论文房四宝的审美特征与文化根源

发布时间：2018-03-22 15:49

本文选题：文房四宝　切入点：审美特征　出处：《西北民族大学》2017年硕士论文　论文类型：学位论文

【摘要】：笔、墨、纸、砚,即"文房四宝",是中国传统书写工具,具有民族特色、艺术特色、文化特色和审美特色。在现代化的信息时代,电脑打字绘画渐渐取代了传统的书写工具,但中国传统的文房四宝,对书法艺术和中国画的创作仍然有着不可替代的作用,始终焕发着独特的中华瑰宝的艺术光彩。作为东方文化的重要载体,其独特的文化魅力和审美意蕴有着重要的研究价值。探究目前的文房四宝研究资料,我们发现,学者多以历史文化、制作工艺为研究目的,而少有从审美文化角度入手对文房四宝的研究。本文主要从审美文化角度对文房四宝进行研究分析。笔、墨、纸、砚从产生到发展,经历了漫长的历史岁月,在这个过程中,品种日渐繁多,制作日渐精良。伴随着社会经济文化的不断发展,人们对文房用具的审美要求不断提高,文房四宝从简单的书房用具,变为集书法、绘画、雕刻、文学等艺术于一体的艺术品,成为审美活动的产物,自然也成为审美文化的研究对象。首先,深入考察文房四宝的起源,有助于澄清中国文房四宝及相关审美史实,从其演变过程可以看出历史的变迁、经济的发展和审美文化意识的演变。其次,分析文房四宝的审美特征。最后,文房四宝作为记载历史,传承文化的工具材料,漫长的文化沉淀使得文房四宝渗透着中华民族特有的文化根源,蕴含着丰富的文化内涵。在前人研究成果的基础上,本文对文房四宝进行审美文化研究,是为了把文房四宝提高到美学高度,由此发掘出其审美价值,使人们从不同角度去了解文房四宝,唤起当代中国人对传统文化的兴趣,以此达到保护中华传统文化,传承和弘扬中华文明的目的。
[Abstract]:Pen, ink, paper and inkstone, or "four treasures of literature", are Chinese traditional writing tools with national, artistic, cultural and aesthetic characteristics. In the modern information age, computer typing and painting have gradually replaced the traditional writing tools. However, the four treasures of traditional Chinese literature still play an irreplaceable role in the creation of calligraphy and Chinese painting, and always radiate the artistic brilliance of the unique Chinese treasure, which is an important carrier of oriental culture. Its unique cultural charm and aesthetic implication have important research value. After exploring the current research materials of the four treasures in the literature, we find that most scholars take the historical culture and the production technology as the purpose of the research. However, few studies have been made on the four treasures of the Wenfang from the angle of aesthetic culture. This paper mainly studies and analyzes the four treasures of the Wenfang from the angle of aesthetic culture. The pen, ink, paper and inkstone have experienced a long historical period from their origin to development. In this process, With the continuous development of social economy and culture, people's aesthetic requirements for cultural appliances have been constantly raised, and the four treasures of Wenfang have changed from simple study utensils to calligraphy, painting and carving. Works of art, such as literature, become the product of aesthetic activities, and naturally become the object of study of aesthetic culture. First of all, a thorough investigation of the origin of the four treasures of literary houses is helpful to clarify the historical facts of the four treasures of Chinese literature and related aesthetics. From its evolution process, we can see the changes of history, the development of economy and the evolution of aesthetic cultural consciousness. Secondly, we analyze the aesthetic characteristics of the four treasures of the Wenfang. Finally, the four treasures of the Wenfang are used as tools for recording history and inheriting culture. The long cultural precipitation makes the four treasures of the Wenfang permeate the unique cultural roots of the Chinese nation and contain rich cultural connotations. On the basis of the previous research results, this paper carries on the aesthetic cultural research on the four treasures of the Wenfang. The purpose is to raise the four treasures of the literary room to the aesthetic level, thereby unearth its aesthetic value, so that people can understand the four treasures of the literature from different angles, arouse the interest of the contemporary Chinese in the traditional culture, and thus achieve the protection of the traditional Chinese culture. The purpose of inheriting and carrying forward Chinese civilization.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J201

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