新时期乡村题材法制电影研究

发布时间：2018-04-24 04:22

本文选题：法制电影 + 乡村题材　；参考：《山东大学》2011年博士论文

【摘要】：本文的重点是对1979—2008年间中国乡村题材法制电影作研究。此30年对应中国改革开放的历程,法制电影的数量与日俱增,特别是其中的乡村题材法制电影的数量也呈不断上升的趋势,据统计,30年间,中国共生产了904部法制电影,其中包括132部乡村题材法制电影。新时期以来,乡村题材法制电影不仅数量上有增长,其质量、内容、意义也都在发生着巨大的转变,这无论对中国电影业还是对中国法制社会进程都产生了不可估量的影响。在梳理了30年间法制电影和乡村题材法制电影名单与电影内容的基础上,论文先对新时期以前的中国乡村题材法制电影进行了发展脉络的梳理,大致分为了三个阶段,即1949年新中国成立前的乡村题材法制电影、1949年至1966年新中国成立后的“十七年”乡村题材法制电影和1967年至1976年“文化大革命”时期的法制电影。论文的正文部分从以下五个章节进行展开：第一章对30年间中国乡村题材法制电影的发展态势进行了分析,从中探索其发展规律。即此30年中国乡村题材法制电影发展态势如何,这些乡村题材法制电影呈现出什么面目,又经历了哪些变化。以30年乡村题材法制电影名单和统计数据为依据,可直观地划分为三个阶段：1979—1991年乡村题材法制电影的自觉创建期；1992—2000年是乡村题材法制电影的发展变革期；2001—2008年是乡村题材法制电影的繁荣多产期。第二章探讨乡村题材法制电影为什么会发生这样的变化,本文从中国社会30年发展变化的宏大背景中考查乡村题材法制电影变化的原因。从电影体制的改革创新到法律体系的发展完善再到社会文化的更新进步,透过这些角度详解30年来乡村题材法制电影的变化成因,从而观照社会背景对传播系统所带来的影响。第三章通过新时期乡村题材法制电影的发展态势和原因分析,探究其体现出的特点和正反两方面的传播作用。其特点主要表现为：创作过程是从自发走向自觉,新的法律产生既对乡村题材法制电影的创作产生影响,反过来它又推动了中国法制化进程；讲“人情”重于讲“法理”；影片关注“人”胜于关注“法律”；表现“乡村”多于表现“法庭”。新时期乡村题材法制电影的传播作用主要有：认识作用、警戒作用、疏导作用和建设作用。同时,也要规避其可能带来的负面影响,这主要包括：诱发作用、模仿作用、破坏作用和异化作用。第四章,从影像叙事入手,分析新时期乡村题材法制电影为了实现其传播作用,通常呈现哪种类型的“故事”?又是习惯于按照哪种组织方式“结构”,以何种方式加以表达的? 本章共分为两节：第一节,从叙事主题的角度探索与思考新时期乡村法制现状。在呈现“乡村”这一封闭空间的时候,新时期乡村题材法制电影叙事主题多以展现“人情”与“法理”之间的矛盾；“乡村”也在不断地受到“城市”的强烈冲击,“城市”成为了“乡村”这个共同体逐渐解构的一个最重要的因素,新时期乡村题材法制电影既表现了城乡之间价值观念的冲突,也表现了行为方式的差异；同时,新时期乡村题材法制电影叙事主题还关注如何协调城乡二者之间的矛盾与冲突,从而成功建立乡村社会法治秩序。第二节,从新时期乡村题材法制电影的叙事结构着手,分析在电影文本表层结构与深层结构的支配下,中国乡土社会的法治秩序是如何被建构的。在叙事的表层结构方面,我们将乡村题材法制电影的主要要素抽取出来进行分析,研究其相互之间的关联,分析这些相似的人物角色设置、人物功能、情节发展、矛盾冲突等是如何承担着重要的叙事功能的；在叙事的深层结构方面,对新时期乡村题材法制电影秩序价值、正义价值的实现和价值的冲突与消解。第五章考察法律文化是如何在乡村题材法制电影中得以体现的。从主旋律影片和娱乐性影片两个层面考察其对法律文化主导性和大众性特点的传播。最后,对全文进行总结,指出乡村题材法制电影在新时期30年的发展历程中,取得了辉煌的成就,在帮助农民法律意识的觉醒,促使乡土社会法制化建设等方面发挥了至关重要的作用,它不仅真实地反映了乡土社会的世态民生,而且作用于乡土社会,影响乡土社会。要努力使乡村题材法制电影的法律文化面貌符合全人类的法律价值取向,使其以独特的民族面貌更好地走向世界。目前国内外还没有专著对新时期乡村题材法制电影作专门性研究,笔者在搜集了众多第一手的乡村题材法制电影资料的基础上,以中国社会体制演变、电影行业体制改革及影像叙事的角度对乡村题材法制电影进行研究,具有一定的创新性及综合性。
[Abstract]:The focus of this article is to study the Rural Legal Movies in China from 1979 to 2008.
In the course of the 30 years of China's reform and opening up, the number of legal films in the legal system is increasing, especially the trend of the number of legal films in rural areas. According to statistics, in the 30 years, China produced 904 legal films, including 132 rural subject films. Only a number of growth, its quality, content and significance have also undergone tremendous changes, which have an immeasurable impact on Chinese film industry and the process of Chinese legal society.
On the basis of combing the list of Legal Movies and rural subject films and the content of the film in the past 30 years, the paper first combed the development of the Chinese rural subject legal films before the new period, which is roughly divided into three stages, namely, the rural subject legal film before the founding of new China in 1949, and the new China from 1949 to 1966. The "Seventeen Year" legal film of rural subject and the legal film of the "Cultural Revolution" from 1967 to 1976 were set up in the following five chapters.
The first chapter analyzes the development trend of China's rural subject legal film in the past 30 years, and explores its development law. That is, what is the development trend of the Legal Movies of rural subjects in China in the last 30 years, what are the appearance and changes of these rural subject films, and the list of legal films and statistics of rural subject matter in 30 years On the basis of it, it can be visually divided into three stages: the period of self-conscious creation of the legal film of rural subjects from 1979 to 1991, the period of the development and transformation of the legal films of rural subjects from 1992 to 2000, and the prosperity and multi production period of the rural subject legal films from 2001 to 2008.
The second chapter discusses the changes in the legal film of rural subjects. This paper examines the reasons for the changes in the legal films of rural subjects from the grand background of the 30 year development and change of Chinese society. From the reform and innovation of the film system to the improvement of the legal system and the renewal and progress of the social culture, this paper explains the 30 years in detail through these angles. The reason for the change of Rural Legal Movies is to observe the influence of social background on the communication system.
