从王渊到徐渭-水墨花鸟画写真到写意形态的转变

发布时间：2018-01-14 09:18

本文关键词：从王渊到徐渭-水墨花鸟画写真到写意形态的转变　出处：《山东工艺美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：水墨画是我国传统绘画殿堂中的瑰宝。花鸟画又是中国画的一大分支。其中水墨花鸟画的出现构成了花鸟画艺术独特而灿烂的风景线。在对历史上花鸟画艺术宏观把握的基础上,对花鸟画形态的结构进行分析。借鉴马良书对中国画形态的分类,重点研究元代王渊和明代徐渭的绘画,挖掘出水墨花鸟画由写真到写意的演变趋势。首先水墨写真绘画是区别于隋唐和宋代最为兴盛的工笔重彩花鸟画而言的。水墨写真花鸟画吸收了工笔绘画的长处,注重造型的准确生动,物象来源于自然,并通过艺术的表现再现物象,水墨写真的花鸟画在运用笔墨上相对灵活多变,因此物象在塑造上具有更多的主观性因素。其次,水墨写真与重彩写真绘画的最大不同在于重彩写真是以色彩来表现物象,而水墨写意绘画舍弃了色彩的描绘,仅用水墨来代替色彩进行物象的描绘,这可以说是绘画史上重要的形态转变。本文选取元代王渊的绘画作为例证,着重阐述了他具有代表性的“墨花墨禽”。随着社会和时代的发展,水墨写真绘画逐渐过渡到水墨写意绘画形态。水墨写真形态和水墨写意形态在物质媒材、艺术表现、艺术效果、审美观念等方面均有不同,后者更加注重抒情性和创造性。本文选取了明代画家徐渭的花鸟画作为例证,并与王渊绘画形态进行对比,进一步论证两种绘画形态演变的特征。笔者论述本文希望达到以下三个目的,一是水墨花鸟画在历史上一直占有不可或缺的地位,对它的深入研究有助于进一步拓展水墨花鸟画的表现力,并为以后的研究提供一些参考。二是源于笔者对花鸟画的喜爱,又被中国古代灿烂的水墨艺术所吸引,希望通过深入地探究,一方面有助于加深我们对于传统民族艺术的理解,吸收传统艺术中的精华,另一方面也希望在继承的基础上,能够有所创造,通过理论与实践的结合把中国传统艺术发扬光大。
[Abstract]:Chinese ink painting is a treasure in the traditional painting hall of our country. The flower and bird painting is also a big branch of Chinese painting. The appearance of the ink flower and bird painting constitutes the unique and splendid scenery line of the flower and bird painting art. In the history, the flower and bird painting art is great. View on the basis of grasp. Analyze the structure of flower and bird painting form. Learn from the classification of Chinese painting form of Ma Liangshu, focus on the Yuan Dynasty Wang Yuan and Ming Dynasty Xu Wei painting. Dig out the evolution trend of ink painting from portrait to freehand brushwork. First of all, the painting of ink painting is different from the most prosperous painting of the Sui, Tang and song dynasties. Ink painting of flowers and birds has absorbed the advantages of fine brushwork. . Pay attention to the accuracy and vividness of the modelling, the object image comes from nature, and through the artistic expression reproduces the object image, the flower-and-bird painting of the ink painting is relatively flexible and changeable in the use of the pen and ink. Therefore, there are more subjective factors in the creation of the object image. Secondly, the biggest difference between the ink painting and the heavy color painting is that the heavy color painting is to show the object image, while the ink painting abandoned the color description. Only the use of ink instead of color to describe the object, this can be said to be an important change in the history of painting. This paper selected the Yuan Dynasty Wang Yuan painting as an example. With the development of the society and the times, the ink painting has gradually transferred to the form of freehand brushwork. The form of ink brushwork and the form of freehand brushwork are in the material medium. Art performance, artistic effects, aesthetic concepts are different, the latter pays more attention to lyricism and creativity. This paper selected Xu Wei's flower-and-bird painting as an example, and compared it with Wang Yuan's painting form. To further demonstrate the characteristics of the evolution of the two forms of painting. The author discusses the following three purposes: the first is the painting of ink flowers and birds in history has been playing an indispensable role. The in-depth study of it will help to further expand the performance of ink and bird painting, and provide some reference for future research. Second, it is derived from the author's love of flower and bird painting, but also attracted by the brilliant painting art in ancient China. Hope through in-depth exploration, on the one hand help us to deepen our understanding of traditional national art, absorb the essence of traditional art, on the other hand, also hope to inherit on the basis of something to create. Through the combination of theory and practice, Chinese traditional art is carried forward.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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