论苏轼诗画观对当代图文关系的启示

发布时间：2018-02-05 00:59

本文关键词： 苏轼诗画观文学创作文学接受视觉文化　出处：《湖北民族学院》2017年硕士论文　论文类型：学位论文

【摘要】：读图时代的图文关系是当代文艺界不可忽视的重要问题,关于图文关系之如何,图文关系之何解,图文关系之忧虑等诸多问题的讨论日渐丰富。当代图文关系的走向关涉到文学、文化的发展,对图文关系的研究也是对文学、文化的研究。若能从中国古典文论中寻找到对当代图文关系的启示,既有利于我国古典文化的传承,又能丰富当代图文关系的理论思路。通过阅读苏轼诗画观的相关文论,直观感受到这些理论对当代图文关系有所启示,经过后期系统阅读和认真探索,认为苏轼诗画观在文学创作和文学接受两方面对当代图文关系有所启示。文章从以下三方面展开讨论:首先解释诗画观与图文关系在理论上的互通性,诗与文,画与图,是两组对应的概念和范畴,梳理诗与画的关系对探讨图与文的关系具有可借鉴性;再通过分析当代图文关系,立足文学创作中的文学性缺失与文学接受上的审美问题,对比苏轼诗画观,去反思当代图文关系;最后尝试从文学创作与文学接受两方面去探讨苏轼诗画观的当代启示,一是创作时应该是构思,而非构图,二是读者应遵循非功利性审美,而非“娱乐至上”的功利性审美。
[Abstract]:The relationship between picture and text in the time of reading pictures is an important problem which can not be ignored by the contemporary literary and art circles. The trend of contemporary graphic and text relations is related to the development of literature and culture, and the study of the relationship between picture and text is also a kind of literature. The study of culture. If we can find out the enlightenment to the relationship between the contemporary pictures and texts from the classical Chinese literary theory, it will not only benefit the inheritance of the classical culture of our country, but also enrich the theoretical thinking of the relationship between the contemporary pictures and texts. By reading the relevant literary theories of Su Shi's view of poetry and painting, It is intuitively felt that these theories have some enlightenment on the relationship between modern graphics and text, and after the later period of systematic reading and careful exploration, The author holds that Su Shi's view of poetry and painting has some implications for the relationship between contemporary graphics and texts in both literary creation and literary acceptance. The article discusses the following three aspects: first, it explains the intercommunication between the view of poetry and painting in theory, the relationship between poem and article, painting and drawing. It is the corresponding concept and category of two groups, combing the relation between poem and painting has the reference to discuss the relation between picture and text, and then through analyzing the relation of contemporary picture and text, it bases itself on the lack of literariness in literary creation and the aesthetic problem of literary acceptance. Comparing Su Shi's view of poetry and painting to reflect on the relationship between contemporary pictures and texts, and finally trying to explore the contemporary enlightenment of Su Shi's view of poetry and painting from two aspects of literary creation and literary acceptance. One is that the creation should be a conception, not a composition. Second, readers should follow non-utilitarian aesthetics, not utilitarian aesthetics.
【学位授予单位】：湖北民族学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22;J205

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