韩国偶像剧男性气质研究

发布时间：2018-03-22 01:34

本文选题：韩国偶像剧　切入点：男性气质　出处：《山东大学》2017年硕士论文　论文类型：学位论文

【摘要】：韩国是向中国输出节目最多的国家。自1993年韩剧进入中国市场,二十多年来几经兴衰却始终拥有着顽强的生命力,潜移默化地渗透进中国人的衣食住行,对中国本土文化发展提出挑战。在以女性为创作主体和目标受众的韩国偶像剧中,男性角色的建构是重中之重。有鉴于此,本文将"韩剧"大概念进行分类限定,从中抽离出"偶像剧"这一类型,选择在中韩两国引发热议、具有代表性的韩国偶像剧中的男主角作为研究对象,从西方男性气质理论的角度切入,综合运用文献研究法、个案研究法、比较分析法对韩国偶像剧男性气质的建构以及发展脉络进行梳理,探究其变迁背后的文化成因。本论文一共分为五个章节。第一章为绪论,首先简要介绍韩剧在本土和在中国的发展历史;然后对国内外研究韩剧的文本作研究综述,指出家庭剧、历史剧以及偶像剧面向的市场群体不同,表达的侧重点也不同,部分研究在没有对"韩剧"大概念进行分类限定的情况下进行,研究过于宏观,学界对媒介与性别的研究主要以女性为主,将韩剧性别研究等同于女性研究,忽视了在文本中被置于女性凝视下的焦点——男性;最后说明个案选择的理由以及研究方法。第二章主要介绍西方男性气质理论的发展历史,探讨身体与气质之间的关系,重点引入西方男性气质研究领域的重要学者R.W.康奈尔对于男性气质的定义和分类,说明男性气质本质上是历史性的,具有多样性和动态性。第三章首先分析韩国偶像剧将男主角建构成帅气男性的三个表象因素——外貌、车子、房子;其次从男主角的职业选择与婚恋选择上说明大家长制下男主角的反叛与妥协;最后从职业伦理气质角度将韩国偶像剧男主角气质划分为直接支配型(如集体管理,军事命令)和技术知识类型(如专业,科学)。第四章从历时性的角度将1992年以来热播韩国偶像剧中的男主角气质划分为三个阶段——完美白马王子、孩子气霸道总裁、神秘超能力男神和神经质病态精英,重点分析每个阶段男性气质的具体案例和该阶段作品中的男女两性关系变化。最后一章,从暴力美学、消费文化、现代性和民族性四个维度审视韩国偶像剧男性气质变迁背后的文化成因,探讨韩国偶像剧中表现出来的美学的暴力、对男性身体的异化、对西方现代性的向往和模仿以及植根于"恨"的悲情、疏离和反叛的民族气质。本文认为,消费文化在解放原有受传统压迫的"身体"的同时,也在制造新的受消费压迫的"身体",而这种压迫在一定程度上被大众喜闻乐见的娱乐文化遮蔽了。
[Abstract]:South Korea is the country that exports the most programs to China. Since Korean dramas entered the Chinese market in 1993, after more than 20 years of ups and downs, it has always had a strong vitality, imperceptibly infiltrating into the Chinese people's clothing, food, housing and transportation. This paper puts forward a challenge to the development of Chinese native culture. In Korean idol dramas with women as the main creative subject and target audience, the construction of male characters is the most important. In view of this, this paper classifies the big concept of "Korean drama". From this type of "idol drama", the main actor in the representative Korean idol drama is chosen as the object of study, and the literature research method is used synthetically from the angle of the western masculinity theory, and choose the leading actor in the representative Korean idol drama as the object of study in both China and South Korea, and choose the leading actor in the representative Korean idol drama as the object of study. This paper is divided into five chapters: the first chapter is the introduction. First of all, it briefly introduces the history of the development of Korean dramas in China and at home, and then summarizes the research on the texts of Korean dramas both at home and abroad, and points out that family dramas, historical dramas and idol dramas have different market groups and different emphases. Part of the study is carried out without classifying the big concept of "Korean Drama", the study is too macro, the academic research on media and gender is mainly female, the gender study of Korean drama is equated with female study. The author neglects the focus of the female gaze in the text, and finally explains the reasons for the case selection and the research methods. Chapter two mainly introduces the history of the development of the western theory of masculinity, and probes into the relationship between body and temperament. The definition and classification of masculinity by R. W. Cornell, an important scholar in the field of western masculinity research, is introduced, which shows that male temperament is historic in nature. With diversity and dynamic. Chapter three first analyzes the Korean idol drama to build the hero into handsome male appearance of three factors-appearance, car, house; Secondly, it explains the rebellion and compromise of the leading role under the patriarchal system from the angle of career choice and marriage choice of the leading actor. Finally, it divides the leading male character of Korean idol drama into direct dominating type (such as collective management) from the angle of professional ethics. Military orders) and types of technical knowledge (such as professional, scientific, etc.). Chapter four divides the character of the actor in the popular Korean idol play since 1992 into three stages: the perfect Prince Charming, the childish overbearing president. Mysterious superpowers and neurotic morbid elites, focusing on the analysis of the specific cases of masculinity in each stage and the changes in the relationship between men and women in the works of that stage. The last chapter, from the perspective of violence aesthetics, consumer culture, From the four dimensions of modernity and nationality, this paper examines the cultural causes behind the change of male temperament in Korean idol dramas, probes into the aesthetic violence in Korean idol dramas, and dissimilates the male body. Yearning for and imitating Western modernity, and the national temperament rooted in "hate", alienation and rebellion, this paper argues that consumer culture liberates the original "body", which was oppressed by tradition, at the same time, It is also creating new "bodies" oppressed by consumption, which is partly obscured by popular entertainment.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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