玉龙县纳西族丁巴什罗舞变迁研究

发布时间：2018-03-09 13:41

本文选题：纳西族　切入点：丁巴什罗舞　出处：《云南艺术学院》2017年硕士论文　论文类型：学位论文

【摘要】：东巴舞蹈是东巴文化的重要组成部分,通过身体语言符号传达着纳西族东巴教的宗教精神。丁巴什罗舞作为东巴舞蹈神舞类中代表性的法仪舞蹈,表现着东巴教教主丁巴什罗的生平事迹,以故事内容的分段式表述发挥着宗教功能,成为纳西族东巴文化的研究的典型案例。本文以丁巴什罗舞作为研究对象,将田野点放置纳西族文化发展变迁最为典型的丽江市玉龙纳西族自治县,试图通过对东巴舞谱和前人研究成果的梳理,结合影像资料与田野点的比较和调查,分析丁巴什罗舞于不同方面的变迁情况,探析该地区丁巴什罗舞随时代的发展与多元文化的影响下是何原因致使其变迁。全文共分为导论、正文及结语三个部分。导论部分主要阐述了论文的选题缘起、相关研究综述、研究目的及意义、研究方法及理论依据。正文包括了四个章节:一、简要论述丁巴什罗舞生成的宗教文化语境、起源、分布与田野点的基本概况。二、以田野调查为基础,通过对舞蹈表演场域、舞蹈功能和舞蹈形态的“古”与“今”比较分析,探究丁巴什罗舞“变了什么”与“怎么变”。三、将丁巴什罗舞置于在玉龙县纳西族历史变迁的纵向坐标和多元文化影响的横向坐标之中,对其变迁的原因进行历时性与共时性的多维度阐述。四、关于丁巴什罗舞发展变迁的若干思考,探讨变迁对该舞的积极与消极影响,为丁巴什罗舞的保护与传承工作提出建设性意见。结语部分是对本文进行总结与概括,并阐述笔者对于丁巴什罗舞变迁的认识。
[Abstract]:Dongba dance is an important part of Dongba culture. It conveys the religious spirit of Dongba religion of Naxi nationality through body language symbols. It shows the life story of Dingbaishro, who is the master of Dongba, and plays a religious role in the description of the content of the story, and becomes a typical case of the study of Dongba culture of the Naxi nationality. This paper takes the dance of Dingbaishro as the object of study. This paper puts the field spot in Yulong Naxi Autonomous County of Lijiang City, which is the most typical cultural development change of Naxi nationality. By combing the Dongba dance spectrum and previous research results, combining the image data with the field spot, the author tries to compare and investigate the field spot. This paper analyzes the vicissitude of Dingbashiro dance in different aspects, and analyzes the reasons why the Dingbashiro dance changes with the development of the times and the influence of multiculturalism in this area. The full text is divided into two parts: introduction. The main body and the conclusion three parts. The introduction part mainly elaborated the thesis topic choice origin, the related research summary, the research goal and the significance, the research method and the theoretical basis. The text includes four chapters: 1, This paper briefly discusses the religious and cultural context, origin, distribution and the basic situation of the field points of Dingbashiro Dance. Secondly, based on field investigation, this paper makes a comparative analysis of the "ancient" and "present" dance performance fields, dance functions and dance forms. This paper probes into "what has changed" and "how to change" in Dingbashiro Dance. Third, the Dingbashiro Dance is placed in the vertical coordinates of the historical changes of the Naxi nationality in Yulong County and in the horizontal coordinates of the influence of multiculturalism. The causes of its changes are expounded in diachronic and synchronic ways. Fourthly, some reflections on the development and changes of the Dingbashiro dance are discussed, and the positive and negative effects of the changes on the dance are discussed. The conclusion part summarizes and generalizes this article and expounds the author's understanding of the vicissitude of Ding Bastillo Dance.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J722.29

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