莫言小说反讽现象研究
本文关键词:莫言小说反讽现象研究 出处:《山东大学》2017年硕士论文 论文类型:学位论文
【摘要】:莫言小说的反讽现象一直为学界所关注,其中不乏深入且独到的分析。但或是围绕某一作品展开,或者是作为莫言研究的一个方面,或是作为当代文学反讽的一个案例,而莫言小说反讽产生的深层原因,以及反讽在其中体现出的历时性特征等问题都有待更进一步的分析。本文从阅读体验出发,将莫言小说中的反讽视为一种现象,进行总体归纳、文本分析和原因探讨,试图构建起莫言作为创作主体和反讽之间的联系。下面按章节进行概述:第一章以莫言的创作历程为线索,发现莫言小说中的反讽呈现出一种螺旋式上升的特点。本文将莫言的反讽总结为四个阶段:从模仿到极端化的初创时期、从尖锐对立到温和对抗的复苏时期、从深沉厚重到轻灵自由的转型时期,以及"大踏步撤退"的形式探索时期。第二章从修辞反讽和情境反讽两个层面分析莫言小说文本内部的反讽要素。在修辞反讽层面,政治话语的借用、矛盾与悖谬、夸张与变形都是常见的手法;在情境反讽层面,叙述结构和文体戏仿上的试验表达出"真伪之辨"的意义指向。第三章聚焦于莫言小说文本背后的反讽内涵,从意象反讽和主题反讽的角度深入研究。在意象反讽层面,意象与人物之间的相离与相合构成深刻的反讽;在主题反讽层面,对"战争"与"自我"的处理方式,都反映出莫言的深刻洞见。第四章从阅读契约的角度,以《丰乳肥臀》和《欢乐》引发的争议为切入点,对作者意图、表现效果、深层原因等方面进行讨论,分析莫言反讽的未尽之处。第五章从反讽主体分析了莫言小说中反讽的产生原因。莫言农民、军人、作家的身份与创作立场让反讽成为一个复杂的矛盾体。同时本文还对莫言笔名的内涵进行了分析,贯通了现实中莫言、叙述风格中的莫言和作品中的人物莫言,揭示出名与人、文与人之间深刻而复杂的关系。本文按照从现象到本质的逻辑,关注到反讽背后的内涵,将反讽研究从文本之内扩散到文本之外,从文本客体推及到作者主体,寻找解读文本的不同角度,以期为莫言研究贡献一点新意。
[Abstract]:The phenomenon of irony in Mo Yan's novels has been concerned by academics, including analysis of deep and unique. But or around a certain works, or as an aspect of the study of Mo Yan, or as a case of contemporary literary irony, irony and deep reasons of Mo Yan's novels and the irony in which reflect the diachronic characteristics and other issues need to be further analyzed. From the reading experience of the irony in Mo Yan's novels as one kind of phenomenon, summarize and discuss the text analysis and reason, trying to build up Mo Yan as a creative subject and the relation between irony. The following chapters: first overview by chapter in Mo Yan's creative process as a clue, found in Mo Yan's novels irony showing a spiraling characteristics. In this paper, Mo Yan's irony summarized into four stages: from imitation to extremes at the beginning From the stage, in sharp opposition to moderate against the recovery period, from deep to light and agile transition period, and explore the retreat by leaps and bounds in the form of time. The second chapter is the analysis of Mo Yan's novel text internal irony elements from two aspects of rhetorical irony and situational irony. In the rhetoric of irony, the political discourse of borrowing, contradiction with the paradox, exaggeration and deformation are common practices; in the Situational Irony Narrative level, test structure and style on the expression "to parody the authenticity of distinction". The third chapter focuses on the significance of Mo Yan's novel text behind the ironic meaning, in-depth study of irony and irony from the image theme perspective. In the aspect of image irony the deviation between images and characters, and consistent constitute a profound irony; irony in the theme of "war level" and "self", reflects the deep hole of Mo Yan see. In the fourth chapter, from the reading of the contract The angle, with < > and < > buxom joy of controversy as the starting point, the effect on the intention of the author, and also discussed the deep reasons, Mo Yan analysis of irony unfinished. The fifth chapter analyzes the reasons of irony in Mo Yan's novels from the irony subject. Mo Yan farmer, soldier, and the creation of the position of writer identity let the irony become a complex contradiction. At the same time the connotation of Mo Yan under the pseudonym was analyzed, through the reality of Mo Yan, the narrative style of Mo Yan and the characters in the works of Mo Yan, and reveals the famous people, profound and complicated relationship between the text and the people. In accordance with this article from the phenomenon to the nature of logic pay attention to the meaning behind the irony, irony, the study from the text within the spread to the outside the text from the text object permanence to the subjective, different angles for interpretation of the text, in order to offer some new ideas for the study of Mo Yan tribute.
【学位授予单位】:山东大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.42
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