论伍德豪斯反讽式幽默及其在中国的接受
发布时间：2018-11-28 16:29
【摘要】：佩勒姆·格伦维尔·伍德豪斯是二十世纪最著名的英国幽默作家,他的创作风格与二十世纪的现代主义文学潮流显得有些格格不入。他的创作风格使其获得了巨大的声誉与财富,也引起了广泛而激烈的争论。本文旨在讨论伍德豪斯反讽式幽默的特征,以及该作家同其反讽式幽默的创作风格之所以在20世纪中国遭遇接受困境的原因。本文主要包括三方面的内容,具体如下： 第一,通过对国内外有关伍德豪斯创作及相关幽默理论的研究现状进行梳理和综述,指出伍德豪斯的幽默创作的风格特点：它属于狭义幽默中的反讽式幽默,创作侧重点在于形式的审美性与游戏性,不必然指向外部意义。 第二,分析指出伍德豪斯的伯蒂-吉夫斯系列小说所具有的反讽式幽默的特点：一方面它在整体叙事策略,结构和语言三方面凸显形式,并消解内容的重要性；另一方面,这种反讽式幽默所具有的坎普性,形成于其精制的形式与消解了意义的内容之间所形成的张力,也反映在作家的创作态度与人物形象中。 第三,从王国维、林语堂和鲁迅等代表性作家所持“幽默”观的内涵切入,指出幽默文学,尤其是反讽式幽默的创作是无功利的纯文学的一种体现,它与20世纪上半期注重文学功用的国难背景具有不相容性。而在新时期,反讽式幽默的引入受到意识形态、赞助人与诗学等方面的制约。大众文化的兴起为反讽式幽默的引入提供了契机,但也为真正认识并理解反讽式幽默制造了阻碍。
[Abstract]:Pelham Grunville Woodhouse is the most famous English humorist in the 20th century. His writing style made him gain a great reputation and wealth, and also caused a wide and fierce debate. The purpose of this paper is to discuss the characteristics of Woodhouse's ironic humor and the reasons why the writer and his style of satirical humor encountered the dilemma of acceptance in China in the 20th century. This paper mainly includes three aspects, as follows: first, through the domestic and foreign research on Woodhouse's creation and related humor theory to sort out and summarize. The author points out the style characteristics of Woodhouse's humor creation: it belongs to the irony humor in the narrow sense of humor, and the emphasis of the creation lies in the aesthetic and playful nature of the form, and it does not necessarily point to the external meaning. Secondly, it points out the ironic humor in Woodhouse's Bertil-Gives series: on the one hand, it highlights the form in three aspects: the whole narrative strategy, the structure and the language, and dissolves the importance of the content; On the other hand, the tension between the refined form of irony and the content of meaning is also reflected in the writer's creative attitude and character image. Thirdly, from the connotation of the "humor" view held by the representative writers, such as Wang Guowei, Lin Yutang and Lu Xun, it is pointed out that humorous literature, especially the creation of ironic humor, is a manifestation of pure literature without utilitarianism. It is incompatible with the background of the national disaster which focused on literary function in the first half of the 20 th century. In the new era, the introduction of irony humor is restricted by ideology, patronage and poetics. The rise of popular culture provides an opportunity for the introduction of irony humor, but it also creates obstacles for the real understanding and understanding of irony humor.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.06;I206.6
本文编号：2363515
[Abstract]:Pelham Grunville Woodhouse is the most famous English humorist in the 20th century. His writing style made him gain a great reputation and wealth, and also caused a wide and fierce debate. The purpose of this paper is to discuss the characteristics of Woodhouse's ironic humor and the reasons why the writer and his style of satirical humor encountered the dilemma of acceptance in China in the 20th century. This paper mainly includes three aspects, as follows: first, through the domestic and foreign research on Woodhouse's creation and related humor theory to sort out and summarize. The author points out the style characteristics of Woodhouse's humor creation: it belongs to the irony humor in the narrow sense of humor, and the emphasis of the creation lies in the aesthetic and playful nature of the form, and it does not necessarily point to the external meaning. Secondly, it points out the ironic humor in Woodhouse's Bertil-Gives series: on the one hand, it highlights the form in three aspects: the whole narrative strategy, the structure and the language, and dissolves the importance of the content; On the other hand, the tension between the refined form of irony and the content of meaning is also reflected in the writer's creative attitude and character image. Thirdly, from the connotation of the "humor" view held by the representative writers, such as Wang Guowei, Lin Yutang and Lu Xun, it is pointed out that humorous literature, especially the creation of ironic humor, is a manifestation of pure literature without utilitarianism. It is incompatible with the background of the national disaster which focused on literary function in the first half of the 20 th century. In the new era, the introduction of irony humor is restricted by ideology, patronage and poetics. The rise of popular culture provides an opportunity for the introduction of irony humor, but it also creates obstacles for the real understanding and understanding of irony humor.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.06;I206.6
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