北齐造像记书法研究
发布时间:2018-01-11 20:08
本文关键词:北齐造像记书法研究 出处:《吉林大学》2017年硕士论文 论文类型:学位论文
【摘要】:北齐造像记蕴含了北齐丰富的社会、宗教文化等信息,同时还具有很高的书法艺术价值。本文以《北齐造像记书法研究》为题,深入挖掘北齐造像记的书法价值,对造像记产生的背景,造像记书法的本体,即书体与书法风格,以及造像记的书丹刊刻等问题进行分析研究。本文正文分为四章。第一章为北齐造像发展的社会环境,重点对北齐的佛教发展与佛教造像兴盛的原因进行分析,并且介绍了北齐的社会文化环境及北齐的书法家。第二章与第三章从北齐造像记书法的本体出发,分析造像记的书体特征与书法风格以及北齐造像记的地域书风特征;从北齐上层社会与低层社会使用的不同书体入手,进而讨论了北齐朝廷书法与民间书法的面貌;在论述北齐造像记的地域书风特征时,通过对邺城地区、河洛地区以及青齐地区三个典型的地域具体分析,研究地域的社会文化对造像记书法风格的影响以及地域书风的特征。第四章,讨论了北齐造像记的书丹、刻手以及刊刻对书法风格的影响。本文以北齐造像记为研究课题,从北齐的社会文化大背景出发,对造像记书体、书法风格进行整体讨论,并试图从朝廷对书法的统一规范、民间书法的状况以及地域书风等角度提出一些新的见解。希望能以造像记书法为基础,还原北齐社会书法的真实面目。
[Abstract]:North Qi statues contains rich social, religious and cultural information, but also has a high value of calligraphy. Dig deeply into the calligraphy value of the portrait of the Northern Qi Dynasty, the background of the creation of the portrait record, the ontology of calligraphy, that is, calligraphy style and style. This paper is divided into four chapters. The first chapter is the social environment of the development of the statues in the Northern Qi Dynasty, focusing on the Buddhist development of the Northern Qi Dynasty and the reasons for the prosperity of the Buddhist statues. And introduced the social and cultural environment of the Northern Qi and the calligrapher in the Northern Qi. The second and third chapters start from the Noumenon of calligraphy. This paper analyzes the characters of calligraphy style and style of calligraphy and the regional style of calligraphy in Northern Qi Dynasty. Starting with the different calligraphy styles used in the upper and lower levels of the Northern Qi Dynasty, the author discusses the features of the calligraphy of the imperial court and the folk calligraphy in the Northern Qi Dynasty. When discussing the characteristics of the regional calligraphy style of the Northern Qi statues, this paper analyzes three typical regions of Yecheng area, Heluo area and Qingqi area. This paper studies the influence of regional social culture on the calligraphy style and the characteristics of regional calligraphy style. Chapter 4th discusses the calligraphy of the Northern Qi Dynasty. The influence of engraving and publishing on calligraphy style. This paper takes the portrait of the Northern Qi Dynasty as a research topic, from the social and cultural background of the Northern Qi Dynasty, the calligraphy style and calligraphy style are discussed as a whole. It also tries to put forward some new opinions from the angle of the unified standard of calligraphy in the imperial court, the situation of folk calligraphy and the regional style of calligraphy, hoping to restore the true face of calligraphy in Northern Qi Dynasty on the basis of portrait calligraphy.
【学位授予单位】:吉林大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:K239.24;J292.1
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