The third chapter, through the analysis of the development situation and reasons of the rural subject legal film in the new period, explores its characteristics and the positive and negative two aspects of communication. Its characteristics are as follows: the creation process is from spontaneity to self-consciousness, and the new law produces influence on the creation of rural subject matter legal shadow, which in turn promotes the creation. In the process of China's legalization, "human feelings" is more important than "legal theory"; the film is more concerned with "people" than "law"; "rural" is more than "court". In the new period, the role of rural subject legal film is mainly: cognition, vigilance, guidance and construction. At the same time, it should avoid its possible belt. The negative effects are mainly induced, imitation, destructive and dissimilation.
The fourth chapter, starting with the image narrative, analyzes which type of "story" is usually presented in order to realize the role of the rural subject legal film in the new period, and what kind of organization "structure" is used to express it?
This chapter is divided into two sections: the first section, from the point of view of the narrative theme, explore and think about the status of rural legal system in the new period. When the closed space of "rural" is presented, the theme of rural subject legal film narrative in the new period is more to show the contradiction between "human feeling" and "legal theory"; "the countryside" is also constantly subject to the "city". The "city" has become the most important factor in the deconstruction of the "rural" community. In the new period, the rural subject legal film not only shows the conflict between the values of the urban and rural areas, but also shows the difference in the way of behavior. At the same time, the narrative theme of the rural subject legal film is also concerned about how to coordinate the urban and rural areas in the new period. The contradictions and conflicts between the two have successfully established the rule of law in rural society.
The second section, from the narrative structure of the rural subject legal film in the new period, analyzes how the rule of law of the Chinese local society is constructed under the domination of the surface structure and deep structure of the film text. In the surface structure of the narrative, we extract the main elements of the rural subject matter legal shadow and study it. The relationship between each other, the analysis of these similar characters, character function, plot development, conflict and conflict is how to bear the important narrative function; in the deep structure of the narrative, the value of the legal order of the legal system of the rural subject matter in the new period, the realization of the value of justice and the conflict and elimination of the value.
The fifth chapter examines how the legal culture is embodied in the legal movie of the country. From the two aspects of the main theme film and the entertainment film, it examines the spread of the dominant and popular characteristics of the legal culture.
Finally, the paper summarizes the full text, and points out that the rural subject legal film has made brilliant achievements in the course of 30 years' development in the new period. It plays a vital role in helping the peasant's legal consciousness awakening and promoting the legal construction of local society. It not only truly reflects the people's livelihood of the local society, but also the role of the local society. In the local society, it affects the local society. We should make efforts to make the legal and cultural features of the rural subject matter legal film conform to the legal value orientation of all human beings and make it move towards the world with a unique national appearance.
At present, there is no special study at home and abroad on the legal film of rural subject matter in the new period. On the basis of the collection of many first-hand rural subject legal film materials, the author studies the rural subject legal film with the evolution of Chinese social system, the reform of the film industry system and the angle of image narration, which has a certain creation. New and comprehensive.

【学位授予单位】：山东大学
【学位级别】：博士
【学位授予年份】：2011
【分类号】：J905

【引证文献】