北京戏曲演出生态现状研究（1978-2017）

发布时间：2018-03-21 04:22

本文选题：北京戏曲演出　切入点：现状分析　出处：《中国戏曲学院》2017年硕士论文　论文类型：学位论文

【摘要】：现阶段中国戏剧正处于继20世纪80年代以后的繁荣时期,演出的场次和观众的人次都达到前所未有的高度。2000年以来北京市戏曲类演出从演出样式、演出数目、排演及传播的广泛度逐年增加。这些现象的产生,一定程度上刺激了传统戏曲固步不前的现状,并在某种程度上纠正了人们对戏曲演出的偏见。为此需要我们重新梳理分析戏曲演出的现状,重新审视戏曲在当代文化的定位及现阶段面对的问题和挑战。本文选题主要研究分析的北京戏曲演出生态现状是对当下,尤其是改革开放以后到现在(1978-2017年)北京市戏曲类演出的真实状况进行的报告研究,具有一定的现实意义和实践意义。本文针对这一现象及相关话题,对北京戏曲演出生态开展调研分析。第一部分,综述北京戏曲演出环境的现状,明确界定北京戏曲演出生态的定义及研究的人文和生态范围;第二部从创作题材和类型的角度,梳理近三十年来北京戏曲演出的三大主流类型样式及两大新兴的戏曲改编样式,分析演出生态核心的人才及制作环境现状;第三部分从市场营销及相关政策的角度,分析戏曲演出主体院团及演出场所的发展外部环境;最后总结分析北京戏曲演出的生态大环境,探讨北京戏剧演出各部分生态环境的冲突,从创作到最终演出呈现各个阶段归纳该阶段现有症结及应对策略及利弊分析,并提出解决方案。
[Abstract]:At the present stage, Chinese drama is in a period of prosperity after 1980s. The number of performances and audience numbers has reached an unprecedented high. Since 2000, the number of performances in the opera category in Beijing has changed from the performance style to the number of performances. The wide range of rehearsals and dissemination has increased year by year. To some extent, these phenomena have stimulated the present situation of traditional opera. And to some extent corrected the prejudice of people to the opera performance. Therefore, we need to rearrange and analyze the present situation of the opera performance. Reexamine the position of opera in contemporary culture and the problems and challenges in the present stage. The ecological status quo of Beijing opera performance, which is mainly studied and analyzed in this paper, is the present situation of opera performance in Beijing. Especially since the reform and opening up to the present (1978-2017), the report on the real situation of opera performances in Beijing has certain practical and practical significance. This paper aims at this phenomenon and related topics. The first part summarizes the present situation of Beijing opera performance environment, defines clearly the definition of Beijing opera performance ecology and the humanities and ecological scope of the study. Combing the three mainstream types of Beijing opera performances in the past 30 years and the two major emerging opera adaptation styles, analyzing the talent and production environment of the ecological core of the performance. The third part is from the perspective of marketing and related policies. This paper analyzes the external environment of the development of the main troupe and the place of opera performance, and finally summarizes and analyzes the ecological environment of Beijing opera performance, and probes into the conflict of ecological environment of each part of Beijing drama performance. From creation to final performance, this paper sums up the existing sticking points, coping strategies, advantages and disadvantages of this stage, and puts forward solutions.
【学位授予单位】：中国戏曲学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J809.2

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