenment to the present human condition. First of all, Woolf's lack of individual and modern collective experience is the main cause of novel creation. On the other hand, Woolf was struck hard by the death of her brother Soapy, who had a strong desire to write novels in memory of the dead. On the other hand, Woolf was deeply aware of the confusion, loneliness and alienation of people in modern society. Hope to reveal the plight of modern people through novels. Furthermore, Woolf breaks the form of realistic novels and creates new forms to express "missing" experiences. On the one hand, the author abandons the traditional novel plot and narrates "missing" in a piecemeal way. She uses discontinuous scenes to present a complex and chaotic modern life, and incomplete narratives to reveal the incompleteness of life. On the other hand, Woolf abandoned the traditional portrayal of characters and used negation space to portray Jacob as a devoid being. With the negation of physics, audiovisual and visual space, she constructs Jacob as the core of the novel "missing". Finally, this paper discusses the theme connotation of "absence". The loss in modern context is reflected in the modern self-loss and the frustration of interpersonal communication. Jacob's death is the ultimate expression of loss, representing a whole generation of young men killed in war. By revealing the transitory nature of life and the universality of death, the author reveals that their death is both significant and insignificant. Woolf uses novel creation to bridge the "deficiency" in the real world, realizes the "generation" of art, and urges the reader to obtain the coexistence of existence and "absence" in philosophy through the text of the novel.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.074
本文编号：2224484
[Abstract]:Jacob's Room is Virginia Woolf's third novel, which shows the life of Jacob Flanders, his childhood, college, emotion, trip to Greece and the end of the battlefield. The novel was written after World War I and published in 1922, along with Eliot's the Wild Land and Joyce's Ulysses. The publication of these three books marks the arrival of the peak of British and American modernism. However, compared with the works of contemporary male writers and Woolf's recognized classics, the Room of Jacob has not received sufficient attention and appreciation from the critics. The purpose of this paper is to interpret the form and theme of "missing", and to highlight Woolf's philosophy of life and its enlightenment to the present human condition. First of all, Woolf's lack of individual and modern collective experience is the main cause of novel creation. On the other hand, Woolf was struck hard by the death of her brother Soapy, who had a strong desire to write novels in memory of the dead. On the other hand, Woolf was deeply aware of the confusion, loneliness and alienation of people in modern society. Hope to reveal the plight of modern people through novels. Furthermore, Woolf breaks the form of realistic novels and creates new forms to express "missing" experiences. On the one hand, the author abandons the traditional novel plot and narrates "missing" in a piecemeal way. She uses discontinuous scenes to present a complex and chaotic modern life, and incomplete narratives to reveal the incompleteness of life. On the other hand, Woolf abandoned the traditional portrayal of characters and used negation space to portray Jacob as a devoid being. With the negation of physics, audiovisual and visual space, she constructs Jacob as the core of the novel "missing". Finally, this paper discusses the theme connotation of "absence". The loss in modern context is reflected in the modern self-loss and the frustration of interpersonal communication. Jacob's death is the ultimate expression of loss, representing a whole generation of young men killed in war. By revealing the transitory nature of life and the universality of death, the author reveals that their death is both significant and insignificant. Woolf uses novel creation to bridge the "deficiency" in the real world, realizes the "generation" of art, and urges the reader to obtain the coexistence of existence and "absence" in philosophy through the text of the novel.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.074
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