纸上中土—《魔戒》空间叙事研究

发布时间：2018-02-27 21:18

本文关键词： 托尔金《魔戒》空间叙事空间与传统现代秩序意识　出处：《天津师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：J.R.R.托尔金的《魔戒》作为史诗奇幻小说的扛鼎之作,开创了新的小说类型。近年来,国内对《魔戒》的研究已初具规模,且呈现出多元纵深的趋势;但对《魔戒》的叙事研究,大多停留在弗莱的"U型"叙事结构的讨论上,缺乏对小说空间叙事问题的思考。本论文以"空间"为突破口,借助空间叙事理论,对《魔戒》所塑造的庞大空间进行系统研究,以期能为《魔戒》系列小说开拓出新的研究视角。本论文分绪论、正文、结语三部分。绪论简要对作者生平、国内外对《魔戒》的研究情况、空间叙事学的发展情况等进行简要说明,并提出本论文的行文框架。正文由三部分组成,第一部分直接切入作品,详细分析托尔金笔下塑造的众多空间的不同叙事功能:其一,以"门"这一空间元素探讨空间由封闭走向联合,夏尔作为故事开始与结束的地方,构成了小说主人们心中的"神圣空间"。其二,小说中塑造的"中土世界"这一空间不仅是地理场景,也同样作为时间的参照物来安排小说情节线索、推动叙事进程。第二部分从文本外围入手,深入分析了《魔戒》叙事视点和结构上的"空间"特点,小说中叙述人众多,因而产生了多声齐鸣的空间效果,每位叙事者观察视角不同,从而形成了小说视角上散点透视的叙事总体特征。又因小说主次线索交错推进,形成了"中国套盒"式的空间叙事结构和迭代式的叙事方式。至此,论文从内外围系统的分析了《魔戒》的文本空间效果即文本背后的空间叙事技法。第三部分结合托尔金的"善灾"论,分析其小说空间叙事背后所追寻的秩序意识。《魔戒》所呈现的空间与现实世界相距甚远,但这正是对现实的关切,希望能站在时空之外,回到一个有魅力的世界中;在"复魅"的基础上,小说文本层面也寻回了以传统文学为根基的"秩序",托尔金借助对英雄形象的重新塑造和对基督教"末世论"的深入理解最终在文本中建构出庞大瑰丽的"中土世界",完成了他对恢复"秩序"的期盼和追寻。
[Abstract]:J. R. R. Tolkien's Lord of the Rings, as an epic fantasy novel, has opened up a new type of novel. In recent years, the study of Lord of the Rings in China has begun to take shape, and has shown a trend of multiple depth, but the narrative study of the Ring of the Lord of the Rings. Most of them stay on the discussion of the "U-shaped" narrative structure of Frey, and lack of thinking about the space narrative problem of the novel. This paper takes "space" as the breakthrough point and makes a systematic study of the huge space created by the Lord of the Rings with the help of the theory of spatial narration. This paper is divided into three parts: introduction, text and conclusion. The introduction is a brief introduction to the author's life and the research situation of the Ring at home and abroad. The development of spatial narratology is briefly explained, and the text frame of this thesis is put forward. The text is composed of three parts, the first part directly cuts into the works, and analyzes in detail the different narrative functions of many spaces shaped by Tolkien: first, Using the space element of "door" to explore the space from the closed to the United, Charles, as the place where the story begins and ends, constitutes the "sacred space" in the minds of the owners of the novel. The space of Middle Earth in the novel is not only a geographical scene, but also a reference of time to arrange the plot clue of the novel and promote the narrative process. The second part starts with the periphery of the text. This paper deeply analyzes the characteristics of the narrative viewpoint and structure of the Lord of the Rings. The narrator in the novel has a large number of narrators, so it has a spatial effect of multiple voices, and each narrator has a different perspective of observation. Thus forming the overall narrative characteristics of the perspective of scattered points in the novel, and the interlacing of the main and secondary clues of the novel, forming the space narrative structure and iterative narrative mode of "China set box". The paper analyzes the spatial effect of the text of the Lord of the Rings, which is the spatial narrative technique behind the text. The third part combines Tolkien's theory of "good disaster". This paper analyzes the sense of order pursued behind the space narration in his novels. The space presented by Lord of the Rings is far from the real world, but this is the concern for reality and hopes to stand outside time and space and return to a charming world. On the basis of "reenchantment", "order", which is based on traditional literature, is also found at the level of the novel text. Tolkien, with the help of the remolding of the hero image and the deep understanding of Christian "eschatology", finally constructs a huge and magnificent "middle earth" in the text. "the world", completed his hope for the restoration of "order" and the pursuit.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I561.074

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