奚琴在中国和朝鲜半岛的传承与发展探微

发布时间：2018-03-03 17:07

本文选题：奚琴　切入点：中国　出处：《上海音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：奚琴起源于古代中国随后传入东部邻邦朝鲜。古往今来,东亚音乐文化圈浩如烟海的乐器群中,奚琴作为稀有的弓弦乐器出现于两国宫廷和民间,在反应中国和朝鲜音乐文化交流的同时,亦表现出同一乐器在不同的文化环境下被赋予不同形式与形态的成长。数百年间,奚琴于中国和朝鲜两地沿着各自的轨迹衍变和发展。在中国,奚琴经历了宋、元、明、清与近现代等不同朝代,由起初传统的《乐书》形制1逐一形成和扩散至庞大的胡琴家族体系下的多种衍生体;在朝鲜半岛,传统形制的奚琴仍一直被保存与传承,直到二十世纪中叶形成南北两种不同的国度与社会体系后,半岛北部的朝鲜将奚琴进行了全方位的西式改革,以另一种新面貌问世。本文主要运用音乐史学的研究方法,并集合音乐图像学、音乐文献学、音乐考古学、民族音乐学等考进方法对奚琴在中国和朝鲜半岛发展衍变历程进行分析与探讨。本文的研究内容主要包括三个部分:第一部分针对史料的整理与分析,结合前人研究,再次探析奚琴在中国的源起时期以及传入朝鲜的历史背景,针对先前部分学者阐述奚琴在唐代就以诞生的观点,笔者针对唐、宋音乐文献的考察,最终认为奚琴在中国的确凿年代为宋代;第二部分分别以奚琴形制为出发点,阐述奚琴在中国、朝鲜半岛的发展脉络进行阐述,奚琴在中国出现断层性与转折性衍变的同时,比较其朝鲜半岛的发展历程,使二者间的异同及其自身特性更加鲜明。笔者根据整理与对比奚琴在两国的发展历程,提出奚琴在中国的发展称之为"衍变",在朝鲜半岛的传承称为"演变"的观点。第三部分在前两部分的基础上,试图分析奚琴在中、朝历代传承中所呈现的流传地域的变迁其角色功能特征,以及二者间的成因。
[Abstract]:Xiqin originated in ancient China and was later introduced to Korea, a neighboring country in the east. Throughout ancient times, among the numerous musical instruments in East Asia's musical and cultural circles, Xi Qin, as a rare bow stringed instrument, appeared in the courts and folk of the two countries. While reflecting the exchange of music and culture between China and North Korea, it also shows that the same instrument has been given different forms and forms of growth in different cultural environments. Xi Qin evolved and developed in both China and North Korea. In China, Xi Qin went through different dynasties, such as Song, Yuan, Ming, Qing and Modern dynasties. Form 1 of the original traditional "Music Book" was formed and spread to various derivatives under the huge Huqin family system. In the Korean Peninsula, the traditional form of the Xi Qin is still preserved and passed on. Until the middle of 20th century, after the formation of two different national and social systems in the north and south of the peninsula, Korea in the northern part of the peninsula carried out a comprehensive western-style reform and came out with another new look. This paper mainly uses the research methods of music history. And the collection of music graphics, music philology, music archaeology, The development and evolution of Xi Qin in China and the Korean Peninsula are analyzed and discussed by means of ethomusicology. The research contents of this paper mainly include three parts: the first part is the arrangement and analysis of historical data, combined with previous studies. Once again, it analyzes the origin of Xi Qin in China and the historical background of his introduction into North Korea. In view of the previous scholars' view that Xi Qin was born in the Tang Dynasty, the author examines the music literature of Tang and Song dynasties. Finally, it is concluded that the definitive era of Xi Qin in China is the Song Dynasty. The second part, taking the form of Xi Qin as the starting point, expounds the development context of Xi Qin in China and the Korean Peninsula. At the same time, the Xi Qin has a fault and a turning point in China. By comparing the development of the Korean Peninsula, the similarities and differences between the two countries and their own characteristics are more clear.According to the arrangement and comparison of the development of Xi Qin in the two countries, This paper puts forward the view that the development of Xi Qin in China is called "evolution", and the inheritance on the Korean peninsula is called "evolution". The third part is based on the first two parts and tries to analyze Xi Qin's presence. The vicissitude of the spreading region in the successive dynasties and its role-function characteristics, and the causes of formation between the two.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J63

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